Perfect Days

It's a movie about mundane life, in different ways. While watching this movie you might think, where is this story going? Is something happening? Will his routine fall apart? Is he meeting someone? Maybe, maybe not...

The story will make you conscious about simple things in your daily life. Those activities can be happy, a little sad or unexpected. It's all about your own perception.

Overall, this movie was relaxing to experience and eye-opening in an interesting way. When I walked out of the cinema and looked around it made me feel very privileged about life. Every person experiences satisfactions in their own way. If you are a homeless, disabled, a CEO, a toiler-cleaner, happiness finds its way.

Years ago i took my friend's daughter to see a movie adaptation of 'the secret garden' because i wanted to share a book i had loved as a child. When my mom asked what she thought of the movie, her response was 'mostly... it was about a garden.' well, 'perfect days' is mostly about a man who cleans toilets - albeit with extreme efficiency and thoroughness. He has a simple, well-ordered existence that follows a comfortable routine until people start inserting themselves into his life.

This is not an action-packed bombastic story, but you may find yourself thinking about your own life and envying someone who greets each new day with a smile. A well-deserved best actor prize for koji yakusho at the 2023 cannes film festival.

I saw it as a kind of poem about happiness in fair, simple terms , as refuge against high expectations and social pressure, as precise portrait of the relation with the others.

I saw it, in same measure, as a sort of idealisation of life, moral lesson, fair portrait of lonely man and cold definition of truth..

Not less, I saw it as portrait of me, sure, in basic terms, with large slices of desire to real be.

But, out of this identification with Hirayama, Perfect Days has the gift to be a beautiful, admirable crafted, scene by scene, film. In essence, this is the real thing matters . Near the great music. A beautiful exploration by Wim Wenders of dreams of his audience , with some bovaric touch, about a life who was not him.

The movie forces you into a slower mood of perception, and being aware that you will learn something about Tokyo and the people there is just one aspect that helps to contend a feeling of impatience that grows as you realize that you will not see more action. The soundtrack also helps, with a mix of all-time r&b classics and some less known tracks. You may also feel the wish get one of the books the protagonist is reading. So you sit there and get closer and closer to the main character, until the end that culminates in a genuine feeling of joy, joy you would not have felt without the investment of patience that this movie imposes on you.

I have never seen a more authentic movie. This movie does whatever the hell it pleases. It's not here to live up to any expectations or to serve a specific purpose; no, it's here because it feels like it wants to be here, and we are fortunate enough to be included in its existence.

This film is about a man who truly lives in the moment without being some spiritual guru. He deals with whatever comes his way, the good, the bad and the ugly, and he welcomes it without words. That's because he doesn't need words. He doesn't need to analyze, remember or anticipate because "now is now". He accepts and embraces reality, finding joy in every little detail. But also not shying away from sorrow. But he never gets dramatic.

And that's why this movie is so unique. There is no plot, there is no past full of hurt, there is no goal, there is no desire. Yet, it was mesmerizing, and I was glued to the screen. I was blown away. It's a movie that will stick with me for a long time.