The Image of You

I really sorry to be rude but certain films deserve certain screenplays, if certain directors deserve it, if they deserve it, let's start by saying that in this film there is the usual sentimental triangle that is used by all the screenwriters who do not have the skills of writing a script !! Consequently, they take refuge in stupid sentimental or sexual triangles, the riggia is really bad, the script is written with the feet and the actors are ridiculous I don't know what else to say to describe this garbage, this is an insult even for the films reserved for TV, in assist the films for TV are absolute cult.

This took ages to get going. When there are identical twins and a man involved only one thing is bound to happen. This does have an additional twist though. Half way through it wasn't difficult to work it out, but the ending had a lot going on. All those dead people, surely they couldn't have been the first. Did the cops even try investigate at all. Not according to this movie.

Grief can do terrible things to some people, but it's mind boggling that they are enabled to just carry on without any treatment.

Haven't seen Nestor Carbonell for ages, I see he still wears eyeliner. One of these days he's going to look like Alice Cooper. Just kidding.

Sasha Pieterse and Parker Young are incredible in this thriller from director, Jeff Fisher. Expect twists, turns, and thrills from "The Image of You."

The cinematography and lighting are highly evocative of Hitchcock's mid-century work. The clever use of shadow in adding a certain layer of mystique to the character of Zoe is masterfully played.

The film's use of montage through splitscreens and wipes is also something that has not been utilized in Hollywood in quite some time (the "Ocean's" remakes are the most recent examples that come to mind). Fisher clearly wears his influences on his sleeve, and it is an absolute pleasure seeing this adaptation of Adele Parks' novel come to life.

The Image of You is a psychological thriller that explores the complex dynamics of identical twins, Anna and Zoe, as they navigate love, trust, and deception. Directed by Jeff Fisher and based on Adele Parks' novel, the film is ambitious in its attempt to blend suspense with emotional depth, though it ultimately doesn't fully reach its potential.

The performances, especially by Sasha Pieterse, who plays both Anna and Zoe, are one of the film's standout features. Pieterse skillfully captures the contrasting personalities of the two characters-Anna, the trusting romantic, and Zoe, the skeptical, protective twin. This dual role allows Pieterse to showcase her range, bringing emotional weight to the narrative, even if the script doesn't always support the depth of her performance.

Visually, the film makes some bold choices, including the frequent use of split screens to emphasize the differences between the twins' worlds. While this stylistic choice initially feels fresh, it eventually becomes more of a distraction than an enhancement, adding a layer of visual flair that doesn't necessarily serve the story. The cinematography is solid, with some striking moments that elevate the otherwise predictable plot, but it isn't enough to carry the film across the finish line.

The plot, while intriguing at first, ultimately falls into familiar thriller tropes. Anna's romantic involvement with the charming yet mysterious Nick, played by Parker Young, sets up the suspense, but the film never quite delves into the psychological tension it promises. Zoe's investigation into Nick's past could have offered more depth, but instead, the storyline feels like it's going through the motions without adding much complexity. The pacing also feels uneven, dragging in certain places while rushing through key revelations.

Despite its weaknesses, The Image of You does offer some thrills, particularly in its final act, where the tension heightens and some well-timed twists emerge. However, these moments aren't enough to offset the film's more formulaic aspects.

In the end, The Image of You is a film that has potential but doesn't quite live up to it. It's a fine choice for fans of psychological thrillers looking for something to pass the time, but it's unlikely to leave a lasting impression. With stronger writing and more compelling character development, it could have been much more than just another predictable thriller.

Pros:

-Strong performance from Sasha Pieterse, particularly in playing both twins.

-Visually engaging cinematography, with some interesting stylistic choices.

Cons:

-Predictable plot that doesn't fully explore its psychological themes.

-Pacing issues and uneven narrative flow.

-Split screen technique becomes more distracting than effective.

I'm Rae Serbeck, I Watch and Review all films Large and Small!

Jumped into this mainly because of Sasha being listed as lead in something with an R rating, along with a great support cast; Mira and Nestor (the non-eyeliner guy). Never heard of the book, but I do get a kick out of the seedy twins genre in general, so I kind of knew the plot without knowing it. It did kind of seem like a hammy parody of itself at first, but the more I watched, the more I couldn't really look away from Sasha (especially as Zoe), so I stayed with it. Yes, the plot is familiar, and the major plot twist is easy to spot in the first 15-20 min, but I have to say, Sasha is back on her game here from what I would call a void since playing edgy Ali in PLL. She looked fantastic and had charismatic confidence in her screen presence. All the main characters were beautiful people here (something I miss these days), and those elements combined with the absence of tiring identity, social political, and environmental messaging ended up making this an unexpectedly pleasant watch for me.