MadS

This is an incredibly well executed film.

The beginning is intense and very well directed and feels credible.

The story does follow a drug addict.

So might not work for those with strong stigma. But shouldn't be a problem for a reasonable viewer.

The film follows an intense night of partying that turns into something else.

It's a very well acted film. And well directed.

A great achievement to so skillfully direct a movie with one take.

The stream of events is engaging.

This is one of those film to watch with as little knowledge as possible.

Well worth it.

I can't say much more. But this movie is well directed and very engaging. And feels fresh.

But in the end, it is very much style over substance which is it's weakness.

But a great ride to take.

MadS seemingly came out of nowhere, and as soon as I saw it was a French zombie movie, I was intrigued. The first thing to mention is that the entire film is shot in one continuous take. A remarkable achievement that few filmmakers dare to attempt. There are, however, a few moments where it's clear that if the movie had been shot with multiple takes, certain scenes might have been redone due to minor flaws. But none of these issues are so distracting or problematic that they significantly harm the movie.

This isn't your typical zombie movie; the behavior of the infected is unusual, yet interesting. It brings a fresh take to the genre, which is always appreciated. The characters aren't particularly likable, but they're not bad people either, and the lead actors deliver solid performances. What I enjoyed most about the movie is its realistic feel. The single-take approach contributes to this realism, as does the fact that nothing overly fantastical happens. The characters generally behave in a believable manner, though some of their decisions are a bit foolish and irrational.

Despite that, the film manages to convey a grounded, realistic tone, and even the small dramatic moments worked well for me. Overall, MadS is a decent and unique zombie movie with some flaws, but it still succeeds in the end. [5.6/10]

Although the story seems simple and usual, this is a very interesting movie in how it escalates and how it chooses where to focus and what to leave unexplained. In other words we have seen this before but not in this way. Also it is important to point out the different interpresentations that one could extract in general. Drugs related the most important. What it leaves, is a feeling of unease which is very important from the beginning. If you choose to watch this movie searching for allegorical meaning or not, you will be satisfied in the end. Very promising acting from Laurie Pavy and a big hope for the future.

I'm American so this french film with subtitles going to the top of my horror list for 2024 independent films is a pretty big feat. It wastes no time which is spectacular and seriously warranted with all these drawn out tv halfway horrors. It's very well filmed even with the handheld steady run & gun style Cinematography, I loved every scene. Definitely a film you can have fun watching with other people. Hearing them scream in french "s'ilvous plait" over and over was like music to my ears. It was choreographed to be chaotic and yet it was incredibly smooth and sharp. It didn't beat around the bush with dumb responses or poor acting it seemed very logical and crazy all at the same time. The dialogue had just enough info without being extra wordy while reading subs. From start to finish I have no complaints. The last scene was hell-fully picturesque. I see the similarities of all young people no matter where your from trying to figure out life getting dealt some life changing anguish 😧 and having nowhere to turn no where to hide and only thing u can do is lose your mind and scream. I love artful simplicity even the movie cover was a good clue to all who watch will be in for a disturbing fun ride.

A fresh, fun start to the film that immediately lays out it's ambitions with a single tracking shot, hip soundtrack, and beautiful cinematography. The fresh premise wears thin during the back half however, as the film falls prey to repetition and actors who cannot stop shrieking. The screaming. And shrieking. A director who had shown a competent and semi restrained approach fully betrays this and falls prey to an overly indulgent back half.

I legitimately muted the film at multiple points and considered skipping minutes 70-80 because the screaming and overall sound design was too grating. The influence of 28 days later was also clear during one particular segment of the score, which was neat. Despite not being able to land this, an admirable attempt that I don't regret watching...sort of.