After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
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Featured reviews
Enjoyable a day later, but on release as I was watching the movie, I kept expecting more. Some kind of twist and even a possible movie connecting during the ending. But alas, the movie is exactly what you see in the trailer. As a matter of fact, it's mostly what you see in the trailer. No surprises, no extra moments (except a very small surprise towards the end), just what you see is what you get.
I definitely did run a bit longer, I think they cut out that opening segmented and just start right away. It's Worth a watch if you have a season pass of some sort, but I wouldn't go out of my way compared to some others.
I definitely did run a bit longer, I think they cut out that opening segmented and just start right away. It's Worth a watch if you have a season pass of some sort, but I wouldn't go out of my way compared to some others.
If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
A mixed group of criminals kidnap Abigail, a young ballerina, and daughter of a powerful business mogul. The gang think they're coming into millions, but Abigail has a shocking surprise waiting for them.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
This is an entertaining horror movie with comedic elements sprinkled throughout it and everyone in the cast does a pretty good job with the parts they're given but Dan Stevens kills it, he steals the show in every scene he's in, killer lines and he's so damn funny you can't help but laugh. The movie is nothing you haven't seen before but even with that in mind it still manages to surprise you and be unpredictable at times with different twists and turns in the story.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
There is nothing in this film that you haven't seen in a number of other films but it manages, thankfully, to deliver.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
Did you know
- TriviaThe directors were so impressed by Alisha Weir's dancing that they added more dance sequences to the film.
- GoofsIt's too late to collect cell phones after they've already arrived at the scene of a crime, as the phones have already pinged local cell towers. However, given the true nature of the heist, this may be irrelevant.
- Crazy creditsAt the very end of the credits, Abigail's sinister chuckling is heard.
- ConnectionsFeatured in The Project: Episode dated 19 April 2024 (2024)
- How long is Abigail?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Ебіґейл
- Filming locations
- Glenmaroon House, Dublin, Ireland(Main house location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $25,867,515
- Opening weekend US & Canada
- $10,297,110
- Apr 21, 2024
- Gross worldwide
- $42,791,449
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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