Sixty Minutes

An action film with decent, noble and not so strange desire to offer more than impressive fights and some tension.

A MMA fighter decides , in special circumstances, to be with his daughter in the day of her birthday.

Many and not easy obstacles. His determination, sacrifices and phonecalls .

And, in the skin of cliches and familiar situations, a story with few just nice sentimental sparkles.

Easy to judge it not just polite, its story works little more than decent, the acting is reasonable and the sentimental side not bad crafted.

So, not a wrong idea to see it , including the reserves about action films. Because, far to be memorable, it proposes a sort of life lesson, indeed, with idealistic touch and a lot of unrealism, at the first sight who , in large lines, has the virtue to reflect situation of many fathers, consequences of life between work and family , the responsability, evoked by his father, in short, maybe not exactly as pretext.

Loved it !

If you enjoyed the famous "Run Lola Run" with Franka Potente then you'll enjoy this one with Emilio Shakraya.

Different actors, of course, different script, different times, but the city is the same : Berlin, and the main man has to get across it meeting all sorts of obstacles in the way in 60 minutes, for the most important fight of his life.

It's epic, It's relentless. It's human. It's poetic.

The Germans sure do love their cross-city epics, and they make them well.

If you want a pure high octane non-stop edge of your seat action, ignore the negative reviews, don't hesitate - book the sofa for the evening and enjoy !

Saying that a movie is "not for the critics, but for the fans" means usually "I know I made a bad movie, but I don't wanna admit it". Nobody said it about 60 MINUTEN, but "for the fans" applies here in the best possible way.

This a movie for people who appreciate the ridiculousness of certain action movie tropes. People who are willing to laugh WITH the movie and not at it. It's pretty obvious that everybody involved here was on the same page. The movie's plot revolves basically around an unstoppable fighter who pisses off the whole Berlin underworld, because he can't miss his daughter's birthday party. And yet, it is all played completely straight faced and with the gravitas of a serious drama.

Apart from that, 60 MINUTEN also scores with really well done fights, full of long takes and impressive stunts, and a good semi-real time gimmick. I think they could've pushed the "What else is gonna happen to make him miss his deadline" angle a bit further though. On the other hand: They have an action movie that takes place in Berlin and have a fight in a bunker looking Techno club. They "understood the assignment", as the kids say these days.

Now don't get me wrong. As much as I enjoyed it, giving it 8 stars is for me a bit generous. It doesn't do anything innovative or outstanding. It is "just" 100% solid. BUT! It is German and Germans rarely have the chance to do action movies like that. So making one that can stand toe to toe with a good bunch of modern day US actioners is good enough for the prestigious 8 star rating IMO.

SIXTY MINUTES is a fun little low budget martial arts thriller from Germany. It's made on the cheap but don't hold that against it because this has far more suspense and excitement than many a big budget Hollywood movie, riddled as they are with needless CGI and explosions. This one has a straightforward plot about a top MMA fighter who abandons his latest match in favour of spending time with his daughter, but various match-fixing gangsters are determined to stop him. There are slow spots and overdone emotion amid the action, but the fights come thick and fast and the choreography is always satisfying.

Genre films generally have a very difficult time in German-speaking cinema. And when it comes to action films in particular, German filmmaking lags far behind. I personally can only remember the humorous MMA hit PLAN B (2016) by Ufuk GENC with the superb stuntman Can AYDIN, which at least made people sit up and take notice that this genre is also possible in German-speaking countries. It's a good thing that the global streaming service NETFLIX definitely has a taste for unusual experiments. And lo and behold, successful director Oliver KIENLE (BAD BANKS) lets a remarkably well-trained Emilio SAKRAYA, like Franka POTENTE as Lola, run through Berlin against the merciless passage of time. Why this action occurs plays only a minor role. The only important thing is that Emilio SAKRAYA's Octavio is in a perceived emergency and therefore has to beat up half of the gangster world in the German capital. After all, why does he have his impressive MMA skills?

There's never a dull moment in this stylish, non-stop film, but you won't find any special flashes of inspiration in the script. But that's not a bad thing either. The film is a vehicle through which Emilio SAKRAYA can recommend himself for further roles in international action cinema. In addition to all the fighting, he can also play.

Dennis MOJEN and the internationally booked stunt people Marie MOUROUM and Bruno SALGUEIRO also appear in other roles. Otherwise, the other stunt people probably come mainly from Hungary. Oh yes, a very cute kitten named Onion steals the show from the hardened whipping boy.

Even if the film will certainly not become a classic of the genre, it is definitely good that German filmmakers are finally tackling such genres that are popular with global audiences. Keep it up!