A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.
- Awards
- 2 nominations total
Featured reviews
This movie is dull and slow. The story is very basic and doesn't have anything new or exciting. It feels like it was just put together without much thought. The main cast seems to have been picked based on popularity, not actual acting talent.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
Honestly Kajol should retire, she is destroying her legacy. Surely she would've read the script and must've thought what is this no scares all about promoting a cult and not concentrating on the film itself. The movie is all about a religious promotion and the story has so many holes in it. The ghost is a tree yes a tree the director must be drunk when he came up with this concept. The movie is an absolute disgrace and seriously one of the worst films I have ever seen if it had minus then I would give it a minus 10. People actually walked out i Should've done so the film is all to do with promoting kajols beliefs which am sorry lost the film.
Pretty good movie with decent storyline but I don't know why Kajol's acting was way off , and obviously the plot is repeated the same logic to save the family u go out to somewhere else than one of your frnds call you back then something happens so your whole family have to come now at the end u face the enemy to be the ultimate galactic saviour ( obviously you will need god's power) you defeat the enemy and you be the hero I would rather recommend to watch SHAITAAN it's better than this m still giving this 5 starts coz other characters balanced the missing points but you can still feel the stretch again i dont have any hatred and this review isn't targetted to anyone this is my personal opinion.
Vishal Furia's "Maa," starring Kajol in her first full-fledged horror outing, attempts to blend mythological horror with a potent tale of a mother's fierce love. While the premise is intriguing, and Kajol delivers a spirited performance, the film struggles to maintain a consistent tone and often falls prey to genre cliches, leaving it more muddled than truly terrifying.
The film's ambition often outweighs its execution. The narrative, while rooted in compelling mythology, becomes predictable. The demon, despite ample screentime, fails to evoke genuine terror, often resembling more of a mid-budget CGI creation than a truly menacing entity. The writing is a significant weakness; despite tackling powerful themes of patriarchy and female strength, the script feels bland and repetitive in parts, losing its grip, particularly in the muddled second half and climax extremely disappointing. Better to watch on ott rather than going theatres.
The film's connection to the "Shaitaan" universe is present but doesn't necessarily elevate "Maa" in a significant way. While it aims for a compelling horror experience with a beating heart of maternal love, the inconsistent pacing, reliance on conventional horror tropes, and a surprisingly weak emotional core prevent "Maa" from reaching its full potential.
The film's ambition often outweighs its execution. The narrative, while rooted in compelling mythology, becomes predictable. The demon, despite ample screentime, fails to evoke genuine terror, often resembling more of a mid-budget CGI creation than a truly menacing entity. The writing is a significant weakness; despite tackling powerful themes of patriarchy and female strength, the script feels bland and repetitive in parts, losing its grip, particularly in the muddled second half and climax extremely disappointing. Better to watch on ott rather than going theatres.
The film's connection to the "Shaitaan" universe is present but doesn't necessarily elevate "Maa" in a significant way. While it aims for a compelling horror experience with a beating heart of maternal love, the inconsistent pacing, reliance on conventional horror tropes, and a surprisingly weak emotional core prevent "Maa" from reaching its full potential.
"Maa" (2025) is a film that struggles to deliver a compelling experience, despite a good performance from its lead, Kajol. While Kajol brings her talent and presence to the role, the movie is let down by a weak plot and poor visual effects that fail to engage the audience.
Kajol is a definite highlight of the film. Her acting is strong, and she does her best to bring depth to her character. However, her efforts are not enough to overcome the film's significant shortcomings.
The main issue with "Maa" lies in its plot, which is not good and feels largely unengaging. The story lacks a compelling hook and fails to build a consistent sense of tension or intrigue. The narrative feels disjointed and predictable, leaving the audience with little reason to invest in the events unfolding on screen.
Furthermore, the visual effects are not good and detract from the overall viewing experience. Poorly executed VFX can break the immersion, and in this case, they hinder the film's ability to create a believable world.
Overall, "Maa" is a film with a good lead performance but is ultimately a disappointing watch due to its weak plot and technical flaws. It's a movie that had potential but failed to execute it well.
Kajol is a definite highlight of the film. Her acting is strong, and she does her best to bring depth to her character. However, her efforts are not enough to overcome the film's significant shortcomings.
The main issue with "Maa" lies in its plot, which is not good and feels largely unengaging. The story lacks a compelling hook and fails to build a consistent sense of tension or intrigue. The narrative feels disjointed and predictable, leaving the audience with little reason to invest in the events unfolding on screen.
Furthermore, the visual effects are not good and detract from the overall viewing experience. Poorly executed VFX can break the immersion, and in this case, they hinder the film's ability to create a believable world.
Overall, "Maa" is a film with a good lead performance but is ultimately a disappointing watch due to its weak plot and technical flaws. It's a movie that had potential but failed to execute it well.
Did you know
- TriviaKajol and Ronit Roy worked 30 years after Hulchul together.
- ConnectionsSpin-off from Shaitaan (2024)
Details
Box office
- Gross worldwide
- $282,403
- Runtime
- 2h 13m(133 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content