The Wonders

A candid but still rather mystical vision of agrarian life.

We get a strong and very believable depiction of a family that lives in each other's pockets and life is just working and hoping you don't mess anything up.

Then a glimpse of glamour emerges and that basically fuels the plot. The characterization is simple but effective and I was quite on edge for one scene (you'll know it when you see it).

Ultimately it's a celebration of the mundane struggle where if nothing else you have your family but that doesn't mean it doesn't have its moments of strange images that really stay with you.

I just finished watching this film and I must say that the naturalistic style is very well done in this one. There is a certain tension in the air, even tough nothing happens most of the time on the exteral world but everything is going on inside their heads. The idea of everyday life of people who are anonymous is there, and how that may become source material of appreciated ruins with what they leave behind is in the same vein as La Chimera. There is a certain charm of the italian countryside that becomes evident and I would thoroughly recommend it for anyone who loved La Chimera and needs more context on the subjects that this director loves to explore.

I didn't expect a similar plot. But the plot itself it not the important part of this movie. The Cannes Festival have create some interest about this little incredible surprise, and it worth entirely the attention. It is all about life. Filmed in a very strange and unusual location, a farm in a poor area (Tuscany, but could be everywhere). About a very strange and unusual family (the center of it is a young teenager, Gelsomina by a unbelievable in her great acting Maria Alexandra Lungu), and a very strange business (honey and bees). But all these unusual choices results in a so strong, so sweet, so touching, little masterpiece. We feel fully involved, interested, part of this world that is, in fact, the world: love, young expectation, economic difficulties, pollution, family affairs, all is inside, but with no drama because the look used in this opera is a colored one, full of the hope of young people.

For a film about a simple Italian beekeeping family there is a wealth of depth and imagination. I personally wasn't a fan of the visuals, editing, and cinematography; but the screenplay was phenomenal, the acting was superb, and the story struck at the heart of family life amidst difficulty.

I don't know much about Italian lore and history, but I would guess this film is some kind of modern take on an ancient Etruscan fairy tale. A struggling rural family with scores of problems is almost entirely dependent on the oldest daughter to provide. In order to help her family, she calls on the help of a fairy. In this case, the fairy is the host of a prize show. All in all, it's a brilliant revision of folklore. It goes to show that moral messages of ancient stories apply just as much to us today as they did to ancient civilizations 2700 years ago.

'Certe cose non si possono comprare'. 'Certain things you can't buy'. It's not often that one line from the script summarizes the whole film. But when the beekeeper Wolfgang speaks these words, he explains exactly what this film is about.

'Le Meraviglie' shows the life of a family of Italian beekeepers, intent on living a simple, rural, pure life, without any harmful influences from the outside world. Father Wolfgang and mother Angelica raise their four daughters according to strict rules: no television, no fancy clothes, no luxury. They have trouble making ends meet, and the father is a demanding man, who lets the children work in the honey-making business as if they were grown-ups. This is not a happy family: the father is ill-tempered and the mother is worried about the financial difficulties they have to cope with.

When the oldest daughter decides to participate in a contest for regional agricultural products, the family is forced to enter a world of commercial marketing and fancy promotion. This is the moment when the father tells a television show hostess that certain things are impossible to buy. He doesn't say what exactly, but it's clear what he means: integrity, purity, simplicity, and authenticity.

This is not a plot-driven film. It shows the confrontation between ideals and constraints, between dreams and reality. The film maker doesn't take sides. The commercial contest, representing the modern world, is ridiculous because of its slick sales pitch. But the life on the farm, representing tradition, is not happy and carefree either.

'Le Meraviglie' is filmed in an unpolished, realistic style, almost like a documentary, with bright lighting and hand-held cameras. The undisputed star of the film is the young actress playing the oldest daughter, an innocent girl who seems torn between loyalty towards her father and despise for his strict rules.