Byron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troub... Read allByron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troublemakers in the UK's early 2000s club scene.Byron's escape to Nottingham's underworld and discovery of the East Midlands' "premier podium-dancer-cum-hellraiser" Lady Die, who adopts Byron into her family of hilarious and chaotic troublemakers in the UK's early 2000s club scene.
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I watched all episodes in one sitting. It recreated the era particularly well. An outstanding cast with impeccable direction. Ellis (Byron) was in just about every scene and was perfect casting. I laughed, cried, laughed some more until I couldn't breathe. Emotional and outstanding drama. The music was also a great reminder of the nightlife scene 25 years ago, it had a way of transporting you back all those years ago without feeling that time had moved too much. A couple of familiar faces popped up that added to the enjoyment as they were unfamiliar roles for those actors. Well done to all for the journey.
I can understand how parts of Byron's experience may feel foreign to some viewers, but for anyone who came of age gay, trans, or queer around the turn of the millennium, this is a profound and often heartbreaking ride through our collective memory.
I saw myself in the gifted young gay boy who learned to wield wit as both armor and weapon, keeping me safe, pushing others away, and occasionally landing me in trouble. I was lucky enough to be more of a nerd, excelling in school early on and spared some of Byron's pain. But later in life, I too discovered how seductive the gay party scene can become.
So many of us have lived those questionable love affairs, those dizzying moments of clarity ("this is definitely not the room I want to be in") and yet also the euphoria of finding your people. A place where your femininity can finally exhale. Where a sharp tongue and a willingness to say yes to chaos feels like a skeleton key to every door.
The acting here is sublime: heart-wrenching and exquisitely funny. The settings are often bleak, rundown, almost depressing, yet pulsing with life. The glamour exists only in their heads, their hearts, and the chemical-fueled escapes from reality. The director and creative team captured every nuance.
I created an account just to write this review. I was that moved.
The only bad thing is that it's over in eight episodes.
I saw myself in the gifted young gay boy who learned to wield wit as both armor and weapon, keeping me safe, pushing others away, and occasionally landing me in trouble. I was lucky enough to be more of a nerd, excelling in school early on and spared some of Byron's pain. But later in life, I too discovered how seductive the gay party scene can become.
So many of us have lived those questionable love affairs, those dizzying moments of clarity ("this is definitely not the room I want to be in") and yet also the euphoria of finding your people. A place where your femininity can finally exhale. Where a sharp tongue and a willingness to say yes to chaos feels like a skeleton key to every door.
The acting here is sublime: heart-wrenching and exquisitely funny. The settings are often bleak, rundown, almost depressing, yet pulsing with life. The glamour exists only in their heads, their hearts, and the chemical-fueled escapes from reality. The director and creative team captured every nuance.
I created an account just to write this review. I was that moved.
The only bad thing is that it's over in eight episodes.
I have only watched one episode but can already tell this is a groundbreaking show. It has that honest raw queer depiction like Queer As Folk back then but with a deeper sensitivity akin to the film Beautiful Things. It balances humour, coming of age drama and sexuality with perfection. The lead Ellis Howard is fantastic and so are the rest of the cast. I must admit I was worried it would be one of these overstylized and over the top LGBTQ dramas with ridiculous storylines and fierce characters. It's the opposite, it shows the flaws, doubts and struggle of a young queer character but in a funny and original way. The writing reminds me of author Douglas Stuart but lighter. Also the UK 2000s rendition is spot on. I know where the story is going and I'm impatient to follow it.
I loved it so much, it shows how hard it was for lgbtq+ people in the 2000s. The acting was also my biggest amazement from this show, the actors need a good applause for the amazing work in this series. In my modest opinion, this is a must watch for people. I'm literaly gonna tell everyone that sees this that if you haven't watched it, you should. Plus charecter development was so good for a short series like this, I'm very surprised that they pulled it off very well. In conclusion, this is a work of art, that really deserves lots of attention, and I recommend it to everyone cause it's queer and proud. Luv yall.
This is a working class story and it doesn't matter whether you like boys or girls; it's about the life of a kid, and how that kid tries to negotiate an alien world, sometimes making friends with the wrong people, and sometimes ignoring the love of the right people - like we all do. If this doesn't win all the awards, if all the cast don't win every accolade going, and if every man, woman, gay or straight, transgender, transsexual and everybody else with a heartbeat don't lift Ellis Howard up high on their shoulders, to be carried all the way to stardom and glory or whatever Ellis desires, this is a cruel world indeed.
None of the actors in this - and I had to keep reminding myself that's just what they were: actors - none of them broke that fragile glass between us and the drama, ever; they really were, for those short few hours at least, the characters they played. And when Byron said those last words to his mum I cried.
None of the actors in this - and I had to keep reminding myself that's just what they were: actors - none of them broke that fragile glass between us and the drama, ever; they really were, for those short few hours at least, the characters they played. And when Byron said those last words to his mum I cried.
Did you know
- TriviaParis Lees, the author of the memoir this series is based upon, makes a cameo appearance in episode 5 as "the shaman".
Details
- Release date
- Country of origin
- Also known as
- What It Feels Like for a Girl
- Filming locations
- 37 Old Arts College, Newport, Wales(Kev's House)
- Production companies
- See more company credits at IMDbPro
- Color
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