The Count of Monte Cristo

For those old enough to have witnessed the Alan Bardel 1964 version, glued to their flickering TV screens, transfixed by the gothic horror and grime, this one was going to be a hard act to follow. To film this, in a modern age, with all the demands of hi-res, colour and costumes was a very brave attempt, and for that I genuinely applaud the effort......... however, it could have been done a WHOLE LOT better, which probably suggests that even with all the EU tax breaks (and other backhanders) there simply were not enough Euros in the chest to really give justice to the Dumas classic. The UK actor Sam Claflin, as Edmond Dantes had screen presence, but arguably not enough ruggedness to really carry the role, in comparison with a persona of Jeremy Iron's gravitas (cellmate Abbe Faria). One big gripe was about the buried treasure. The chests, after having lain for 300 years would have been infested with guano, cobwebs and bat feces, if not totally decimated by Time, but looked like something recently bought on E-bay. Bad move, my continuity guys! Despite all - I'm watching to the end, and I will do my hardest to enjoy it!

I've been a fan of The Count of Monte Cristo since reading the book years ago, but I've struggled to find an adaptation that truly worked for me.

The films are too short to do the story justice, and while the popular 1998 French-Italian miniseries had its charm, it feels a bit dated now and takes some liberties with the plot.

I was actually anticipating the new 2024 French film adaptation when this English TV series appeared out of nowhere (though it is still a French-Italian production).

This series is the best adaptation I've seen so far. After watching it, I can confidently say I'm less excited about the film (although three hours long, it probably still not long enough to include all story elements).

It's been a long time since I read the book and I don't remember every detail, but the series seems faithful to the story and the eight episodes give the plot room to develop. It simplifies some secondary character and story arcs, but overall, it covers much of the novel.

My only critique is that the middle episodes did get a bit convoluted, and I sometimes struggled to keep track of the three families. (To be fair, I'm terrible with names, which didn't help.)

Regardless, I highly recommend this series, whether or not you're a fan of the book. My wife, who hasn't read it, loved the series just as much-and even asked to keep watching, which is rare for her.

I can honestly say, that I didn't miss a second of this fantastic version of the classic tale. The cast, the direction, the locations... all of it is perfect. Nothing less. I binged it all through christmas day and now I don't know what to watch next! It's that kind of adaptation. It's that good. It's worth a second watch, and thats what I will do. Watch it again :-) If you have the chance to stream it where you live, make yourself a good cup of coffe, sit back and enjoy the story of revenge, greed, ambitions, love, hate and all that lies in between. I really recommend that you do, and remember to enjoy the caracter of Dantes/ the Count. He is so brilliantly portraied as a man with complete control of his face and his emotions.

I'm extremely happy with how this series was made. Not only have they found a way to make it realistic, but they've also found a way to make the story so precise that it could have easily happened in reality. One of the few adaptations I can say is wonderful. The cast and locations are breathtaking in their authenticity.

I appreciate the fact that they changed the story just enough to make it more feasible, as compared to random. The issue with the original was always there were too many things that had to align just right for it to work. That's not the case with this series, they made it very believable.

!0/10 well done, truly fantastic work.

In a landscape filled with adaptations that often only capture a shadow of their source material, "The Count of Monte Cristo" miniseries arrives as a resounding triumph-a television event that not only honors but elevates its origins. This isn't just another version of Alexandre Dumas's story; it is, without a doubt, the definitive adaptation for our generation and one of the best I have ever had the pleasure of watching. A flawless masterpiece that deserves every second of your attention and the highest possible rating.

At the heart of this magnificent production lies the performance of a lifetime from Sam Claflin, who delivers an unforgettable Edmond Dantès/Count of Monte Cristo. His portrayal is, without exaggeration, hypnotic and masterful. We watch with bated breath as he transitions from the naive young sailor, his eyes brimming with hope, to the cold, calculating, and relentless Count, whose pain and thirst for revenge burn behind a facade of charisma and absolute control. The camera masterfully captures every micro-expression, revealing the layers of a man remade by tragedy and knowledge.

The brilliantly crafted screenplay achieves the rare feat of being extremely faithful to the soul of the book. The eight-episode miniseries format was the perfect choice, allowing the complex plot to unfold with the necessary pace and depth. Essential characters like Maximilien Morrel, Valentine de Villefort, and even the bandit Luigi Vampa-so often cut from other versions-are given their due prominence here, enriching the narrative and showing a profound respect for Dumas's work. The few changes made only serve to enhance the story's cohesion, making it even more believable and impactful on screen.

Visually, the series is a cinematic spectacle. Every scene is a painting, with stunning cinematography, authentic costumes, and spectacular locations that transport us directly to 19th-century France. From the desolation of the Château d'If to the opulence of Parisian salons, every detail is meticulously crafted, creating an immersive experience and a true feast for the eyes. The original score perfectly complements the atmosphere, intensifying every moment of tension and drama.

The supporting cast is equally brilliant. Jeremy Irons delivers a wise and captivating Abbé Faria, and his chemistry with Claflin makes their time in prison one of the series' high points. The villains are magnificently portrayed, with a palpable evil that makes the Count's revenge all the more satisfying. Characters like Jacopo and the series' version of Caderousse bring humor and humanity, balancing the story's tone.

"The Count of Monte Cristo" is television at its finest. It is a series that captivates from the first second to the last-an epic journey of betrayal, redemption, and one of the most well-orchestrated vengeances in literature. In the end, the feeling is not just one of satisfaction, but of gratitude for the creation of such a powerful and respectful adaptation. For fans of the book and newcomers alike, this is a must-watch experience and the perfect justification for a 10/10 rating. Simply marvelous.