Metacritic reviews

It's impossible to look away -- not only because the sense of anticipation is so vivid, but because there's no other way to follow the bizarre plot than keep with it.

Kim rattles you with this family’s bizarre and pitiful plight, and only then, from a place of agonised discomfort, does the laughter follow, in great whoops and roars.

A gloriously off-the-charts study in perversity.

Even Oedipus would be left scratching his head by this bonkers but drily funny tale of one family's forlorn search for normality.

The three entirely committed, fearless performers put through the physical and emotional motions by Kim carry a film that is the definition of “not for everyone” but Moebius works on its terms. Its twisted, Oedipal, sadomasochistic, castrated terms.

Except for the presence of the Internet, the picture feels like a retelling of an ages-old fable. In fact, Moebius is almost weird enough to be a creation myth, and that's no small accomplishment.

A sly dark comedy that doubles as a very impressive display of wordless storytelling.

What undermines Moebius is how Kim has let high concepts and philosophical subtexts run amok without anchoring them to a substantial narrative

Extreme cinema aficionados will doubtless get major kicks from Moebius. For others, the cumulative shocks are likely to induce weariness and boredom.

The best word to describe it is strange, though it could have been halfway decent (yes, all the way up to halfway decent) if the third act hadn’t succumbed to the crescendo of craziness that had been building for the first hour.