This World Can't Tear Me Down

Can not tell you how good it is.... His previous netflix series was also perfect, at made it again. The characters are so reals you can feel it through the screen. All the visiual and the audio experience is beautiful. Yes its animation, but it tells story so much better than any movie or series nowdays.

Zerocalcare has something that you can not learn, it came from him, so naturally, you just sitt and watch, and most of the moments like it already happened with me before... I guess my english is far not good enough to let everyone know, that you must see this piecee of art, so much better than those usual streaming products, it hs got soul!!

I don't want to spoil too much, but saying absolutely nothing about the plot makes it hard to explain why this series hit so hard. So, please mind: I'm only speaking about the setting and not the details of the plot.

A shelter for refugees is established in downtown Rome. And the series portrays a group of friends that split because they either want the shelter stay or be gone.

What the series does brilliantly is portraying the people who want the shelter to be gone. They are not simply evil monsters who hate people from oher countries, but have deep socio-psychological reasons for their stance. And likewise,people who defend the shelter aren't portrayed as do-goody angels, but people who have some agenda in it, making the whole thing morally grey.

It's not as depressing as Tear Along The Dotted Line, but is equally deep and sadly humorous. This is adult animation at its best.

Zerocalcare's new series, a quite realistic, crude and poetic animation in many aspects, enjoys high creativity, as in its previous animation (Strappate Lungo I Bordi), it has a similar format, the crudeness and realism are not limited to show but are exhibited in all splendor to express such a sensitive situation and issues as this series touches in a comical, realistic and dramatic way, the entertainment offered in its approximately 3 hours of duration is high and its replay value is booming, a work of art and a jewel of animation that joins this 2023 and history in general.

Questo Mondo Non Mi Renderá Cattivo.

Another amazing part, first series Tear Along the Dotted Line was brilliant, sad and so enjoyable that I wished it had more episodes now we are treated with well I wouldn't call it a sequel but rather a continuation with This World Can't Tear Me Down, again 6 episodes in total like a longer movie in short and it's amazing. The story, the characters their views on life and things they are going through with choices they make, with adorable armadillo as conscience perfect. Honestly first season left me speechless it was like gut punch, this one is not that much hard but is still worth the watch, honestly Zerocalcare did it again, he made an amazing show. This show with its first part and my favorite anime show Castlevania is the sole reason why it's worth it to pay for Netflix. If you watched first part watch this, if you haven't watched the first part watch that and then watch this. I promise it will be worth it.

Signore Calcare does it again.

It's really just season 2 of his own mind but like "Stroppare" there is an overarching narrative though here it is more front and center with fewer asides (but there are a few asides).

The first season was a hard act to follow but this story of how the people who brush in and out of our lives and how we end up feeling guilt for all we never did for them is touching in a candid way that goes just about far enough without over-complicating itself.

Zerocalcare, not unlike Art Spiegelman, has perfected the art of putting himself at the center of his art. He hasn't based his main character on himself but it truly is himself and while I am totally willing to believe at the very least some license was taken for the sake of good story telling, it is easy to accept this as a true story for its candour and brutalism.

As he weaves a rich tapestry in visual metaphor and a plethora of cultural illusions both classical and popular (mostly popular), the unromantic sting of real life glooms through rather hauntingly.

Zero's friends are more central this time around and their relationship is fleshed out which was cool. The soundtrack is creatively picked out and it captures a lush zeitgeist of both the Urban Rome that the tourists don't notice and the retro '90s.

It is a self-portrait created from the collisions with other people but the final note is that he knows very well that there's a world out there that's not all about him.

If you haven't seen the original Italian, please enjoy Zero just doing his thing.