A couple lose their home and later discover the husband has been diagnosed with a terminal illness as they embark on a year long coastal trek.A couple lose their home and later discover the husband has been diagnosed with a terminal illness as they embark on a year long coastal trek.A couple lose their home and later discover the husband has been diagnosed with a terminal illness as they embark on a year long coastal trek.
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As the partner of someone with a severe neurological disability, this movie is a hilarious slap-in-the-face of a "Just walk it off!" that we could not help but laugh at. It doesn't get more literal. I'm sure my partner would if she could! Maybe she should follow suit and just stop taking her meds!
Half an hour in, we couldn't help but think in the cinema "Are we actually enjoying this?" At home, we would have switched it off. I was hoping for something closer to Into The Wild. This is not it. It does not "become" something half way through.
My partner's father walked this path for her for charity and he found the book equally tedious, whiny, and offensive to what the path can actually mean.
The painfully slow reveal of the movie's main driver never fully materialises, leaving you frustrated at the length of the movie.
The overexposed shots of the landscape soured the otherwise wonderful soundscapes, which are particularly good in the theatre. There - that's a star gained!
Overall, this is not the one!
Half an hour in, we couldn't help but think in the cinema "Are we actually enjoying this?" At home, we would have switched it off. I was hoping for something closer to Into The Wild. This is not it. It does not "become" something half way through.
My partner's father walked this path for her for charity and he found the book equally tedious, whiny, and offensive to what the path can actually mean.
The painfully slow reveal of the movie's main driver never fully materialises, leaving you frustrated at the length of the movie.
The overexposed shots of the landscape soured the otherwise wonderful soundscapes, which are particularly good in the theatre. There - that's a star gained!
Overall, this is not the one!
I knew nothing of the source material memoir (never even knew it existed), so that didn't color my experience. As a man in his early 60s, what I saw was an authentic relationship of a middle-aged couple embarking on a journey to put a crisis behind them, still deeply in love despite it all and there for each other, support each other and rest in one another. The screenplay might have felt meandering at times, but that's because it's not the three-act "Hero's Journey" we're used to. Moth and Ray are literally trying to find their way after their life is upended, and the characters they meet along that path are various aspects of life. If you're willing to let things unfold, highly recommended.
Based on the true story of Moth (Jason Isaacs) and Ray (Gillian Anderson) Winn, who after losing their house in an unspecified court procedure, discover that Moth has an incurable illness. Homeless, they decide to walk from Minehead to Land's End. After many difficulties and adventures they arrive, but with a brand new existential mindset based around 'home' being not their old farmhouse, but wherever they happen to be.
It's a lovely story written from Ray's 600 pages of notes she wrote during their journey, and in a nutshell sends a message of never give up, always keep hope, recognise what you have instead of what you haven't.
Isaacs plays an excellent part, Anderson is good, but lacks the depth of acting needed to make the role great. There's some beautiful countryside and great editing and all in all I give it a solid 7.
It's a lovely story written from Ray's 600 pages of notes she wrote during their journey, and in a nutshell sends a message of never give up, always keep hope, recognise what you have instead of what you haven't.
Isaacs plays an excellent part, Anderson is good, but lacks the depth of acting needed to make the role great. There's some beautiful countryside and great editing and all in all I give it a solid 7.
Thoroughly enjoyed the movie, because of the nature shots, intimate scènes between Gillian Anderson and Jason Isaacs and I just wanted to stay in that world a little longer. They are showing their real faces, wrinkles and spots and all, and I loved them for it.
I've read the book and I feel they followed it quite strictly. Seeing the movie gave me that extra time I would have liked after I finished the book.
The way the movie is written, it solves for 'endless walking scenes' by shocking you to life every 10m or so. Either by an event, the light, or music, or something. That was well thought through, so it's not just forever walking till boredom. At all.
The connection between Anderson and Isaacs feels genuine.
It's hopeful, adventurous, reinvigorating, and touches upon loss and homelessness in a not all-consuming way.
I've read the book and I feel they followed it quite strictly. Seeing the movie gave me that extra time I would have liked after I finished the book.
The way the movie is written, it solves for 'endless walking scenes' by shocking you to life every 10m or so. Either by an event, the light, or music, or something. That was well thought through, so it's not just forever walking till boredom. At all.
The connection between Anderson and Isaacs feels genuine.
It's hopeful, adventurous, reinvigorating, and touches upon loss and homelessness in a not all-consuming way.
As Ray and Moth are on the cusp of retirement, they lose their home and savings in one unlucky swoop. To make things worse Moth is diagnosed with a rare and terminal neurodegenerative disease. In a "glory before death" type of decision, the distraught couple begins a journey on the Salt Path. The 630-mile trail runs along the English coast from Dorset to Somerset. Through good and bad moments including rainstorms, rude people, snoring, physical exhaustion, limping, humor, beautiful scenery, unexpectedly profound moments of insight, deep realizations about each other, and natural wonders, Moth and Ray discover a new definition of "home."
I believe deeply in the healing power of nature for body, heart, mind, and soul. When I go into the natural world, whether in joy or pain, I exit renewed and hopeful. All my life this has been true. This inspiring true story backs up this cherished belief. Along the Salt Path the wonders of nature are experienced in the bird songs, ocean swells, curious seals, sunsets, resplendent forests, and more.
The Salt Path is based on a 2018 memoir of the same name. Director Marianne Elliott relies less on the words of the book, and more on the actual experience of the trail. At this world premiere screening of the film at the Toronto International Film Festival, Elliott said it was challenging to film on location, but the results were worth the cost. Agreed, for the trail is stunningly serene and it speaks for itself.
I believe deeply in the healing power of nature for body, heart, mind, and soul. When I go into the natural world, whether in joy or pain, I exit renewed and hopeful. All my life this has been true. This inspiring true story backs up this cherished belief. Along the Salt Path the wonders of nature are experienced in the bird songs, ocean swells, curious seals, sunsets, resplendent forests, and more.
The Salt Path is based on a 2018 memoir of the same name. Director Marianne Elliott relies less on the words of the book, and more on the actual experience of the trail. At this world premiere screening of the film at the Toronto International Film Festival, Elliott said it was challenging to film on location, but the results were worth the cost. Agreed, for the trail is stunningly serene and it speaks for itself.
Did you know
- TriviaThe scene where Moth (Jason Isaacs) accidentally prods Raynor (Gillian Anderson) in the face whilst removing his rucksack by the gate near the beginning of the film was an unscripted accident. Director Marianne Elliott liked how the actors stayed in character when it happened and kept it in rather than re-shoot it.
- GoofsAt one point they walk off with the sea on their left hand side.. this would mean they are walking back as their trip was the counter clockwise way..
- Alternate versionsThe UK release was cut, the distributor chose to reduce the number of uses of strong language in order to obtain a 12A classification. An uncut 15 classification was available.
- SoundtracksWould I Sing
Written by Tim Hollier
Performed by Tim Hollier
Published by Skysail Publishing
By arrangement of Nightjar Music
- How long is The Salt Path?Powered by Alexa
Details
Box office
- Gross worldwide
- $20,437,296
- Runtime
- 1h 55m(115 min)
- Color
- Aspect ratio
- 2.35 : 1
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