Harrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a public... Read allHarrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a publicist for the publishing house he works with.Harrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a publicist for the publishing house he works with.
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I know I sound like the grinch but this is the worst hallmark Christmas movie I've ever watched...my wife and I watch alot but this guy and the leading lady would never make it in the real world...he's flat and drab in acting and is way below her pay grade...no chemistry at all. Most of these movies are around 5 with an occasional 7...maybe cause I'm a guy but I watch alot of these and this one was a bomb...if the guy could be replaced with most dudes they use it actually might have a half life...and the script of getting upset with the leading lady twice proves to me he's a turkey and she needs to find a better human being.
8.0 stars.
'Magic in Mistletoe' is of a rare breed of films that really caught my attention, even though there isn't anything particularly outstanding. The whole production is above average, not a single aspect is tawdry or leaves us expecting for more than what is delivered at each precise and timely moment. The romance is spot on, not too fast, not too slow, not too much, or too little. We don't have to wade through the formulaic monotony of most Hallmark stories, but instead we are humored by a cast of characters and a production crew with something fresh. But is anything really original in 'Magic in Mistletoe'? No, not really. But what is novel is the way it's presented. Something about the method in which the leads interact somehow feels different like genuine attraction, more than a performance.
He portrays an author of bestselling Christmas fantasy novels that are based upon the town he grew up in: Mistletoe. As of late, he has been morose and somewhat of a scrooge, recently caught posting a statement about how he no longer believes in Christmas. His sullen attitude is very believable. She is his publicist, and must be a taskmaster as she attempts to resurrect his career from total devastation. What a wonderful and charismatic actress she is to bring to life a "groupie" persona, of a woman who secretly adores everything about him: his writing, his character, his faults, and his failures. But she must also control her emotions and guide him back to the focused and successful writer that he once was.
This story builds up to a wonderful ending. It's a rare gem that can gain momentum like 'Magic in Mistletoe' and leave us wanting more. I hope to see a sequel, but I don't feel it lends itself to one.
'Magic in Mistletoe' is of a rare breed of films that really caught my attention, even though there isn't anything particularly outstanding. The whole production is above average, not a single aspect is tawdry or leaves us expecting for more than what is delivered at each precise and timely moment. The romance is spot on, not too fast, not too slow, not too much, or too little. We don't have to wade through the formulaic monotony of most Hallmark stories, but instead we are humored by a cast of characters and a production crew with something fresh. But is anything really original in 'Magic in Mistletoe'? No, not really. But what is novel is the way it's presented. Something about the method in which the leads interact somehow feels different like genuine attraction, more than a performance.
He portrays an author of bestselling Christmas fantasy novels that are based upon the town he grew up in: Mistletoe. As of late, he has been morose and somewhat of a scrooge, recently caught posting a statement about how he no longer believes in Christmas. His sullen attitude is very believable. She is his publicist, and must be a taskmaster as she attempts to resurrect his career from total devastation. What a wonderful and charismatic actress she is to bring to life a "groupie" persona, of a woman who secretly adores everything about him: his writing, his character, his faults, and his failures. But she must also control her emotions and guide him back to the focused and successful writer that he once was.
This story builds up to a wonderful ending. It's a rare gem that can gain momentum like 'Magic in Mistletoe' and leave us wanting more. I hope to see a sequel, but I don't feel it lends itself to one.
The story is about Harrington, (Paul Campbell) a writer of bestselling Christmas fantasy novels that are based on his hometown of Mistletoe. After the death of his parents he has become a cynical recluse, he no longer believes in the magic of Christmas and views it as just a way for people to make money. He posts his feelings on social media which creates a lot of negative backlash. The timing couldn't be worse because it coincides with the release of his latest Christmas fantasy book. The publishing house sends a publicist, April (Lyndie Greenwood) to do damage control and save book sales and Harrington's career. Her plan is for Harrington to return to his hometown in order to restore his love of Christmas by showing him how much his books mean to his fans and also the town of Mistletoe. Harrington is anything but cooperative, and she threatens him with a lawsuit to make him cooperate. As April takes Harrington on a schedule of events coinciding with Mistletoe's Christmas Festival, she sees a softer side of him, and sees how the town really loves him. Harrington starts to warm up to what Christmas really means and also warms up to April too. However, several conflicts arise due to emotional memories from his past. The question is will Harrington overcome these obstacles and will his love of Christmas and trust in people be restored?
Lyndie Greenwood is a delight as the charismatic and always way too prepared April ( I'd like to see her in more Hallmark movies). Paul Campbell is perfect in the role of the the moody and cynical and wise cracking Harrington. Greenwood and Campbell have great chemistry together and the dialog is witty. The movie is a little slow paced at times, yes it's predictable, and the ending is a bit rushed. But overall, its an enjoyable and entertaining movie.
Lyndie Greenwood is a delight as the charismatic and always way too prepared April ( I'd like to see her in more Hallmark movies). Paul Campbell is perfect in the role of the the moody and cynical and wise cracking Harrington. Greenwood and Campbell have great chemistry together and the dialog is witty. The movie is a little slow paced at times, yes it's predictable, and the ending is a bit rushed. But overall, its an enjoyable and entertaining movie.
Full disclosure, I was hoping for a comedy since this film stars Paul Campbell (Three Wisemen and a Baby). The dude also wrote Unexpected Christmas, a classic. Alas, it wasn't meant to be. Paul plays Harrington, an author who wrote a series of Christmas novels focused on his hometown of (you'll never guess) Mistletoe. He posts a scrooge-like message online and is on the verge of being cancelled until his publisher's PR rep shows up to save him; wow him; spend time with him; hand him pens; decorate in ways he hates; slow the story down; meet people who already know him; accompany him to sparsely attended events. OK, all of these things. This film is incredibly uneven. Harrington seemed to learn his lesson in minute 36 or so, when my movie-watching buddy turned to me and asked if the movie was already over. Sorry, there was 1.5 hours of bland mushiness, and mild life-lessons remaining.
After Campbell's hilarious Three Wise Men an a Baby I had high expectations on a fun quick-witted flick. The movie was unfortunately low on the comedy, higher on tropes.
The premise was slightly different than normally in Hallmark Christmas films, with the prickly novelist and the competent (and not bungling) PR person. This should've translated in more sparkly banter than there was.
Lyndie Greenwood's female lead was radiant, but Paul Campbell's character felt a bit bland in comparison: sympathetic, but not with the same energy levels. I couldn't really picture those two as a couple.
It was a pity that the novel they talked about sounded much more exciting than this movie.
The premise was slightly different than normally in Hallmark Christmas films, with the prickly novelist and the competent (and not bungling) PR person. This should've translated in more sparkly banter than there was.
Lyndie Greenwood's female lead was radiant, but Paul Campbell's character felt a bit bland in comparison: sympathetic, but not with the same energy levels. I couldn't really picture those two as a couple.
It was a pity that the novel they talked about sounded much more exciting than this movie.
Did you know
- TriviaIn the one scene role of Debbie the barista is Kimberley Sustad, a frequent Hallmark movie lead, often opposite this movie's male lead, Paul Campbell. In addition to starring in Hallmark movies together, the two have collaborated in writing a few including Christmas by Starlight (2020) and Three Wise Men and a Baby (2022).
- GoofsWhile the photographer takes a photo of the group, he suddenly disappears from the scene.
- ConnectionsReferences Good Morning America (1975)
- SoundtracksStardust Holiday
(uncredited)
Written by Belén Vivero and Joel Willson
Performed by Belén Vivero and Joel Willson
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