Follows the story of Ruth Ellis: her lifestyle as a young nightclub manager, her violent relationship with the man she then killed in cold blood, her arrest, trial, and subsequent legal batt... Read allFollows the story of Ruth Ellis: her lifestyle as a young nightclub manager, her violent relationship with the man she then killed in cold blood, her arrest, trial, and subsequent legal battle to get her release before she was hanged.Follows the story of Ruth Ellis: her lifestyle as a young nightclub manager, her violent relationship with the man she then killed in cold blood, her arrest, trial, and subsequent legal battle to get her release before she was hanged.
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Summary
Reviewers say 'A Cruel Love: The Ruth Ellis Story' is compelling yet flawed, with Lucy Boynton praised for her performance. The series is lauded for its production design and period accuracy but criticized for its shallow screenplay, repetitive storytelling, and inconsistent character development. Ruth's early life and relationships lack depth, and the script is often flat. Despite these issues, strong performances and complex themes are highlighted.
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Lucy Boynton deserves more than a rating of 7 for her brave portrayal of Ruth Ellis, but "A Cruel Love" suffers from a shallow screenplay by Kelly Jones. The same few facts are told over and over: that she loved David Blakely (Laurie Davidson) to a fault, that she holds herself guilty and responsible for his murder. We learn little about Ruth's early life, or her marriage, and her children are reduced to props. She got solid help from the actors Toby Stephens and Toby Jones, though why Jones chose to whisper every single line of dialog was beyond me. As for Mark Stanley playing Desmond Cusson, the man devoted to her, he barely makes an impression.
The production design by Stephen Campbell is particularly commendable for its bold, dark colors and period sets. I didn't understand how Ruth could afford the array of dresses in her wardrobe, given that she wasn't even able to afford rent, but I took it for eye candy. The series could easily have been three episodes instead of four, except for one thing: when Boynton is on the screen, all you want is more.
The production design by Stephen Campbell is particularly commendable for its bold, dark colors and period sets. I didn't understand how Ruth could afford the array of dresses in her wardrobe, given that she wasn't even able to afford rent, but I took it for eye candy. The series could easily have been three episodes instead of four, except for one thing: when Boynton is on the screen, all you want is more.
I have always liked Lucy Boynton & to be fair she is perhaps a little too pretty to play Ruth Ellis, who was not very attractive. However, with the superb make up & her terrific acting skills she pulls off the role effortlessly. There have been a fair few biopics on Ruth Ellis as her story is a fascinating one. My favourite so far is Miranda Richardson in Dance with a Stranger, but Miss Boyntons portrayal is very close to being just as great. She shows her dedication to her craft which is admirable. For instance she is a non smoker, yet here & in other roles she is shown smoking (although not properly) which fits the character. Other things I enjoyed about this production was the 1950's sets which are superbly done, yet occasionally it is let down by slow screen play & a rather bland script, making parts of this difficult to watch. Also as normal with productions today there is a fair bit of emphasis on the theme of feminism which is not really a problem, only for the fact Ruth Ellis was not a feminist. She admitted her guilt & was certainly not a victim. This does come across in the excellent court room scenes, which I also enjoyed.
All in all this is a good drama, with excellent acting from Lucy Boynton, but I am only giving this a 6 as I feel it was let down by a weak script & occasionally dragging screen play. As well as glaring gaps in the Ellis story in which her son is almost invisible. This was a missed opportunity to show Ellis as a mother which would have perhaps garnered more sympathy for her character. So to enjoy this you should also have an appreciation & understanding of the real Ruth Ellis story. Ruth made her mark on history with a violent crime of passion which resulted in her execution as the very last women to be hanged in Britain.
All in all this is a good drama, with excellent acting from Lucy Boynton, but I am only giving this a 6 as I feel it was let down by a weak script & occasionally dragging screen play. As well as glaring gaps in the Ellis story in which her son is almost invisible. This was a missed opportunity to show Ellis as a mother which would have perhaps garnered more sympathy for her character. So to enjoy this you should also have an appreciation & understanding of the real Ruth Ellis story. Ruth made her mark on history with a violent crime of passion which resulted in her execution as the very last women to be hanged in Britain.
Watched> Wednesday, 26th March, 2025 @ Edge Water Studios. Rated 4.5 * * * * Very Good to Excellent - 8/10 < Cert. Would be a 15 > Four Part Mini Series by ITV. Great acting performance from Lucy Boynton, as Ruth Ellis, followed by very good performances from Toby Jones, as John Bickford, Mark Stanley, as Desmond Cussen and Laurie Davidson, as David Blakely. This is a Notoriously TRUE STORY, that changed British history, because of Ruth Ellis (age 28) who was the last woman in Britain to be sentenced to death, by hanging, on Wednesday, 13th July, 1955 at 9 am. She was WRONGLY CONVICTED, as evidence was with held, which meant she could have received a life sentence, instead of The DEATH Penalty. Badly handled by the authorities at the time, SHAME ON THEM!! This 4-part film can be dark and solemn, with upsetting scenes. Their are lighter moments at times, but mainly this is such a tragic story of a young lady who wanted to live her life to the full, right or wrongly. (ps)
Ruth Ellis ironically gained a sort of immortality in British criminal history right at the moment of her death as she was the last woman to be executed, unless the death penalty is ever reinstated, which I personally hope it isn't. Her sorry story has been told before on the small and big screen but here we are again, almost exactly 70 years on, for this 4-part ITV series starring Lucy Boynton in the title role.
It starts explosively as we witness Ellis cold-bloodedly murder her lover David Blakely by shooting him on a public street in front of witnesses. To that extent it's an open-and-shut case but as we're inevitably flashed back to how we've got to this point, the question of diminished responsibility through provocation emerges, which, if accepted by a jury, might reduce her sentence and so spare her life. This aspect of the narrative is what connects it to the present day, that of course, and the afore mentioned argument against capital punishment. However, as history tells us, neither the diminished responsibility defence or the abolition of the rope were passed into law until years later, although the point is made that this case.may well have assisted in hastening both law changes.
This was a high-end production, featuring an excellent central performance by Boynton torn between her two heartless lovers played by Laurie Davidson and Mark Stanley. The strong casting continues with other familiar faces such as the ubiquitous, super-reliable Toby Jones as Ellis's unyielding first defence solicitor, Arthur Darvill as her last-chance counsel and, as the sympathetic prison governor, Juliet Stevenson. Yes, that final piece of casting tells you diversity supercedes authenticity which you see reflected in other places too, but nevertheless, cleverly, atmospherically and at the end, sympathetically directed, this was a compelling and impactful mini-series well worth watching.
It starts explosively as we witness Ellis cold-bloodedly murder her lover David Blakely by shooting him on a public street in front of witnesses. To that extent it's an open-and-shut case but as we're inevitably flashed back to how we've got to this point, the question of diminished responsibility through provocation emerges, which, if accepted by a jury, might reduce her sentence and so spare her life. This aspect of the narrative is what connects it to the present day, that of course, and the afore mentioned argument against capital punishment. However, as history tells us, neither the diminished responsibility defence or the abolition of the rope were passed into law until years later, although the point is made that this case.may well have assisted in hastening both law changes.
This was a high-end production, featuring an excellent central performance by Boynton torn between her two heartless lovers played by Laurie Davidson and Mark Stanley. The strong casting continues with other familiar faces such as the ubiquitous, super-reliable Toby Jones as Ellis's unyielding first defence solicitor, Arthur Darvill as her last-chance counsel and, as the sympathetic prison governor, Juliet Stevenson. Yes, that final piece of casting tells you diversity supercedes authenticity which you see reflected in other places too, but nevertheless, cleverly, atmospherically and at the end, sympathetically directed, this was a compelling and impactful mini-series well worth watching.
I'm old enough to remember capital punishment and well remember the Christie case of 10 Rillington Place because it was so horrific. I can't remember the Ruth Ellis case though but may have just forgotten it. Christie deserved to be executed but Ellis probably not. What bothered me watching this mini series, starring Lucy Boynton as Ellis, highlighted for me how little discrimination there was between the two killers I've mentioned. If found guilty, they were hanged, regardless of the obvious differences in their motives. Ellis' was a crime of passion and caused her to lose control, whereas Christie was just evil. The Ellis case helped to end our barbaric sentencing procedure and blanket death sentences.
To the series, Lucy does a fair job of portraying Ruth although I thought she was a bit posh. Ellis was Welsh and the accent seemed wrong. Toby Jones I love to watch in anything as his mastery of the camera is always a joy. Nigel Havers pops up playing his own grandfather, Cecil, who had to sentence Ruth. Nigel has said that his grandfather was upset with this case and tried unsuccessfully to have it overturned.
Ruth murdered her lover David, by shooting him at close range four times as he came out of a pub. The series shows their relationship and subsequent turn of events. I do wish that current casting didn't distort history as we know Ruth's prison warden was not as shown in the series.
It kept me watching in spite of knowing the outcome, mainly because I like the leading actors and the directing was good.
To the series, Lucy does a fair job of portraying Ruth although I thought she was a bit posh. Ellis was Welsh and the accent seemed wrong. Toby Jones I love to watch in anything as his mastery of the camera is always a joy. Nigel Havers pops up playing his own grandfather, Cecil, who had to sentence Ruth. Nigel has said that his grandfather was upset with this case and tried unsuccessfully to have it overturned.
Ruth murdered her lover David, by shooting him at close range four times as he came out of a pub. The series shows their relationship and subsequent turn of events. I do wish that current casting didn't distort history as we know Ruth's prison warden was not as shown in the series.
It kept me watching in spite of knowing the outcome, mainly because I like the leading actors and the directing was good.
Did you know
- TriviaNigel Havers plays his grandfather Lord Havers, the high court Judge in this case.
- GoofsWhen Desmond teaches Ruth how to use his revolver, he instructs her using a two handed technique. This is good practice by modern standards. However, Desmond learned to shoot in the RAF during World War II, and at this time all pistol shooting was taught using one hand only. The modern two handed technique only began to be developed in the 1950s, and did not become common until later.
- ConnectionsReferenced in The One Show: Episode dated 27 February 2025 (2025)
- How many seasons does A Cruel Love: The Ruth Ellis Story have?Powered by Alexa
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- Also known as
- El caso de Ruth Ellis
- Filming locations
- Dorchester Prison, Dorchester, Dorset, England, UK(As Holloway Prison, London.)
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- See more company credits at IMDbPro
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