Sixty Minutes

Loved it !

If you enjoyed the famous "Run Lola Run" with Franka Potente then you'll enjoy this one with Emilio Shakraya.

Different actors, of course, different script, different times, but the city is the same : Berlin, and the main man has to get across it meeting all sorts of obstacles in the way in 60 minutes, for the most important fight of his life.

It's epic, It's relentless. It's human. It's poetic.

The Germans sure do love their cross-city epics, and they make them well.

If you want a pure high octane non-stop edge of your seat action, ignore the negative reviews, don't hesitate - book the sofa for the evening and enjoy !

SIXTY MINUTES is a fun little low budget martial arts thriller from Germany. It's made on the cheap but don't hold that against it because this has far more suspense and excitement than many a big budget Hollywood movie, riddled as they are with needless CGI and explosions. This one has a straightforward plot about a top MMA fighter who abandons his latest match in favour of spending time with his daughter, but various match-fixing gangsters are determined to stop him. There are slow spots and overdone emotion amid the action, but the fights come thick and fast and the choreography is always satisfying.

An action film with decent, noble and not so strange desire to offer more than impressive fights and some tension.

A MMA fighter decides , in special circumstances, to be with his daughter in the day of her birthday.

Many and not easy obstacles. His determination, sacrifices and phonecalls .

And, in the skin of cliches and familiar situations, a story with few just nice sentimental sparkles.

Easy to judge it not just polite, its story works little more than decent, the acting is reasonable and the sentimental side not bad crafted.

So, not a wrong idea to see it , including the reserves about action films. Because, far to be memorable, it proposes a sort of life lesson, indeed, with idealistic touch and a lot of unrealism, at the first sight who , in large lines, has the virtue to reflect situation of many fathers, consequences of life between work and family , the responsability, evoked by his father, in short, maybe not exactly as pretext.

While there are a lot of familiar elements here, this movie feels different and fresher than a lot of the action movies getting released these days. You feel the main characters pain (both physical and mental) over the course of his journey to see his daughter.

The action is well choreographed and realistic, and the plot moves at a good pace, with some good emotional moments in between. It feels like a perfect run time that doesn't out stay it's welcome at less than 90 minutes. The ending is a little neat, but action movies aren't exactly known for their realism so it's somewhat forgivable. The final image put a smile on my face, just being a little different than the norm.

The lead actor does a great job, while the supporting cast manages well with the little time the movie devotes to them.

Worth a watch!

Genre films generally have a very difficult time in German-speaking cinema. And when it comes to action films in particular, German filmmaking lags far behind. I personally can only remember the humorous MMA hit PLAN B (2016) by Ufuk GENC with the superb stuntman Can AYDIN, which at least made people sit up and take notice that this genre is also possible in German-speaking countries. It's a good thing that the global streaming service NETFLIX definitely has a taste for unusual experiments. And lo and behold, successful director Oliver KIENLE (BAD BANKS) lets a remarkably well-trained Emilio SAKRAYA, like Franka POTENTE as Lola, run through Berlin against the merciless passage of time. Why this action occurs plays only a minor role. The only important thing is that Emilio SAKRAYA's Octavio is in a perceived emergency and therefore has to beat up half of the gangster world in the German capital. After all, why does he have his impressive MMA skills?

There's never a dull moment in this stylish, non-stop film, but you won't find any special flashes of inspiration in the script. But that's not a bad thing either. The film is a vehicle through which Emilio SAKRAYA can recommend himself for further roles in international action cinema. In addition to all the fighting, he can also play.

Dennis MOJEN and the internationally booked stunt people Marie MOUROUM and Bruno SALGUEIRO also appear in other roles. Otherwise, the other stunt people probably come mainly from Hungary. Oh yes, a very cute kitten named Onion steals the show from the hardened whipping boy.

Even if the film will certainly not become a classic of the genre, it is definitely good that German filmmakers are finally tackling such genres that are popular with global audiences. Keep it up!