No More Bets

The film's content is well-suited to the current times. Although not overly detailed, viewers can easily envision the structure of such organizations. Moreover, the film highlights some of the deceptive tactics employed by these gambling establishments.

This film serves as a stark warning, particularly given the prevalence of gambling advertisements on illegal websites, which may desensitize viewers to the severity of the issue.

While the first part effectively introduces the main characters and builds towards a compelling climax, the latter part feels rushed, and the relationships between characters lack sufficient depth.

First of all, the movie was amazing, it will keep you on your toes the whole time you're watching, it will keep you on the edge of your seat. I also want to add, I watched it multiple times. I may be bias because I am a big fan of Zhang Yixing, but he delivered his character well. Spoiler alert: this movie is not for the faint of heart, the whole time I'm watching my heart was beating loud for every scene that arrives. It does not feel good to see the characters get hurt but that's how it shows how great of an actors and actresses they are. I felt their pain and I even cried during and after the movie. The movie intends to educate us about cyber fraud which really changed my perspective on people who get scammed. It is an eye opening, mind-boggling, extremely interesting movie.

The storyline is really great. The composition is so neat. This movie shows us the detail of how online fraud syndicate works, also up until the part of reasons why online fraud is so dangerous and what it can do to people. The slogan of the movie itself is great because it correlates well with the storyline of the movie "one more viewer, one less fraud victim" This movie shares lots of knowledge and awareness of online frauds which is now massively happening in lots of countries, and it's so sickening because there are lots of people, especially younger people who are desperate for instant cash, in the end become burden and thorn that hurts themselves, their own family, and people around them. Watching this movie is such an eye-opening experience, and I hope people can get access to this movie easily so that the message of the movie about the danger of online frauds can spread even more massively all around the world.

Props to all the actors and actresses, also the production staffs for making this amazing movie.

This movie really offers an unprecedented look into the complex web of the new type of overseas telecommunications and cyber fraud. The plot draws inspiration from real fraud cases across China, featuring realistic portrayals of the industry's inner workings. I was impressed by Director Shen Ao who revealed that he studied over 10,000 cases and interviewed a variety of people, from victims to police officers, to gain inspiration for the movie and also sought help from police and the anti-fraud center to collect information related to such online scams over the past three years.

Considering the amount of information gathered and people involved, I think the plot successfully managed to unfold from the perspectives of the criminals, the police and especially the victims. Some scenes seemed indeed quite cruel but it was stated the actual cases are even more extreme and what really went on was a hundred or a thousand times darker, crueler, and more brutal this movie came across as very realistic and I think overall the actors did a really great job.

I can understand now why the movie is considered so far a major success and since it was released amid widespread debate around overseas cyber fraud on social media, where dozens of people shared their experiences of being tricked by lucrative job offers, I believe "No More Bets" will hold a profound significance by educating people and by preventing others from being scammed.

Based on the Southeast Asia fraud factory incidents in 2021, No More Bets is a solid tense Chinese crime thriller that presents the world of online scams in an eye-opening fashion, delivering unnerving suspense and shock with hard-hitting truth.

Through a promising overseas job offer, computer programmer Pan Sheng and model Anna Liang are lured into a fraud factory, trapped permanently in a slave labor camp where they are forced to commit cyber fraud in an online gambling scam. As the criminal network expands, Pan and Anna conspire to contact the police...

Director Shen Ao balances the multiple storylines well and maintains tight pacing, taking the audience through the logistical pipeline of a scam from beginning to end. The narrative kaleidoscopically presents the phone scam from different perspectives, ranging from the crime boss running the fraud factory, the computer programmer coding the scam app, the model fronting the gambling matches to the unfortunate victim taking the bait.

What draws the audience to No More Bets is knowing that this all happened in reality. It was shocking to think about how as technology develops, crime networks naturally become sophisticated and better organized too. The film incorporates the factual to its advantage, finding a style between documentary and fiction, like a dramatic film that's completely composed of the re-enactment scenes out of a true crime documentary.

There's been an exploding trend of crime films from Mainland China, with the immediate emergence of subgenres this year, like pulp crime with Lost in the Stars, crime procedurals like Dust to Dust, and neo-noir with Zhang Yimou's Under the Light. Government regulations seem to have opened up, allowing the depiction of gangsters and crime as long as public service announcements are tagged before the credits, specifically, title cards detailing every perpetrator's prison sentence and a public message discouraging committing said crime.

Come to think of it, Hollywood had a similar phrase with the Hayes Act from 1930 to the 1960s with its set of do's and don'ts in cinema. I hope this is a step towards more possibilities for Chinese cinema, opening up more fresh stories in new genres being told.