Wolfcop

This isn't necessarily a "good" movie but it's fun and gory and sometimes that's a good thing. In my opinion it's better than the score on IMDB would have you believe but again it depends on your taste, but that's true with all movies really.

This film is much better than it has any right to be. Made with a modest budget but a loving touch, WolfCop knows to embrace its cheesiness and that of its drive-in schlock predecessors and play to its strengths without taking itself too seriously. Whenever it falls flat, it feels more endearing than broken, which I suppose is due to the makers actually caring about what they were filming, and I'll take a lovingly crafted low-budget slopfest over an a-list blockbuster that wasn't given a single rat's behind by it's authors.

With that being said, there isn't really anything that stands out as exceptionally good. Although the fun had while filming is apparent and the enthusiasm of the effects department (if such can be said to have existed here) shines through, nothing can be graded more than "pretty good, considering". On the flip side of things, I couldn't find anything really horrible here either, as WolfCop is adept at covering its tracks (pun intended).

Booming with b-movie grit and outrageously strange choices of plot elements, WolfCop is a must watch for fans of "so bad it's good" – films and those interested in amateur films. Other viewers might need to take this movie with a grain of salt. And quite some alcohol.

WOLFCOP is a straightforward B-flick about a cop who turns into a werewolf. There's no more to it or less to it than that. It's very much in the spirit of the MACHETE films, albeit with a lower budget, in that it goes for a whole retro/non-serious vibe and just about gets by on goodwill alone.

The low budget is often apparent during this production, so the scriptwriter goes for a jokey tone throughout to make things easier to watch. The acting isn't very good, but the quality of the special effects is a real surprise; they actually turn out to be very good indeed, with some excruciating werewolf transformations that work well. The titular fiend looks rather cheesy but then that's the point.

Otherwise, the film is chock-full of grindhouse-style violence and some jumbled plotting. It's an amiable time-waster although those looking for genuine originality or insight will be disappointed; WOLFCOP is a film that offers nothing new for fans and instead is happy to go through the usual and expected motions.

As a series of strange and violent events start happening, an alcoholic policeman (Leo Fafard) realizes that he has been turned into a werewolf as part of a larger plan, so he investigates with the help of his partner and his friend.

Bloody Disgusting gave WolfCop a positive review and stated, "A perfect storm of creature action, the occult, gore, intrigue, humor, and lycanthropic puns, WolfCop is destined for cult glory." Darn right, Bloody Disgusting. This film is hilarious, gory, and downright clever. This is the sort of thing that deserves a sequel and then another. Heck, it already ranks better than "Maniac Cop".

The film is great just for the puns alone: "the fuzz", "Dirty Hairier" and many others. The folks behind this are geniuses.

...from writer-director Lowell Dean. Small-town sheriff's deputy Lou Garou (Leo Fafard) is a drunk and a loser, but after he gets kidnapped and subjected to an occult ritual by a band of masked cultists, he finds himself transforming into a super-strong werewolf. He uses his new-found beast power to fight crime, but the cultists aren't done with him yet.

A sort-of parody of high-concept 80's cop movies, this doesn't quite have the resources or the script to go as far as it needed to work. Not enough time is spent with the uniformed werewolf on patrol, instead devoting too much time to secondary characters and the cult's ulterior motives. At times it seems the movie starts to take itself too seriously, but then they devote a lengthy scene to the werewolf using an auto body shop to customize his police car with big metal "W" emblems and other such silliness. The cast of mostly unknowns is good, and despite its deficiencies this is better than most of the movies of similar budget level.