The nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling w... Read allThe nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.The nearly fifty year prolific career of Sylvester Stallone, who has entertained millions, is seen in retrospective in an intimate look of the actor, writer, director-producer, paralleling with his inspirational life story.
- Awards
- 2 nominations total
Frank Stallone
- Self - Brother
- (as Frank Stallone Jr.)
Norman Jewison
- Self
- (voice)
Joe Eszterhas
- Self
- (voice)
Frank Stallone
- Self
- (archive footage)
Sage Stallone
- Self
- (archive footage)
Muhammad Ali
- Self
- (archive footage)
- (uncredited)
Woody Allen
- Self
- (archive footage)
- (uncredited)
Steve Austin
- Self
- (archive footage)
- (uncredited)
Marlon Brando
- Self
- (archive footage)
- (uncredited)
Sandra Bullock
- Self
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sly may not be a deep dive into Sylvester Stallone's career but it's an emotional and engaging look into the life and career of a superstar on his own terms. Even if it can't cover everything it still hits the major milestones (and Expendables) whilst still having time for Stallone to acknowledge his own flaws and regrets.
There've been so many jokes about Stallone being an unintelligible muscle man so it's nice to have this to set the record straight. He's a really insightful actor who's put so much of himself in his movies. There are a few times Stallone's decisions and refusal to back down created some of cinema's best moments as well as some missteps he acknowledges which shows how far he's come.
Just as engaging as the anecdotes about filmmaking and how Rocky in particular was created are his observations about life. The pain, the loss and the speed it goes by are all discussed in a very frank manner with some heavy yet beautiful quotes that remind you Sly has a real way with words, in life and on the page.
There's also a great selection of interviews with other people in between Stallone's discussions, some who make perfect sense including Frank Stallone just generally being the best and Arnold Schwarzenegger getting to offer some funny stories about their infamous rivalry as well as others who are just cool to see (Quentin Tarantino!).
Thom Zimny's direction is great overall. Swapping effortlessly between the interviews and archive footage throughout with a generally nice vibe that means you don't want it to end. It only briefly falters in a few moments where it distracts from Stallone's openness by shaking the camera too much in an attempt to get as close as possible.
There've been so many jokes about Stallone being an unintelligible muscle man so it's nice to have this to set the record straight. He's a really insightful actor who's put so much of himself in his movies. There are a few times Stallone's decisions and refusal to back down created some of cinema's best moments as well as some missteps he acknowledges which shows how far he's come.
Just as engaging as the anecdotes about filmmaking and how Rocky in particular was created are his observations about life. The pain, the loss and the speed it goes by are all discussed in a very frank manner with some heavy yet beautiful quotes that remind you Sly has a real way with words, in life and on the page.
There's also a great selection of interviews with other people in between Stallone's discussions, some who make perfect sense including Frank Stallone just generally being the best and Arnold Schwarzenegger getting to offer some funny stories about their infamous rivalry as well as others who are just cool to see (Quentin Tarantino!).
Thom Zimny's direction is great overall. Swapping effortlessly between the interviews and archive footage throughout with a generally nice vibe that means you don't want it to end. It only briefly falters in a few moments where it distracts from Stallone's openness by shaking the camera too much in an attempt to get as close as possible.
This is a really well done look at the journey of Sylvester Stallone from a poor kid in Hell's Kitchen to a superstar. Stallone, as noted by rival Arnold Schwarzenegger, is the only person who spear-headed three blockbuster franchises-Rocky, Rambo, and The Expendables. He was a guy driven by passion, vision, and the belief that he had more to offer than people could see. I love how a senior Stallone walks us along this journey. We see his thought processes. We see his written notebooks. We see the physical locations where he grew up and where much of the pictures were shot. The personal interviews. The old movie footage. Everything about this makes the documentary greater than the sum of its parts.
This documentary's looking at the life of Sylvester Stallone is not much more than an extended interview with a few contributions from contemporaries. It does though in the end give you a pretty clear insight into the mind of the man, who to me always seemed to want to come back to his familiar franchises too often, rather than take on something new. I found it interesting then that he largely seems to accept this point as he often found himself uncomfortable making films that were to a large degree outside his control and felt more at home with Rocky and Rambo as can be seen by the quite extraordinary array of rather self indulgent memorabilia in his home. It was also interesting that outside the franchises he controlled, in nearly all cases, he seemed to have needed to change every script, character or ending to suit his personal vision on what the film should say.
The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.
The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.
I'm only going to compare this documentary to Arnold Schwarzenegger's because it is brought up so prominently in both of them how competitive they were. How toe to toe they went in the 80s making bigger and bigger action films and getting larger and larger grosses (not to mention biceps).
That said, Arnold's was better. I preferred Schwarzenegger's because it went deeper into his personal life and even his faults as a man and a husband.
Sly, the documentary, was good. But it mostly focused on his career. After the obligatory stuff about how he grew up and what a sonofabitch his father was, it was all about the movies. The hits and the flops. I'd've liked to have heard more about his marriages and his relationship with his kooky mother (which is completely overlooked) and especially about losing his son. Even his other business adventures are ignored. Wasn't he an investor in Planet Hollywood? We hear nothing about that.
Anyway, I enjoyed this. It was the perfect airplane diversion as I killed 7 hours over the Atlantic. But like the Arnold doc, I think Sly's life deserves more than a 2 hour recap. I could have handled at least twice that as long as the second part dove deeper into the man himself.
That said, Arnold's was better. I preferred Schwarzenegger's because it went deeper into his personal life and even his faults as a man and a husband.
Sly, the documentary, was good. But it mostly focused on his career. After the obligatory stuff about how he grew up and what a sonofabitch his father was, it was all about the movies. The hits and the flops. I'd've liked to have heard more about his marriages and his relationship with his kooky mother (which is completely overlooked) and especially about losing his son. Even his other business adventures are ignored. Wasn't he an investor in Planet Hollywood? We hear nothing about that.
Anyway, I enjoyed this. It was the perfect airplane diversion as I killed 7 hours over the Atlantic. But like the Arnold doc, I think Sly's life deserves more than a 2 hour recap. I could have handled at least twice that as long as the second part dove deeper into the man himself.
The articulate man behind Rambo and Rocky still suffers the wound of his father's abuse. Yet he has beaten that wound by having a fabulous career. This documentary just made me want to give Stallone a hug and tell him -'life is STILL GOOD, Stop and smell the roses!' In a capacity the dogged sadness about his failures seems theatrical too. Is he acting through his own biopic? Probably. I wanna send him to go watch Nyad, another flick on Netflix that talks to how life is really NOT over for people on their later years. It feels like the 'antidote' to Stallone moping. Where is his therapist? I love Sly but depression present here is just a disservice to his contributions.
Did you know
- TriviaThis is the first official documentary about Sylvester Stallone.
- Quotes
Sylvester Stallone: Life is addition up until age 40, and after that it's subtraction.
- ConnectionsFeatures On the Waterfront (1954)
- How long is Sly?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Сталлоне
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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