Creed

History has a strange way of repeating itself. 40 years ago, Rocky Balboa became a household name and turned an unwanted actor into one of the greatest success stories in Hollywood. The fact that Rocky (1976) won three Academy Awards including Best Picture is of little importance compared to the real life struggle behind the making of that film. For Sylvester Stallone, it was a rags to riches story that mirrored his real life struggles to make a decent and honest living. Cut from the same cloth maybe, but Creed is much more than just the seventh installment in the Rocky film franchise. As a no- holds-barred sports drama, this is every bit an exceptional crowd pleaser with a lot of heart, plenty of amusing jabs to the ribs, and an unexpected but emotional haymaker to the gut. And a lot more.

Co-written by director Ryan Coogler, there's no doubt that Creed is a passionate love letter to the first film, which in itself is a poetic love story about fighting the good fight. Although boxing is the central theme, and often frowned upon as a brutal blood-sport that causes serious injuries, it's never been about the fight but more about what you are fighting for. Coogler gets this spot-on when we are introduced to teenager Adonis Johnson in juvenile detention. We soon learn that Adonis is the illegitimate son of Apollo Creed, born shortly after the latter's death in Rocky IV. Appolo's widow Mary Ann (Phylicia Rashad) rescues young Adonis from what is certain to be a life on the streets and raises him as her own in the plush Creed estate in Los Angeles. Cut to present day and Adonis (Michael B. Jordan) is a corporate executive half way up the ladder. It's a stark contrast to Stallone's blue collar stiff in the first film, but this is where both films converge. Like Rocky, Adonis (calling himself Donnie) knows he is destined for something else, so heads to Philadelphia to meet his late father's rival turned best friend.

The meeting with Rocky is one of several great moments in the film while also serving as a nostalgic homecoming occasion for every fan of the franchise. It's a fascinating intersection of the past but none better than the fact that in many ways, Creed is an inverted mirror image of Rocky. And before sending this film off on its own pulsating trajectory, Coogler reveals a full hand of spades. One of which is the legacy Rocky bestows on Donnie, and in essence, Stallone handing over the franchise baton to Jordan. We may not realize this at first and that's because we are already smitten by the father-son relationship developing between Donnie and Rocky. Their character study is the most significant aspect of this film. Donnie has always been an orphan and the reason why he never took on his father's name is an emotional revelation. Who he is and why he wants to become a professional boxer is his darkest secret.

Both equally emotive and with comic interruptions, Jordan and Stallone deliver impressive performances. Stallone in particular gives what has to be his career best performance since Copland, and if this is his franchise swan song (owing to a devastating but befitting plot device) that's all the more reason why this film must be seen. But as they say, the show must go on and Jordan is more than capable of shouldering future films under the Creed banner. And with the inclusion of Philly local Bianca (Tessa Thompson), Donnie's neighbor and love interest, future sequels look to be set in Rocky's beloved hometown.

Onto the production quality and it suffices to say that Creed has THE best technical aspects in the franchise, including spectacular fight choreography, astounding cinematography in the ring and around Philadelphia, and an upbeat hip-hop soundtrack fused with the original score from previous films. The only real letdown comes from Donnie's main opponent (Real life professional boxer Tony Bellew) who isn't as antagonistic as you would expect, given the villainous ferocity from Clubber Lang (Rocky III) and the evil Ivan Drago (Rocky IV). But that's a minor blemish to an overall outstanding film made with grit, substance and style. At its best, Creed is a very intimate film for fans and newcomers and an undisputed knockout for 2015.

It's not about winning, it's about hard work, daily dedication and never giving up because new opportunities will come. This is the biggest lesson I take from the Rocky movies, a lesson that is valid for our lives, the person who can absorb this mentality will probably have a lot of success in life.

About the film, the performances are good, the plot is not that deep (and it doesn't need to), sets, soundtrack, action scenes and very accurate fighting.

That's it, a simple film (but not generic) that fulfills its role very well, a good sequel to a saga of legendary films.

Although young Michael B. Jordan has the title role in Creed the film really belongs to Sylvester Stallone. Sly joins an exclusive club of players like Bing Crosby, Paul Newman, and Al Pacino who got two Oscar nominations for playing the same role. In the case of Sly and Newman both aged naturally into the parts of Rocky Balboa and Eddie Felson. It's hard to believe that it has been 39 years since Stallone debuted Rocky Balboa. It's also 39 years between the nominations that Stallone got for Best Actor for Rocky and Best Supporting Actor for Creed.

But between that there have been several Rocky films over the years as Sly has developed more facets to the fighting Mr. Balboa of Philadelphia than I'm sure he even thought of when he debuted Rocky. It all really comes together with Creed.

But as for the story it seems that back when Apollo Creed was killed in that fight with that Russian steroid machine Dolph Lundgren in Rocky IV he had a dalliance that resulted in a post mortem birth of an illegitimate son who grew up to be Michael B. Jordan, character name of Adonis Johnson. Apollo's widow Phyllis Rashad took him out of foster care as his natural mother had died and raised him.

Jordan has an interesting dichotomy to deal with. He's his father's son and wants to make it in the fight game, but on his own as Adonis Johnson. He seeks his father's old friend and rival Rocky Balboa as a mentor and Rocky trains him for a title shot at the light heavyweight championship.

Rocky Balboa is not the most articulate movie hero ever developed, but he sure imparts a lot of wisdom to Jordan. Those scenes with Jordan are what got Sly Stallone that second Oscar nomination. Also Rocky has some personal crises of his own to deal with. These guys are of incalculable help to each other.

I really loved this film and how Stallone developed Rocky to this point. Like fine wine, Rocky gets better with age.

Creed is the 7th installment in the Rocky franchise but this time focuses on Adonis Creed, Apollo Creed's son. He wants to follow in his father's footsteps and is trained by Rocky Balboa himself. More than boxing, this movie really goes into the relationship between Creed and Rocky and how they both support each other when they most need it. Michael B. Jordan is fantastic as Creed. He is so energetic in the boxing scenes and he is even better when his character is being developed. Now we come to Sylvester Stallone as Rocky. In his signature role, he absolutely knocks it out of the park in what may have been his best performance in his career as an actor. He honestly deserves an Oscar for this part. He brought tears to my eyes on multiple occasions and still has the same charm from the old Rocky movies.

Creed perfectly mixes elements from past Rocky movies, especially the first, with modern culture. The amazing Rocky score is complemented by modern styles. Creed's story is told just like Rocky's and it is so beautiful to watch. The cinematography is also visually pleasing. Coogler captured the look of Philadelphia extremely well. The boxing scenes are excellent. There is a fight that is done completely in one take and I have no idea how they did it. It was amazing. This movie is a drama that tugs at your heart a lot, but at times it still manages to be quite funny as well.

I love Creed as a film. Its characters are so well realized and acted, the cinematography is gorgeous, and the boxing is glorious. Creed is definitely one of the best films of 2015. Creed gets an A.

As a boxing movie Creed packs a heavyweight punch.

Sylvester Stallone (as the film's producer) has covered a lot of miles with his Rocky legend, most recently with his 2006 Rocky Balboa. As such I had thought there was little milk left in the cash cow, but "Creed" proves me wrong. This time, with Stallone's advancing years, he wisely doesn't stretch credibility by having Rocky Balboa as the center of the pugilism, but hands the baton to young contender Adonis ("Donnie") Creed (Michael B Jordan). Adonis is the illegitimate son of Apollo Creed, Rocky's protagonist and later close friend in the first four Rocky films.

Donnie is a kid from the wrong side of the tracks with a big chip on his shoulder and a reputation for finding trouble with his fists. Brought back from the brink by Apollo's wife (a touching performance by Phylicia Rashad) Donnie can't escape his family legacy and seeks Balboa's help to make it in the ring, using his own adopted name. Balboa's help leads to a number of 'traditionally' brutal Rocky-style encounters in the ring.

I must admit I don't normally 'go' for boxing films like this, but this is extremely well done. All of the boxing training is gritty and believable and the actual bouts, particularly the classic finale, is suitably thrilling and a technical masterpiece of camera-work (hats off to cinematographer Maryse Alberti, who also filmed "The Wrestler" so is no stranger to the ring).

A real surprise is just how good Stallone is in the role. There are scenes where Stallone really has to act – particularly an emotional locker-room scene when Rocky faces up to his own personal crisis – and any jokes about Sylvester "Expendables" Stallone's acting abilities are forgotten. Michael B Jordan is also a great find and a name to watch. He has to cover a wide range during the film and succeeds admirably.

Tessa Thompson, impressive in last year's "Selma", makes a similarly positive impression here playing the love interest in the form of songstress Bianca, with a difficult future ahead of her.

"Creed" is a love letter to the old Rocky films, and – with this quality, and likely success – the start of a whole new generation of films seems probable. The respect it shows to the originals is characterized by a moving tribute to the classic 'Philadelphia steps' scene that brings a genuine lump to the throat. That being said, the film is a lot more 'street' for a new generation, with a soundtrack (by Swedish composer Ludwig Göransson) that mixes rap and hip-hop with more classic orchestral elements. Without outright plagiarism of Bill Conti's classic score, Göransson subtly weaves in some of Conti's themes, notably Adrian's theme, as well as coming up with his own "Fly Now"- equivalent musical high-point.

Impressive direction is by Ryan Cooglar in only his second feature film (after Fruitvale Station, also with Michael B Jordan). Cooglar also wrote the story and co-wrote the script. Without any spoilers, the story is delightfully 'un-Hollywood" by being unpredictable in where it goes. However, an area for criticism is that it took a few 'easy' short-cuts in places: a particular 'change of heart' in the film is way to glib and quick.

Finally, i would love to watch this film in a cinema in Liverpool, when the "hallowed turf" for a bout is revealed as being Everton's ground, Goodison Park….! Generations of Liverpool FC fans will be turning in their graves and I predict that cinemas in the city could become scenes of the worst hand to hand combat since the finale of Kingsman!

(Please see the graphical version of this review at bob-the-movie- man.com. Thanks.)