Thandel

After a long hiatus, N. C. (Raju) makes a strong comeback with Thandel, choosing a compelling script , engaging narrative, a well-executed screenplay, and a gripping performance.

The film's screenplay is seamless, keeping the audience invested throughout. Credit goes to the writers for crafting a story that flows effortlessly without any lag. The casting is spot-on, with every actor bringing depth to their characters.

A special mention to S. P. (Satya), who once again delivers a stellar performance. Her portrayal of the character is brilliant, and her dance sequences are a visual delight. As always, she captivates with her presence and effortless grace.

The music and songs blend harmoniously with the storyline, enhancing the emotional depth and adding to the film's immersive experience. Every track complements the narrative, making the musical journey just as engaging as the story itself.

Overall, Thandel is a heart-touching film that deserves to be experienced on the big screen. With a well-crafted script, strong performances, and an emotionally resonant story, it stands out as a cinematic triumph. Definitely worth watching!

Story lineup drives everything .As, the movie is based on true event . Average performance by Naga Chaitanya and Over action by Sai pallavi , One time Watcher , not so necessary dance bits planned for Sai pallavi just to elevate , but didn't work . Andhra Film makers now realized the pain for the ill treating the dialecs of any region . Till Telangana achieved statehood every Andhra Film maker criticized Telangana dialect , now when Andhra dialecs are treated small or neglected they are feeling the pain .

Felt like it could be directed even better . Any other female lead other than Sai Pallavi would have been better inplace of this role .

An overdramatic true story and far from reality, dragged love story.

First half could have been completed in one song aka 5 minutes, the director dragged it so much that the whole crowd in mid town theatre were waiting to go for a break looking at each other's face.

The chemistry between Sai Pallavi and Chay is good, the only saving part in first half. By the way music is good., three stars are for just music.

The second half has unnecessary patriotic scenes that do not gel with story line, though it is true story, the way it was directed is half baked, does not look five percent realistic. Made a mockery of Jails. The waghah border scene could have 10x better but director satisfied with poor acting and storyline.

Overall people felt sleepy in first half and dozed off in theatre in second half.

Hearing a lot of reviews I happened to watch this movie. It was good in parts. As it was based on a real incident, those parts were good. The visual effects were definitely good. Music and cinematography was also good. Naga chaitanya and other actors deliver a great performance while Sai Pallavi's acting was top notch. However the things that didn't work well for me was certain jail scenes were disturbing, why it has to be shown that way whenever Indian movie makers take movies about Pakistan. Why can't they make movies like Bajrang bhaijaan?., also the climax of the movie was too clichéd and predictable.. Good movie but definetly not that great.

This film is supposedly based on real incidents, but the way it's narrated makes it feel more like a cinematic exaggeration than a grounded story. While a few moments grab your attention, most of the film struggles to keep you hooked. The screenplay does have a handful of well-executed scenes, but beyond that, it's just a routine ride. Patriotism is unnecessarily forced into the screenplay for commercial appeal.

Naga Chaitanya clearly puts in a lot of effort, and his dedication is visible. However, he doesn't quite become the character he's playing. While this might be one of his better performances, he still needs to pick scripts that truly suit his strengths.

Sai Pallavi, as always, delivers a solid performance. But here's the thing-she's so consistently good that this role feels like just another day at work for her. Nothing groundbreaking, just her usual excellence.

The rest of the cast does their job well-no complaints, but no surprises either.

On the technical side, the production values are respectable. The locations, sets, costumes, and makeup all fit the mood of the film. The cinematography is pleasing, and the music adds some flavor, though it doesn't particularly elevate the experience.

In the end, the film is neither great nor terrible-it just sits in the safe zone of mediocrity. Watch it if you're a fan of the lead actors, otherwise, you might not miss much.