Damaged

So with me being the movie person that I am I thought I was going to enjoy this way more then I actually did. The problem is any movie person has seen this story before so many times prior. I dried out alcoholic cop that is great at their job, but not reaching their full potential because of the alcohol and some life issue that is causing them to be miserable. This story is no different. A cop from Chicago is now in Europe working. He's very good at his job but the story doesn't really seem to care. The film is just ok. It's like watching a made for TV movie. It's just ok. I don't think I would recommend or view again.

A bit of a flop for me.

None of the characters seemed likeable, there was too much "accidental and forced" relationship drama that interrupted the storyline (which wasn't all that great to begin with), and there was no reason behind some of the character attributes. You'll see Samuel L. Jackson's character drinking constantly from scene one, so it's not a spoiler, but what does it add to the plot?

And speaking of Jackson, here's a good double standard for you: The retirement age for ANY Chicago cop is 63 and yet Samuel L. Jackson is 75. But somehow Leonardo DiCaprio caught hell for being too old for his role in "Killers of the Flower Moon." Now, I love both these guys--but Jackson gets a free pass because???

Oh dear. I am not sure which high school drama class was responsible for this travesty of a movie but it is unquestionably one of the worst films I have seen in the past decade. An absolutely ridiculous script with terrible acting. This abomination relies on loud scary sound effects, ominous music and recurring dismembered body parts in an effort to retain the viewer's attention or attempt to have some sort of cinematic relevance. There are no redeeming qualities to this film, it fails on all fronts - even the car chase actions seems are sophomoric and absolutely laughable - like the college kids who produced this disaster were excited to get their hands on an Audi and Beemer for the weekend. Incredibly bad.

Having SLJ in this movie was a waste of a talent , they failed to make it interesting . Vincent Cassel just basically walking around while Jackson is in scenes .

This movie is dumb and the writing is bad directing equally as bad , this is like a bad b movie you see in tv on Saturday afternoons .

Not suspenseful at all I was very annoyed watching this film . The buildup is just slow and awkward the car chase at the end has death metal soundtrack it's so bad . The editing is ridiculous. The story seems like it was written by someone in high school . I think anyone who pays to see this should get a refund .

I couldn't say why the writers wanted Samuel L Jackson in Scotland. Possibly Gianni Capaldi, one of the three writers and co-star, simply wanted to meet him.

A local Scottish detective (Capaldi) has a US cop (Jackson) help with a case due to the similarity of some murders in the States. He then enlists the help of a Frenchman (Cassel) and former colleague who happens to be in London and the unlikely trio attempt to solve the mystery as more murders occur.

The premise is implausible. Jackson phones in his performance. Foreboding moments are neon signs. The twists and ending are unsatisfying.

There are a couple of good performances from Laura Haddock and Kate Dickie as the wife of the Scottish detective and detective Kessler respectively but they by no means lift the film above average.

It really was an unsatisfying conclusion. In itself the reason for the review.