Kolkata is at risk from Badami Hyena. Dipak Chatterjee, a forgotten detective created by Shri Swapankumar, faces a complex mission. Can he save the city and himself?Kolkata is at risk from Badami Hyena. Dipak Chatterjee, a forgotten detective created by Shri Swapankumar, faces a complex mission. Can he save the city and himself?Kolkata is at risk from Badami Hyena. Dipak Chatterjee, a forgotten detective created by Shri Swapankumar, faces a complex mission. Can he save the city and himself?
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This film is a mess. Neither it engages you, not it gives you a thrilling storyline. Apart from Abir, the rest of the cast is completely miscast. Abir also has done a very poor job comparing to his work in Rawktobeej. The acting of the lady cop/detective is very forced, her looks are horrible. If you are making a movie where it is mandatory to read the reference books, then you have failed as a filmmaker. The presence of Mr Swapankumar is so irritating that you would want to skip his portion instantly. I was waiting for this film to arrive in Hoichoi, but I was so deeply disappointed. This type of films make me lose my faith in Kolkata films.
Oh I am so happy and nostalgic. I found myself whistling inside the cinema hall after decades, at the entry of Deepak Chatterjee! I forgot I turned 50 a few months ago.
This movie could have been a tad shorter, shorn off some excess.. but that said, it is an ode to first Universe of bengali pulp literature, the page turners of my and my elder bro's childhood.....the collective magical times of that generation.
Smartly crafted, intelligently scripted, passionately acted, luridly costumed....it shamelessly shuts up logic and unleashes a tale of such fun and over-the-top ness.. that we are reminded that it takes a genius to play the fool.
There are touches of nonlinear time flows, magic realism, subtle digs and sarcasms...references to cult movies...but these are plastic words and let me stop here.. simply go and dive into it.
This movie could have been a tad shorter, shorn off some excess.. but that said, it is an ode to first Universe of bengali pulp literature, the page turners of my and my elder bro's childhood.....the collective magical times of that generation.
Smartly crafted, intelligently scripted, passionately acted, luridly costumed....it shamelessly shuts up logic and unleashes a tale of such fun and over-the-top ness.. that we are reminded that it takes a genius to play the fool.
There are touches of nonlinear time flows, magic realism, subtle digs and sarcasms...references to cult movies...but these are plastic words and let me stop here.. simply go and dive into it.
I was waiting for this movie for a long time. But Watching it was a dejecting feeling. The presence of the writer Swapankumar, enacted by Paran Banerjee, has made it more monotonous. Banerjee's monologue is too dull. The occasional reference and deliberate comparison of Dipak Chatterjee with the immortal character, particularly Feluda, is utterly unacceptable. The theme and content do not have a head or tail. No doubt, the detective stories of Swapankumar are entertaining. But the perspective of this generation is different. The film has done more injustice to Swapankumar. The initiation of Swapankumar detective stories is a super flop. It is utterly worthless content.
This movie is so bad that swapna Kumar the writer may come and haunt the director. I was pretty much exited for this one because of the story also a bit for abir. For long I was thinking why no one is making any movie on Shri swapan Kumar's stories.
Now if I come to the movies it's pretty much pathetic. I was trying so hard to complete it but was unable to do so. Some random stuff was happing, extremely dramatic which was not needed, pretty much boring and so on.
From the outset, the film struggles to find its footing, careening wildly between subplots without ever fully committing to any one narrative thread. Characters are introduced and promptly forgotten, their backstories hastily sketched out in clumsy exposition dumps that do little to endear them to the audience. The result is a disjointed jumble of half-baked ideas that never coalesce into a cohesive whole.
Now if I come to the movies it's pretty much pathetic. I was trying so hard to complete it but was unable to do so. Some random stuff was happing, extremely dramatic which was not needed, pretty much boring and so on.
From the outset, the film struggles to find its footing, careening wildly between subplots without ever fully committing to any one narrative thread. Characters are introduced and promptly forgotten, their backstories hastily sketched out in clumsy exposition dumps that do little to endear them to the audience. The result is a disjointed jumble of half-baked ideas that never coalesce into a cohesive whole.
I recently watched "Shri Swapankumarer Badami Hyenar Kobole," and unfortunately, it fell far short of my expectations. Despite the promising premise, the execution left much to be desired.
Firstly, the storyline lacked coherence and depth. It felt disjointed, with poorly developed characters and confusing plotlines that left me struggling to stay engaged. The pacing was inconsistent, with slow moments that failed to build tension and rushed scenes that left important details overlooked.
For me, the most painful part was the disconnect and incoherence in the storyline, which my "buddhi-jibi"(educated) brain just couldn't take after a certain point....
Really, the worst movie starring Abir, by a longshot. Sorry Abir.
Firstly, the storyline lacked coherence and depth. It felt disjointed, with poorly developed characters and confusing plotlines that left me struggling to stay engaged. The pacing was inconsistent, with slow moments that failed to build tension and rushed scenes that left important details overlooked.
For me, the most painful part was the disconnect and incoherence in the storyline, which my "buddhi-jibi"(educated) brain just couldn't take after a certain point....
Really, the worst movie starring Abir, by a longshot. Sorry Abir.
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- Badami Hyenar Kobole
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- Runtime2 hours 26 minutes
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