The Moon

Hello. I'm a casual enjoyer of Korean Movies since 2015 👋🏻

This month, i got a chance to watch The Moon exclusively on fans screening in Indonesia, August 5th.

For me this movie is beyond my expectation. The cinematography is excellent. The CG of spaceships, moon, and blank space is wayy much better than other Korean Movies that has kind of same genre of natural disasters.

Main Actor, Doh Kyungsoo played his role in a brilliant way. He can switch emotions in such a brief second and whole performance like walking in the moon is soo realistic. I'm quite surprised that he was debuted as an Idol, not an actor in 2012. As far as I know, in Korea there's a stereotype that Idol-Actor will never be as good as debuted actors since the start. However, Doh-nim surely breaks that stereotype and showing his full potential in this movie as an Acting Genius Idol-Actor.

The director, Kim Yong Hwa, is very considerate by showing the backstory of all main characters, makin us relates and understand more. All the drama until the nerve-wracking scene makes enjoy and happy seeing this wonderful movie. However, this movie has some unrealistic realisation of space, but still not making this movie less enjoyable as I keep in mind "this is fictional"

Overall The Moon deserved a bunch of attention. Especially those of you guys who likes the story about space and movie with great amount of tension. I recommend you to watch this with friends or date on 4DX or IMAX for better experience

I found it quite funny how the crowd on the studio holding hands with their partner on the kind like "fast and furious" scene.

High level special effects, cinematography, sound, editing, art design, all wasted on a very cheesy script. Heart breaking, but it's impossible to have a good movie with such a poor script, no matter how good the other elements are. I won't give more details to avoid spoilers. I cannot even talk much about the acting, since the characters are so much stereotyped. It would be unfair to blame the actors, they did what their roles required, which wasn't much.

Having said that, it has some entretainment value, but better seen in a theater because of the visuals.

I am sure Korean cinema could do better on the writing side, having so many good ones in the last years.

First, I'm suspect of those abject stars on here. Both either didn't watch the movie or are bots.

The acting is a little above mediocre. The action manages to keep your attention. The effects are pretty decent. Not much to complain about besides the drama tacked on to stretch a runtime and give more screentime to a Korean idol. That created the occasional cringe moment. It doesn't ruin the plot or story though. Just something American audiences aren't familiar with so they don't understand this mugging they do in Korean AAA movies.

This really needed a big screen viewing to completely grasp the scope of the movie. I felt like I was loosing part of the visuals on television and this movie relies on them.

Overall, an average movie but above average fo Korean Cinema. It's a popcorn fodder sci-fi beast so that doesn't matter that much.

A captivating drama awaits you, where tears will be shed throughout the entire movie. The story revolves around personal struggles, with almost every character experiencing their own emotional turmoil. However, be prepared for some characters who indulge in "crocodile tears" to provoke the viewers' emotions. This movie is not merely a film, but rather resembles a Korean funeral, where sorrowful cries resonate. After an hour of intense emotional rollercoaster, it is advisable to shield impressionable children from the screens, as their faces might be stained with tears for the entire week. However, like everything in life, moderation is key. While the cinematography is praiseworthy with skilled cameramen expertly maneuvering the camera to capture essential and even unessential moments, there were instances where their efforts became rather irritating.

Positives:

This movie deserves credit for its technical approach to the space science fiction genre, reminiscent of films like Gravity. It explores the complexities of spacecraft launches and lunar landings, albeit in a simplified and audience-friendly manner. The VFX and CGI are top-notch, successfully creating a visually immersive experience. These high production values ensure the film connects with a broader audience, even those not deeply familiar with space technology.

The imaginative depiction of futuristic space advancements-such as drones, live video broadcasts, and lunar gateways-is both fascinating and ambitious. While the technology showcased is far from reality, the speculative vision is commendable and could inspire upcoming innovations in space exploration.

Negatives:

However, the movie stumbles due to its overly dramatic screenplay. The plot is predictable, offering hints early on that "everything is going to be fine in the end." This lack of suspense undermines the tension and emotional investment that are critical for a gripping sci-fi narrative.

The film's pacing is another drawback. It moves too quickly, without allowing for "plot breaks" or moments of reflection. The relentless storytelling leaves no room for viewers to immerse themselves in the narrative fully. The background score, while extraterrestrial and sonically pleasing, is overbearing and constant, leaving little breathing space for quieter, introspective scenes.

The emotional elements feel forced and formulaic, as the movie leans heavily on familiar tropes found in other space mission films. This approach detracts from the unique technical aspects and makes the story feel repetitive and uninspired.

Final Verdict:

This film stands out as a good space sci-fi movie from Korean cinema, showcasing impressive visuals and imaginative concepts. However, its predictable narrative, rushed pacing, and overemphasis on drama prevent it from reaching the heights of genre-defining classics.

While it is worth a watch for its technical brilliance and futuristic imagination, there is a longing for a more nuanced and original approach in future entries from this genre.