Edmond Dantes, a sailor falsely accused of treason, is imprisoned in the Château d'If off Marseille. After escaping, and adopting the identity of the Count of Monte Cristo, he plans revenge ... Read allEdmond Dantes, a sailor falsely accused of treason, is imprisoned in the Château d'If off Marseille. After escaping, and adopting the identity of the Count of Monte Cristo, he plans revenge against those who wrongly accused him.Edmond Dantes, a sailor falsely accused of treason, is imprisoned in the Château d'If off Marseille. After escaping, and adopting the identity of the Count of Monte Cristo, he plans revenge against those who wrongly accused him.
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I've been a fan of The Count of Monte Cristo since reading the book years ago, but I've struggled to find an adaptation that truly worked for me.
The films are too short to do the story justice, and while the popular 1998 French-Italian miniseries had its charm, it feels a bit dated now and takes some liberties with the plot.
I was actually anticipating the new 2024 French film adaptation when this English TV series appeared out of nowhere (though it is still a French-Italian production).
This series is the best adaptation I've seen so far. After watching it, I can confidently say I'm less excited about the film (although three hours long, it probably still not long enough to include all story elements).
It's been a long time since I read the book and I don't remember every detail, but the series seems faithful to the story and the eight episodes give the plot room to develop. It simplifies some secondary character and story arcs, but overall, it covers much of the novel.
My only critique is that the middle episodes did get a bit convoluted, and I sometimes struggled to keep track of the three families. (To be fair, I'm terrible with names, which didn't help.)
Regardless, I highly recommend this series, whether or not you're a fan of the book. My wife, who hasn't read it, loved the series just as much-and even asked to keep watching, which is rare for her.
The films are too short to do the story justice, and while the popular 1998 French-Italian miniseries had its charm, it feels a bit dated now and takes some liberties with the plot.
I was actually anticipating the new 2024 French film adaptation when this English TV series appeared out of nowhere (though it is still a French-Italian production).
This series is the best adaptation I've seen so far. After watching it, I can confidently say I'm less excited about the film (although three hours long, it probably still not long enough to include all story elements).
It's been a long time since I read the book and I don't remember every detail, but the series seems faithful to the story and the eight episodes give the plot room to develop. It simplifies some secondary character and story arcs, but overall, it covers much of the novel.
My only critique is that the middle episodes did get a bit convoluted, and I sometimes struggled to keep track of the three families. (To be fair, I'm terrible with names, which didn't help.)
Regardless, I highly recommend this series, whether or not you're a fan of the book. My wife, who hasn't read it, loved the series just as much-and even asked to keep watching, which is rare for her.
I have seen less than 50 percent of Bille August work and never liked any of his movies, actually most of it made me wanna puke and think he is totally overrated. Mediocre movies that I feel are so poorly made but this one is just amazing.
Maybe it is because this Story is just so amazing, that his talent finally come to show. But this is the best version of the The count of Monte Christo I have ever seen.
Great acting, great flow in the story, cinematic experience was superb felt like a historical experience and the audio was amazing.
Our family, old and young, was glued to the screen for two days.
The only minus was the pretentious birth name of his daughter who had a minor role in the movie which she did, ok. So we withdraw the tenth star.
Maybe it is because this Story is just so amazing, that his talent finally come to show. But this is the best version of the The count of Monte Christo I have ever seen.
Great acting, great flow in the story, cinematic experience was superb felt like a historical experience and the audio was amazing.
Our family, old and young, was glued to the screen for two days.
The only minus was the pretentious birth name of his daughter who had a minor role in the movie which she did, ok. So we withdraw the tenth star.
By far the best adaptation of Monte C and closest to the book. Compared to French version this one is superior. Almost 90% is true to the book, the rest is light modifications, some good, some not very smart...
Lacks the intensity of the stories in the book. Maybe one or two more episodes would give time develop all characters correctly!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
This is one of the greatest of revenge tales. Even Lew Wallace borrowed from "The Count of Monte Cristo" when he wrote "Ben-Hur" around 40 years after "Monte Cristo" was first published.
A few reviewers on here take issue with how this veers off from the book and don't give it a high rating for that reason. Every adaptation of "Monte Cristo" veers off from the book. That has to happen because the multi-faceted revenge story is complex and wasn't meant to be watched, just read. This veers off in ways that enhance the theme of this story.
This series is a great watch. We couldn't stop. We wanted to know what he was going to do next. And because there was so much irony, many scenes were surprisingly funny as Dantes' victims fell into his web.
Sam Claflin was detached, pained, clever, single-minded and charismatic, credibly portraying everything that Dantes needed to be to pull off his revenge.
A few reviewers on here take issue with how this veers off from the book and don't give it a high rating for that reason. Every adaptation of "Monte Cristo" veers off from the book. That has to happen because the multi-faceted revenge story is complex and wasn't meant to be watched, just read. This veers off in ways that enhance the theme of this story.
This series is a great watch. We couldn't stop. We wanted to know what he was going to do next. And because there was so much irony, many scenes were surprisingly funny as Dantes' victims fell into his web.
Sam Claflin was detached, pained, clever, single-minded and charismatic, credibly portraying everything that Dantes needed to be to pull off his revenge.
This series is outstanding in every respect. Certainly, one of the best adaptations of Dumas' book that I have seen in my 61 years. The fact that it's an 8-part miniseries gives the production time to properly flesh out the characters and various plot strands.
Sam Claflin leads a top-notch cast (special mention for Michele Riondino, as Jacopo, and Blake Ritson, who is wonderfully evil in everything!), and the script is excellent.
Some wonderful locations and beautiful cinematography, along with excellent original music, by Volker. Bertelmann) complete what is an epic production.
I only hope it goes on to be seen by a wide audience, as it truly deserves to be seen!
Sam Claflin leads a top-notch cast (special mention for Michele Riondino, as Jacopo, and Blake Ritson, who is wonderfully evil in everything!), and the script is excellent.
Some wonderful locations and beautiful cinematography, along with excellent original music, by Volker. Bertelmann) complete what is an epic production.
I only hope it goes on to be seen by a wide audience, as it truly deserves to be seen!
Did you know
- TriviaIn the book the Count of Montecristo made occasional use of a hashish paste. While this is never explicitly stated in the series, several times the Count can be seen eating the content of a small vial.
- GoofsAction inside the prison takes place from 1815, but Edmond and Faria use metric. Napoleon abandoned the system in 1812 (after extensive public protest), and it wasn't brought back until 1840.
- ConnectionsVersion of The Count of Monte Cristo (1908)
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