She Rides Shotgun

The film premise is simple but the acting and the ability to convey genuine emotions is fantastic. The two stars are exceptional in this film and in particular Polly. She shines in this movie and I hope she gets all the accolades she deserves. I don't review often if at all but I loved this film. The reviews on this site are not always genuine. This is a great film.

She Rides Shotgun is more than just a crime thriller-it's a raw and emotional journey carried on the shoulders of two extraordinary performances. Taron Egerton delivers a gripping portrayal of Nate, but it's Ana Sophia Heger, as Polly, who steals the film with a performance far beyond her years.

Ana Sophia brings an honesty and depth to Polly that is rare to see in young actors. She captures innocence, fear, resilience, and growth with such natural precision that every moment feels real. Her transformation from a vulnerable child clutching her teddy bear to a determined survivor is breathtaking to watch. The emotional weight she carries-matching and at times elevating her seasoned co-star-anchors the film with heart and authenticity.

The chemistry between Heger and Egerton is magnetic, portraying a father-daughter bond that feels both fragile and unbreakable. Their shared scenes are some of the most powerful in the movie, leaving you unable to look away.

Beyond the performances, the film itself is strong: tense action sequences, a gritty sense of realism, and a villain that genuinely unnerves. But what makes She Rides Shotgun unforgettable is Ana Sophia Heger's stunning work. She doesn't just "play" Polly-she becomes her.

Simply put, Ana Sophia Heger is the heart of this film. Her performance alone makes She Rides Shotgun a must-see, and it's hard not to imagine awards in her future.

I saw this movie last night. I had wanted to see it at the theaters, but it got such a limited release that my local theater didn't show it.

Anyways - I think this movie has a lot to offer. The story, visuals, and vibe are like a mixture of No Country for Old Men, The Road, and Paper Moon. The 2 leads are great, especially the little girl. There are some sweet father/daughter moments. At the start, they're estranged, and you can easily predict that they'll bond and begin to love one another. Yet that predictability doesn't make their relationship any less satisfying to watch. There is an original closing scene that hits the mark emotionally. The movie is gritty and hard-htiting

Some issues linger though -- The soundtrack is weird at times. The pacing drags a little; I honestly got bored or restless a few times. The movie does a poor job with the villain, the God of Slabtown. They try to set him up as this big, scary final boss, and this effort fails for several reasons, ranging from the casting to the writing. I also would've cast someone different for the police officer who helps the protagonists

7.0/10.

Ana Sophia Heger dazzles as Polly. While the script is certainly better than average, Ana is very believable in each situation thrown her way. The film is worth watching if for no other reason than her performance. Hopefully she gets some recognition in the way of award nominations based on this film and future scripts deserving of her talent.

Ana Sophia Heger is why this movie was great. A child actor hasn't impressed me this much since Tatum O'Neil in Paper Moon, and she won an Oscar. Ana deserves one too.

She spoke volumes without any dialogue. I a single facial expression I got trapped, hopeful, sad, and confused.

For those that see this movie just watch her at the end when the credits start rolling.

Taron also put in a stellar performance, far from the average acting as Eggsy in Kingsman. I'm glad to see he's grown.