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The programme for Doclisboa’23 is now known; the festival will take place between 19 and 29 October at the usual venues: Culturgest, Cinema São Jorge, Cinemateca Portuguesa – Museu do Cinema and Cinema Ideal. In all, the 21st edition of Doclisboa is showing 250 films from 42 countries, including 35 world premieres and 39 Portuguese films. The films reveal the pulse of the world and those who inhabit it.

Doclisboa travels to the inside of the human brain through the lens of Werner Herzog (Theater of Thought), and to the pressing issues of work in The Liberated Broom, Listen to the Story I Was Told, by Coline Grando; delves into memories of past wars and to the current war in Ukraine; film archives; music; and dance.

The press conference was held this morning at Culturgest and was hosted by Miguel Ribeiro (Director of Doclisboa), Mark Deputter (Chairman of the Board – Culturgest), Marco Guerra (Head of the Cultural...

The Portuguese festival showcases documentaries from around the world.

The 21st edition of DocLisboa will open with Wang Bing’s Man In Black, and will close with Baan from Portuguese director Leonor Teles.

Man In Black premiered at Cannes and Baan made its debut at Locarno earlier this year.

The festival will take place in Lisbon from October 19-29.

Wang Bing, via videoconference, and Telles both participated in the festival press conference on September 28 at which festival director Miguel Ribeiro revealed this year’s programme in full.

Bing explained his film profiles 86-year-old Wang Xilin, one of China’s most important contemporary classical composers,...

Reykjavik International Film Festival (September 28-October 8) is planning a busy 20th edition, with honorary awards going to Isabelle Huppert, Luca Guadagnino, Vicky Krieps, Nicolas Philibert, Luc Jacquet and Catherine Breillat, who will all come to the Icelandic capital.

A delegation from Cannes will include Christian Jeune, head of the film department, Maud Amson, director of sales and operations at the Marché du Film, and Bruno Muñoz, head of short films.

The festival’s Industry Days (October 3-7) will explore topics like AI and animation for adults; social impact through films; festival and distribution strategies; French-Iceland co-productions; and an open talk...

The people dotting Leonor Teles’ shorts are all caught in the midst of seismic transformations, drifters who watch their home turfs push them away and change at mind-blowing speed. Her Berlinale-winning Batrachian’s Ballad (2016) offered an incendiary study of the Romani experience in present-day Portugal filtered through the prism of Teles’ own roots in the local Ciganos community; Ashore (2018) tailed an aging fisherman from a riverfront village perched between tradition and modernity; and Dogs Barking at Birds (2019) followed a working-class family wrestling with the capital’s rampant gentrification. Thai for “home,” the title of Teles’ feature debut literalizes a preoccupation that’s been at the cornerstone of all the director’s films. In its barest terms, Baan is a chronicle of a tumultuous romance stretching across weeks and time zones, but it’s also and most significantly a snapshot of 21st-century restlessness, a portrait of two young wanderers for whom...

One belongs in two places: in love and at home. With her sophomore feature, Golden Leopard contender Leonor Teles questions the stability of both. “Baan” (Thai for home) reimagines the world of a lovelorn person coming to terms with her own loneliness through a quasi-magical shift between Bangkok and Lisbon.

Part of Locarno’s main competition, “Baan” follows a young woman named L. (Carolina Miragaia) on her emotional journey, as she meets, falls for, and recovers from a serendipitous encounter with the elusive K. (Meghna Lall).

L. is an architect, but she is not bound to any place or home in particular. Instead, she sublimates the now-lost intimacy wandering through the city at sunrise, on the road to self-discovery.

With its idiosyncrasies, “Baan” fits well within the catalog of its production company, Uma Pedra no Sapato, and its support for the brazen voices of Portuguese cinema, old and new, such...

18 films across three Kinoscope sections.

Sarajevo Film Festival has selected 18 features for its Kinoscope strand, composed of festival hits from the past year.

Titles include Giacomo Abbruzzese’s Disco Boy starring Franz Rogowski and Morr Ndiaye, which had its world premiere in competition at this year’s Berlinale; as did Lila Aviles’ Totem, about a seven-year-old girl who comes to understand her changing world.

Dani Rosenberg’s The Vanishing Soldier arrives at Sarajevo following a world premiere last weekend at Locarno Film Festival. The thriller centres on an 18-year-old Israeli soldier who flees back to his girlfriend in Tel Aviv...