After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
- Directors
- Writers
- Stars
- Awards
- 2 wins & 21 nominations total
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is fun - almost in the style of Hammer. It's gory, but not scary. A clichéd plot and characters, but directed and acted with enthusiasm, and a good nod to classic vampire films. All the references were there, we were just missing Vincent Price and Christopher Lee and an over-coloured palette.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
Plot
After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
Cast
Alisha Weir knocks it out of the park with her performance, Melissa Barrera is solid, Kevin Durand is excellent as always and Dan Stevens, Kathryn Newton and Giancarlo Esposito are er also there.
Verdict
I don't go the cinema often, usually this is because of limited time, inevitable disappointment and the ridiculous expense involved. The missus wanted to see this so I made an exception, I was right about the expense as it came to just over £50 which is lunacy for a 90 minute presentation and don't even get me started on how many adverts I had to endure (And I don't mean trailers).
But did I at least least enjoy the film? Well, yeah I really did. Alas this is certainly a movie where a person would be better off not watching the trailer, knowing the big twist straight out of the gate certainly damaged the film but it was so good and threw so many additional curveballs it just didn't matter.
A solid cast (I'm a Durand fanboy) including a child actress who absolutely nailed her role to unexpected levels, a decent budget, great setting, decent cinematography and dare I say some levels of originality Abigail was an unexpectedly good film and everything I wanted M3gan (2022) to be.
See I've slated Hollywood horror for years claiming they've lost their way but movies like this demonstrate all hope is not lost.
Gory, over the top yet fairly smart and fantastically executed Abigail is a solid horror film.
Rants
Poor Barrera, glad to see she's having a decent career post her ridiculous firing from the Scream series. Who'd have thought that being against genocide is a bad thing and a person could get fired over having that stance? Plenty in support of it are doing just fine. What a time to be alive!
The Good
Barrera, Durand and Weir Sufficiently gory Very well constructed Barrels of fun Plenty of twists to keep you entertained
The Bad
I feel the finale could have been handled a smidge better Newton didn't seem on form.
After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
Cast
Alisha Weir knocks it out of the park with her performance, Melissa Barrera is solid, Kevin Durand is excellent as always and Dan Stevens, Kathryn Newton and Giancarlo Esposito are er also there.
Verdict
I don't go the cinema often, usually this is because of limited time, inevitable disappointment and the ridiculous expense involved. The missus wanted to see this so I made an exception, I was right about the expense as it came to just over £50 which is lunacy for a 90 minute presentation and don't even get me started on how many adverts I had to endure (And I don't mean trailers).
But did I at least least enjoy the film? Well, yeah I really did. Alas this is certainly a movie where a person would be better off not watching the trailer, knowing the big twist straight out of the gate certainly damaged the film but it was so good and threw so many additional curveballs it just didn't matter.
A solid cast (I'm a Durand fanboy) including a child actress who absolutely nailed her role to unexpected levels, a decent budget, great setting, decent cinematography and dare I say some levels of originality Abigail was an unexpectedly good film and everything I wanted M3gan (2022) to be.
See I've slated Hollywood horror for years claiming they've lost their way but movies like this demonstrate all hope is not lost.
Gory, over the top yet fairly smart and fantastically executed Abigail is a solid horror film.
Rants
Poor Barrera, glad to see she's having a decent career post her ridiculous firing from the Scream series. Who'd have thought that being against genocide is a bad thing and a person could get fired over having that stance? Plenty in support of it are doing just fine. What a time to be alive!
The Good
Barrera, Durand and Weir Sufficiently gory Very well constructed Barrels of fun Plenty of twists to keep you entertained
The Bad
I feel the finale could have been handled a smidge better Newton didn't seem on form.
There is nothing in this film that you haven't seen in a number of other films but it manages, thankfully, to deliver.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
Enjoyable a day later, but on release as I was watching the movie, I kept expecting more. Some kind of twist and even a possible movie connecting during the ending. But alas, the movie is exactly what you see in the trailer. As a matter of fact, it's mostly what you see in the trailer. No surprises, no extra moments (except a very small surprise towards the end), just what you see is what you get.
I definitely did run a bit longer, I think they cut out that opening segmented and just start right away. It's Worth a watch if you have a season pass of some sort, but I wouldn't go out of my way compared to some others.
I definitely did run a bit longer, I think they cut out that opening segmented and just start right away. It's Worth a watch if you have a season pass of some sort, but I wouldn't go out of my way compared to some others.
Did you know
- TriviaThe directors were so impressed by Alisha Weir's dancing that they added more dance sequences to the film.
- GoofsIt's too late to collect cell phones after they've already arrived at the scene of a crime, as the phones have already pinged local cell towers. However, given the true nature of the heist, this may be irrelevant.
- Crazy creditsAt the very end of the credits, Abigail's sinister chuckling is heard.
- ConnectionsFeatured in The Project: Episode dated 19 April 2024 (2024)
- How long is Abigail?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Ебіґейл
- Filming locations
- Glenmaroon House, Dublin, Ireland(Main house location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $25,867,515
- Opening weekend US & Canada
- $10,297,110
- Apr 21, 2024
- Gross worldwide
- $42,791,449
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content