Skincare

As a thriller, it needed to be...more thrilling. There really wasn't enough going on to elevate it above being a decent Lifetime movie, an episode of Nip/Tuck, or a concise hour-long rerun of Dateline with Keith Morrison narrating in his patented Canadian way. Or maybe, the other guy...Dennis whats-his-face. You know, the one with the moles and skin tags. Oh hey, he would have been a great choice for the reenactment of this movie.

But that is the problem with Skincare: it is just too safe and by-the-book. Even the lady that inspired the script said that the actual events were even crazier. And the film itself needed more style. Like literally 2020's horror offering The Stylist comes immediately to mind. There needed to be a central underlying metaphor. Something to do with the "ugliness" of the aesthetician profession. Something more than what was presented.

I don't know. It was fine. Just more ridiculousness would have been appreciated.

This isn't the most complicated or intellectual thriller out there but it was surprisingly entertaining and enjoyable. I had seen a few negative soundbites out there, but there wasn't much in general given I saw one of the first screenings and I was trying to avoid reading much before watching. The soundtrack was great, some scenes had great camera play, and the way the story revolved around a small handful of characters was great -- the writing was good enough but the acting/characters was well done. Some things were very predictable but there were smaller twists and turns that made it fun. The only major irritation, common in some thrillers, was the outrageous stupidity/recklessness of the main chsracter, with some particularly dumb actions/writing. Not a must see by any means but fun and interesting enough to add to your list.

Austin Peters' first feature film invites us to enter the world of skin care and a toxic narcissistic environment that is soaked in a pleasant dose of black humor, even when it makes horrible decisions.

It is a journey with ups and downs, but it is delivered by an inspired Elizabeth Banks who shines with her own light and carries on her shoulders, a thriller that in the cunning of her interpretation makes the darkest moments of the film shine; it is not that the film is flawed, it is quite acceptable and becomes pleasant as we enter into the deep intrigue that professes its story. However, there are moments in which the film is somewhat complicated in carrying out the whole journey well to reach its final climax.

The script does a great job of conveying the particularly feminine paranoia of its protagonist, but its plot doesn't quite fit together to keep it constantly on top without making certain decisions noticeable that end up taking away the power that it seems to carry with elegance at times.

Despite the script's limitations, it should not be completely discarded, especially because of the encouraging staging of its director, who demonstrates an elegant handling of visual aesthetics and complements his work with the gratifying photography of Christopher Ripley who manages to immerse this entire journey in a pleasant thriller that at times recalls that eighties style on screen that turns out to be quite gratifying.

A fulfilling film that has its moments that make it worthy of a chance.

So the trailer peaked my curiosity and I downloaded to watch and it really started off ok. Elizabeth Banks has a beauty salon providing exquisite skincare service for her customers, ready to launch her own product line, when the competition shows up next door and coincidentally a loaded group email goes out to everyone she knows smearing her character, hurting the reputation of her business and the fallout of who's behind it begins. Everything leading up to her launch now spirals completely downward and her naive mindset has her looking in the wrong direction of who's trying to destroy her reputation. For a dark comedy it failed to deliver the way Drop Dead Gorgeous did with the late Kristie Alley o so well. Skincare was watchable but extremely forgettable popcorn.

This 2024 film directed by Austin Peters states in its opening credits that it: inspired by true events. Title cards dissolved into a television interview in process with the main protagonist: "Hope Goldman".

The whole narrative is a good, stylish portrayal of narcissism and told through the gaze of "Goldman", a Hollywood "facialist" (skin treatment for celebrities). A new business for alternative skin treatment shows up across the street but for "Goldman", this is not good for business.

Rest of the film's story revolves around social media mistreatment and "cancelling"; professional reputations with many involved. Supporting roles like "Goldman"; public relations specialist, "Marine" played by Michaela Antonia Jaé Rodriguez from "Rent" musical fame plus a cameo of Wendy Malick (from 90s TV "Just Shoot Me" sitcom).

Banks is a strong lead but what's interesting is Peters's micro camera shots of skincare products, giving a late night "informercial" vibe! It also reminds one of product placement happening throughout the whole film.

Visually this film really does its best to showcase Hollywood's craze for vanity, narcissism but suggesting its celebrity culture. Taking on a comedic knee jerk at ego competition and the beauty industry via social media hype/self-marketing references.

This black comedy definitely takes an artistic licence focused on skincare treatments and products - maybe commenting on its non-regulated aspects?. Coming out at the right resently where "skin influencers" are running amok on social media and being criticized. In some cases targeting communities that shouldn't be worried about ageing.

Recently real-life skincare guru, Dawn DaLuise has come out in the media about how this film discredits her lived experience. Da Luise was a controversy amongst Hollywood's beauty industry about years ago. According to media outlets, DaLuise was accused of trying to arrange a hit on another competitive skin treatment business owner. That she supposedly is working on her own documentary - maybe these true events influence this movie production.