Tyler Perry's Duplicity

Tyler once said he writes his scripts in a week and from this film.. we can see. There were so many plot holes, and although the plot twists were good it just left me with more questions. After the movie, I had to rewind to the beginning to see if I was just stupid or if he really just did not take enough time to write a full and complete story. I love supporting black people but Tyler what the hell?? I shouldn't need a thorough explanation video after watching a Tyler Perry movie... The scene where the white woman says she doesn't want to talk to the attorney anymore and she just turns around and the camera is still on her will be ingrained in my brain forever. We need you to spend more time writing Tyler, I just don't understand.

I'm calling on all script writers and movie directors to take a little bit more time and flesh out a better "ending" for your films TV projects. A lot of of the shows and movies that I watch nowadays, including this particular movie, starts out interestingly enough and pique your interest with a plot that is filled with potential only to sputter out at the end. I mean, come on, let's just do a little bit better. Let's just put a little bit more effort into the endings of films and shows. These film developers are getting millions of dollars to create these projects and it's like - when it's time to write an ending or shoot the conclusion they just rush to the finish line. It's not impossible. I remember watching episodes of Game of Thrones or episodes of Better Call Saul and/or the Ozark and by the end of the episode, right before the credits roll, you just sit there with your mouth wide open. More shows and movies could strive to make people have that feeling, it's not hard. And everything does not always need to be tied into a pretty little bow - you can be a bit daring and shocking in your art, it's OK. These movies and shows lure us In with a good plot potential and then we get let down over and over and over again. It's getting tiring and folks are pretty soon, just going to stop caring (at all) about the projects you develop.

This is a misfire on nearly every front. It trivializes serious issues like police shootings for shallow plot twists, offering no real insight. The storyline is convoluted and implausible, with poorly developed characters acting without logic. The direction feels lazy, the dialogue is clunky, and recycled scenes (like the boat climax from Acrimony) add to the déjà vu. Visually, it looks like outdated TV. Instead of evolving, Perry leans on tired tropes and shock value.

I honestly don't know why people bother with the same regurgitated style of movies he produces. It's now packed with more agenda than before.

He's made his money from the gullible black church community and should move on! Don't watch it but hey, everyone to their own.

So Marley and her private investigator husband live in this really nice house. One day she gets mad at her husband and when he gets home, she's downstairs with a blanket and she informs him that he has to sleep on the couch. The only problem is that just by looking at the house, you know there absolutely has to be at least one additional bedroom in that house. Prior to this scene, he had made Marley some breakfast and told her "it's not much, but I made it with love". See, people don't actually talk like this in real life but I'm not sure if Tyler knows this. It's pretty cringe when Tyler tries to write using expletives and there's a little bit of that here. And TP knows absolutely nothing about nuance. He'll write dialogue like: "don't think I forgot that you faked that slip and fall 5 years ago and got that $32,000 settlement". Like bro...you've made a ton of money and I'm sure there's far more talented writers who just need an opportunity. How about you give them that opportunity?

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.

For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.

The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.

Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **