Austria in the 18th century. Forests surround villages. Killing a baby gets a woman sentenced to death. Agnes readies for married life with her beloved. But her mind and heart grow heavy. A ... Read allAustria in the 18th century. Forests surround villages. Killing a baby gets a woman sentenced to death. Agnes readies for married life with her beloved. But her mind and heart grow heavy. A gloomy path alone, evil thoughts arising.Austria in the 18th century. Forests surround villages. Killing a baby gets a woman sentenced to death. Agnes readies for married life with her beloved. But her mind and heart grow heavy. A gloomy path alone, evil thoughts arising.
- Directors
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- Stars
- Awards
- 15 wins & 10 nominations total
Natalija Baranova
- Ewa Schikin
- (as Natalya Baranova)
Tim Valerian Alberti
- Schaulustiger
- (uncredited)
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- Writers
- All cast & crew
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Featured reviews
It surely does take a significant amount of effort to recreate bygone era themes and this movie does that execution exceedingly well. From rituals to clothing to food, audiences would be thrilled and enamored to just comprehend what life was like back then.
Then it's the core theme of the movie, which revolves around what depression was like back then and how people dealt with it. Very much compelling and thought provoking.
But in between, this movie also has hideously slow pacing which can make audience yawn or even fall asleep, dreaming between 21st and 16th century.
There's a lot that could've been done here, but it seems the filmmakers decided to focus more on minute details of how people lived back then, than on developing a storyline that showcased how depression evolved.
Not a bad watch, but not something I would highly recommend as well. Gore was mediocre and felt more pushy and relevant.
Then it's the core theme of the movie, which revolves around what depression was like back then and how people dealt with it. Very much compelling and thought provoking.
But in between, this movie also has hideously slow pacing which can make audience yawn or even fall asleep, dreaming between 21st and 16th century.
There's a lot that could've been done here, but it seems the filmmakers decided to focus more on minute details of how people lived back then, than on developing a storyline that showcased how depression evolved.
Not a bad watch, but not something I would highly recommend as well. Gore was mediocre and felt more pushy and relevant.
This film is about depression and suicide in 18th century rural Austria.
It is wonderfully shot and we're told it is historically accurate and based on true events of actual women from that period.
This is not a horror film to be clear.
This is not a must-see film, either.
I think it may be an interesting film for psychology students or teachers, and perhaps for film students.
If one is familiar with depression and interested in it's historical interpretation, this film is relevant.
Other than those instances, I would not watch this film. Its simply bleak from start to finish and there's no redemption for anyone. You'll feel bad during and after your viewing.
Again, this is a well-shot, historical perspective on suicide by proxy. I felt that it was unnecessary to watch this film to understand that phenomenon.
It is wonderfully shot and we're told it is historically accurate and based on true events of actual women from that period.
This is not a horror film to be clear.
This is not a must-see film, either.
I think it may be an interesting film for psychology students or teachers, and perhaps for film students.
If one is familiar with depression and interested in it's historical interpretation, this film is relevant.
Other than those instances, I would not watch this film. Its simply bleak from start to finish and there's no redemption for anyone. You'll feel bad during and after your viewing.
Again, this is a well-shot, historical perspective on suicide by proxy. I felt that it was unnecessary to watch this film to understand that phenomenon.
I went into this with low expectations. It started off seemingly innocent enough. I wasn't sure where the movie was going. Without giving anything away, I will say that the movie shocks you before long. There are some scenes that run on too long but overall the movie was pretty good. The depiction of life in 1750s Germany was grim but there were moments of happiness. The main character's descent into mental illness was sad to say the least. The treatment at the hands of the barbers of the time only made things worse. I couldn't believe that things like that actually happened and was horrified to find out how often these things took place.
My only complaint is thst there was no explanation for why people were punished in certain ways.
My only complaint is thst there was no explanation for why people were punished in certain ways.
3.75 STARS - This is worth watching for the main actress's performance alone. She did a great job here, capturing the essence of the character in such a way that you truly sympathize with her plight, though you are horrified with what she feels driven to do once she is in "The Devil's Bath." I had no idea about the true events/practice this movie was based on so there were some things that confused and annoyed me initially. Once I realized what was happening, my perception about the film changed, especially after reading further into the facts this story was based on. Part of me thinks that if I'd known about these events before watching the movie, I probably wouldn't have taken the time to check it out. Especially since it's not your typical "horror" flick (though the events here are truly horrific). But I'm not sorry to have seen it, and in the end my only real complaint is that at two hours long, there were moments where this dragged more than it needed to. However, that's not really enough to keep me from recommending The Devil's Bath. Video review on my Cyn's Corner YouTube channel.
From the Austrian filmmaking duo behind Goodnight Mommy & The Lodge comes a folk horror steeped in chilling ambience & haunting imagery that turns to historical pages to find its bleak story and offers a fascinating exploration of depression, religion, superstition, mental illness & repressed sexuality through a young married woman's unraveling as she grows despondent in her marriage.
Written & directed by Veronica Franz & Severin Fiala, the film sets its grim tone right away with the disturbing scene that opens the picture and then sprinkles the story with harrowing images that surface every now n then. The period setting has an authentic vibe to it, thanks to the deft research, lush greenery location, small pockets of civilisation, stone-built houses & other props of 18th century Austria.
However, the slow pace & overlong runtime do hinder the investment before the final act wakes the viewers up with a gut-punching shock. Much of the film rests on the shoulders of its leading lady and Anja Plaschg more than delivers on that front with an impressive showcase. Anchoring the plot with finesse, she expertly portrays her character's growing despondency & desperation and holds the film together.
Overall, The Devil's Bath is a intelligently crafted, patiently narrated & strongly acted historical horror that benefits from its period-specific details, horrifying elements & Plascha's committed performance but the slow-burn pace at which it all unfolds won't appease every palate. But its powerful ending does stick with the viewers for a while and out of all films from these directors, their latest is easily their best work so far.
Written & directed by Veronica Franz & Severin Fiala, the film sets its grim tone right away with the disturbing scene that opens the picture and then sprinkles the story with harrowing images that surface every now n then. The period setting has an authentic vibe to it, thanks to the deft research, lush greenery location, small pockets of civilisation, stone-built houses & other props of 18th century Austria.
However, the slow pace & overlong runtime do hinder the investment before the final act wakes the viewers up with a gut-punching shock. Much of the film rests on the shoulders of its leading lady and Anja Plaschg more than delivers on that front with an impressive showcase. Anchoring the plot with finesse, she expertly portrays her character's growing despondency & desperation and holds the film together.
Overall, The Devil's Bath is a intelligently crafted, patiently narrated & strongly acted historical horror that benefits from its period-specific details, horrifying elements & Plascha's committed performance but the slow-burn pace at which it all unfolds won't appease every palate. But its powerful ending does stick with the viewers for a while and out of all films from these directors, their latest is easily their best work so far.
Did you know
- TriviaInspired by the book "Suicide by Proxy in Early Modern Germany" by Kathy Stuart
- GoofsDuring an intimate moment between the couple, the front-facing shot shows the male character completely unclothed, consistent with the context. However, when the perspective shifts to a rear angle, he appears to be fully clothed, creating inconsistency.
- ConnectionsReferenced in Close-Up: The Best Films and Other Results of 2024 (2024)
- SoundtracksDepression
composed by Anja Plaschg
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- El baño del diablo
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $54,259
- Runtime
- 2h 1m(121 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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