Lust Stories 2

Sameer lodaya

There is nothing so much lusty about in fact the season 1 was better

The first anthology featuring mrunal was just emphasising sex in every sentence which was absolutely not required now a days no youngsters need this kind of knowledge specially when they are in relation so the content stands absurd

The anthology tillotama was good among all the others the content was new of fascination and was never shown before the making was also very good

The so called sizzling anthology of tamanna was hot but the content was very old here you can enjoy new Tamanna and vijay

Now the last anthology of Kajol was boring but the climax was very good

This weekend we have many releases let's see who hits the chart.

The problem with these kind of movies lies with the lust they want to sell. Even without those scenes the story can work and believe me this time the stories are fine.

The first story must not be Rated A if it was not in this movie. The story contains nothing in the name of lust.

The second Story portray some kind of illegal behavior but still you don't sympathize with any of the characters.

The third story in which Tamannah and Vijay is there wants to surprise you but fails miserably. What you can predict was there in the end and you are left unsatisfied there.

The fourth story which is predictable also leaves you puzzled about the name of this movie.

Atleast try to justify the title of movie.

"Generally, anthologies provide a bittersweet experience, but this one has fewer variations than the others, making it possibly better than them. The best one I have watched will still be "Wild Tales." However, despite being sluggish in a few areas, Lust Stories 2 will be a god watch directed by multiple directors, revolves around the central theme of 'Sex.' One story focuses on a happy ending is the weakest among the stories as a veteran like Neena fails to pull it off because of the cheesy lines she has been given. Very poorly written script and dialogues I must say.

Two stories are horror and thriller are the average ones , they try to give you shocking climax but fail because of the weak script again.

However, one is a delicately crafted psychological story. The best among the four, in my opinion, is Konkona's segment "The mirror", where you can feel a woman telling a woman's story.

All in all a watchable attempt. The actresses featured in the anthology are renowned, such as Kajol, Tamanna, and Mrunal, ensuring a good viewing experience.

Thoughts summed up: Lust Stories 2 is a subpar anthology that'll only be remembered for Konkona Sen Sharma's standout segment. The rest are largely forgettable, leaving little in the way of impact.

Made for Each Other (R Balki): An ad-level concept stretched and squeezed all the way but nothing really stands out here. Neena Gupta's granny role sounded interesting at first, but quickly gets preachy and intolerable after a point (rockstar, my foot!). The ending is.. well, just an ending.

The Mirror (Konkona Sen Sharma): Stunner! Not only is the voyeur concept refreshingly presented, this segment also has the best payoff. Both Tillotama Shome and Amrutha Subhash are excellent in their respective roles. The scenes where the ladies lose their cool and their eventual reconciliation were remarkably directed.

Sex with Ex (Sujoy Ghosh): Apart from Tamannaah's unfiltered beauty, there isn't much to relish here. The story is a mess, the CGI countryside is an even bigger mess, and the climactic twist was seen coming 72 miles away.

Tilchatta (Amit Ravindernath Sharma): The plot is as old as it gets. Did this segment really need someone the calibre of Kajol? The twist at the end was fascinating (yet sad), and I think this should have swapped positions with Konkona's segment.

Okay, let's start with my review of the four episodes:

Made for Each Other - R. Balki I felt this chapter was the most ordinary of the four, and I do understand that culturally, in India, there's some shock value to the fact that a grandmother would be so racy and vocally conscious of the importance of sex and intimacy. That said, the episode just entirely relies on this gimmick and even though it's not bad, it does seem to have no point. It could easily have gone down as a random clip on social media which aims to provide some educative content, but a very superficial one, frankly speaking. Obviously, Neena Gupta is fun and does a good job, but this episode as a whole just doesn't leave a mark.

The Mirror - Konkona Sen Sharma Well, it's easily the strongest part of them all - in terms of story, script, direction, acting and execution, as well as the issues it addresses, from sex, loneliness to social class. Konkona does a fantastic job with an episode that so intelligently explores the desires of women from different strata of society. And their social class is not even a factor when it comes to their personal desires as they are equal. Tillotama Shome seems to have carved her own niche in the film industry with some wise choices, and she is fantastic here. After Sir, where she played the maid to perfection, it's interesting to see her assume the part of the employer. Doubtlessly though, it is Amruta Subhash who absolutely nails it in the part of the maid and gradually proves herself as one of the most impressive character actresses in India today. Her performance is a portrait of rage, honesty and compassion, which is exactly what this interesting episode ends up being.

Sex with Ex - Sujoy Ghosh Now this is a very basic sort of thriller, and it's quite intriguing, but it's also quite banal and formulaic. Vijay Varma can always be counted on to deliver the goods, and he's quite good here, but the episode as a whole is quite a thankless task. Tamanna Bhatia is equally effective in the part but the episode concludes on such a predictable note it's amazing a director as good as Ghosh would ever have thought this could pass as something even remotely original or impactive. It's watchable, but it's forgettable.

Tilchatta - Amit Sharma Well, anything for Kajol. Try to watch it and imagine another actress in the part, it will just not work. Kajol's presence indeed makes up for many of the flaws, for the dark and gloomy atmosphere, for the pacing, and for the story which relays hardly any positive or redeeming messages. Very well acted though. Kumud Mishra is plain excellent as the abusive drunk, really very good and very easy to hate. It is obviously Kajol though who carries the entire segment on her able shoulders. Her eyes reveal the complexity of her situation, and she so easily slips into the shoes of an ordinary, troubled woman. The final twist is quite upsetting, and it has various interesting messages, one of which relates to the two faces of plotted revenge. Sometimes the immediate solution is the good one.