Bird

I'm from North Kent and I have thought about whether that biased my review.

But ultimately I think because I have first hand knowledge of all the locations and indeed the type of people shown I can confidently say this is one of the most believable portrayals of an area I've ever seen.

The use of mystery and mystical elements give this tale a unique twist and one that I've fell head over heels for.

The acting is truly amazing with the cast managing to stir a plethora of emotions in me.

This film is funny, heartwarming, heartbreaking and very intense.

I truly think Andrea Arnold could nail any genre with her direction.

The way no character is patronised for their circumstances makes me so proud to actually have been raised in very similar ways and still be a somewhat functioning adult.

This is highly recommended.

This unforgettable film seems to have very differing ratings. I loved it. Central performance of actress playing 12 year old Bailey was beautiful. Her character displays a kind of self-composure and inner strength, a steadiness amid a chaotic and volatile world. The actor who played Bird was also incredible. His performance is tender and vital. You almost feel his protective wings around you.

On the face of it, the film is a very real observation of the harshness of life in a deprived area of England, but somehow there is still beauty, hope, love and even magic to be found in this world. It doesn't romanticise poverty but documents the lives of the people who are struggling in this situation showing them as complete human beings who can be erratic, selfish, desperate but also loving, joyous and hopeful.

There is so much I love about Andrea Arnold's latest film, Bird, that I can't put into words. There's some snippets that are more obvious than others. For example, Barry Keoghan's character, Bug, who is trying to work out which 'bad' song that will make his toad excrete the hallucinogenic slime that will give him the funds he needs for his perfect wedding. His friends say toad needs a bad song and suggest 'Murder on the dance floor'. Of course Barry disagrees "I quite like that song". Oh we know you do Barry (Saltburn anyone?). I also loved the song played in the end credits "is this too real for ya?" - perhaps taking a swipe at those who might complain about the addition of magic to Arnold's usual social realism. There is so much to love about this film. Any sort of plot synopsis would spoil. Suffice to say, this is British cinema at its best. In addition to the ubiquitously brilliant Keoghan, who kinda plays a secondary role, the acting is superb, not least the outstanding Nykiya Adams in the lead role. Also look out for outstanding turns by the guy from Passengers (I forget his name) and the brilliant actor who played Jaq in Top Boy. Anyway, overall a brilliant coming of age story mixing social with magical realism and the result is nothing short of mesmerising. 9 out of ten.

Is it a bird?

Yes.

Well that's that joke knackered then.

Andrea Arnold turns her directorial hand back to fiction filmmaking for the first time since 2016's excellent American Honey.

Bird follows Bailey (Nykiya Adams), a 12 year old girl growing up in a deprived area somewhere in England. Her dad 'Bug' (Barry Keoghan) is seemingly more concerned with his own life than that of his two children. This means Bailey and her older brother Hunter (Jason Buda) are for the most part left to their own devices. Hunter is part of a gang but Bailey is yet to find a friend that she truly connects with. That is until she meets Bird, a young man who's searching for his parents. They take solace in each-others family struggles and seek to help one another to resolve their family issues.

A lot of films that represent working class British life tend to show that despite not being financially well off, it is their family dynamics and by pulling together that keep each-other going. In Bird however family is the problem at the centre of the narrative. Whether it's Baileys dad being preoccupied with his new family or Birds lack of any family whatever-so-ever, they both find themselves alone. Alone in a scarily accurate world of deprivation where connection is essential for survival.

I'm trying hard not to spoil anything as there's so many plot ends going on that it would be easily done. Each of those plot points however blends seamlessly with the next keeping the viewer on the edge of their seat right from the start.

Barry Keoghan turned down Gladiator 2 to be in this film and without a doubt he made the right decision. Andrea Arnold has yet again crafted a depressing and yet hopeful look at a reality many people live through daily.

There are two lovely performances to enjoy in this story of the twelve year old "Bailey" (Nykiya Adams). She lives in a squat with her dad "Bug" (Barry Keoghan), brother "Hunter" (Jason Buda) and her soon-to-be stepmum "Kayleigh" (Frankie Box). It's that impending wedding, and the wearing of a pretty garish pink cat-suit, that puts her at odds with her well-meaning dad and sees her left to amuse herself amidst the fields of Kent. It's there that she encounters the rather enigmatic "Bird" (Franz Rogowski) who is looking for his parents who lived in a Gravesend tower block near her home. She decides to try and help this rather quirky chap and quickly their lives become curiously linked as we discover that her mother (Jasmine Jobson) is struggling through an abusive relationship with boyfriend "Skate" (James Nelson-Joyce) whilst also trying to bring up three youngsters. With the quest for her new friend's parents, her desire to help her mum and siblings and her dad's pressure to engage with his own hopes for happiness, the young "Bailey" hasn't her challenges to seek. Keoghan features energetically as he zips around the housing estates on his e-scooter, and his character serves well to help keep the main characterisations going - and it's on that front there's a charmingly understated chemistry developed between Adams and Rogowski that mixes their respective back-stories with a soupçon of the mystic and plenty of allegorical imagery to introduce quite elusive themes of freedom, family and quite frequently fun, too. There are also some fairly violent undertones, and we are left in no doubt that her life and that of her family has been and will remain fairly turbulent - but those points are not brought to us via a sledge-hammer, more by gentle observation and development of engaging personalities that evolve gently but potently over a couple of hours. It's a slow burn, but it works.