Follows grave robber and serial killer Ed Gein, better known as "The Ghoul of Plainfield" and "The Mad Butcher," from whose crimes such iconic films as "Psycho," "The Texas Chainsaw Massacre... Read allFollows grave robber and serial killer Ed Gein, better known as "The Ghoul of Plainfield" and "The Mad Butcher," from whose crimes such iconic films as "Psycho," "The Texas Chainsaw Massacre," and "The Silence of the Lambs" have emerged.Follows grave robber and serial killer Ed Gein, better known as "The Ghoul of Plainfield" and "The Mad Butcher," from whose crimes such iconic films as "Psycho," "The Texas Chainsaw Massacre," and "The Silence of the Lambs" have emerged.
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There is some interesting information - but is it enough, and compelling enough to put up with the annoying older pontificating gentlemen and their monotone lazy tongue speak? Nope. I made it thru almost two episodes before I just could no longer take it. And then they intermittently throw in a couple of younger bloggers and commentors, who try to dredge up excitement for this "fantastic find
", but fall exceptionally short and then they look exactly as they are - a little too happy to be included in this pile of nonsense with no substance to add to the conversation. Not really worth watching.
Like a lot of these shocking docu-series, you realize the producers do all they can to stre-e-e-e-etch 90 minutes worth of material into four hours, and it really dilutes the finished product. The premise is a bit shaky, in that we're never told why these "lost tapes" have never been heard, not even by Gein's biographers. We're just supposed to accept that they are unearthed treasures. The tapes are somewhat interesting but anticlimactic because Gein doesn't have much to say. We hear from a few experts, a few interesting people who actually knew Ed Gein, a good cross section of contributors, and three sophomoric podcasters who, I guess are there for color but seem to think the whole topic is one big joke and end up dumbing down the documentary significantly. All the while, we see the same stock footage and hear the same audio clips over and over, even within the same episode. If all that superfluous filler had been trimmed it could have been an interesting and tight project. Not bad overall, but way too long.
This could have been an interesting series listening to the tapes and revisiting some of horrors from the Geins case. Instead we have an overly produced mess with loud overly dramatic music that makes you feel like you're watching a low budget horror movie.
It seems more like an experiment to see if they could make a series with very limited new material. What we have shows that MGM thinks that dramatic music will hide how poorly researched and put together this docuseries is, repeated half truths that have been corrected over time are in here, the entire series feels lazy.
A frustrating and annoying watch.
It seems more like an experiment to see if they could make a series with very limited new material. What we have shows that MGM thinks that dramatic music will hide how poorly researched and put together this docuseries is, repeated half truths that have been corrected over time are in here, the entire series feels lazy.
A frustrating and annoying watch.
First off, the three podcasters in this are really, really annoying, laughing and joking around about Ed Gein's murders and laughing about the victims...
Let's just all admit that podcasting is not a genuine form of media when clowns like this are included in a documentary that has actual experts, from people in the town to the author of what's the quintessential Ed Gein biography...
Why these podcaster clowns are included is a mystery, but it's probably because the filmmakers felt that most young people can relate to young jokers, or something...
As for the titular interview tapes: they take about ten lines from Gein and try making a four-part doc with them, and that's a tall order...
With horror-movie music and a few shots making Gein look formidable, it's really the case of taking who's more a backwoods Barney Fife type than a Norman Bates or Buffalo Bill and making a contrived terrorizing study, which doesn't gel here at all...
However it's not a terrible documentary as you do learn some things about Gein... but learning/educating audiences isn't what passes for documentaries anymore...
For True Crime, books are always the best bet because there aren't any repetitive facts, opinions, speculations or photos, and best yet, no annoyingly childish podcasters.
Let's just all admit that podcasting is not a genuine form of media when clowns like this are included in a documentary that has actual experts, from people in the town to the author of what's the quintessential Ed Gein biography...
Why these podcaster clowns are included is a mystery, but it's probably because the filmmakers felt that most young people can relate to young jokers, or something...
As for the titular interview tapes: they take about ten lines from Gein and try making a four-part doc with them, and that's a tall order...
With horror-movie music and a few shots making Gein look formidable, it's really the case of taking who's more a backwoods Barney Fife type than a Norman Bates or Buffalo Bill and making a contrived terrorizing study, which doesn't gel here at all...
However it's not a terrible documentary as you do learn some things about Gein... but learning/educating audiences isn't what passes for documentaries anymore...
For True Crime, books are always the best bet because there aren't any repetitive facts, opinions, speculations or photos, and best yet, no annoyingly childish podcasters.
Not sure if it was because the programme was designed for the US market and their constant ad breaks, or 'dumbed down' for viewers with a short attention span; but there is too much repetition from one episode to another? Also the so-called 'experts' leave a lot to be desired. The 'horror film expert's' comments about Texas Chainsaw Massacre are laughable. What are those podcast guys on it for? The producers really must have been desperate for contributors. It could easily have been covered in two episodes. More use of the original footage and the audio tapes, less of the stupid contributors. Interesting concept, but poorly executed.
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