The Greatest Night in Pop

In 1985, We Are The World was huge. We saw the video over and over and over again.

We all had the album and listened to it countless times. It was on the radio non-stop. It was an immensely powerful song.

Watching this documentary and learning how the song came about and how they managed to get all the biggest names in Music together, it let me re-experience it all. Watching it was both nostalgic and entertaining. But also sad watching the great artists who aren't around anymore.

It's a Must See for anyone who was around back in '85.

And, after nearly 40 years, I finally learned why Prince wasn't there.

Seeing all this talent come together for a great cause is truly heartwarming. Lionel Richie, a fantastic storyteller and host, alongside Quincy Jones, skillfully managed this remarkable group of artists, ensuring a seamless flow. The homage paid to Harry Belafonte as the initiator was particularly touching. Watching the writing and recording process with Michael Jackson and Lionel Richie is great fun. MJ's voice is incredibly pristine. I'm grateful that this has heightened awareness about issues beyond our safe environments, specifically combatting famine in Ethiopia, and has raised a substantial amount of money. Thanks to Netflix for creating this wonderful documentary. It really gave me goosebumps.

I started watching knowing nothing about the behind the scenes. I knew there was a bunch of famous artists, I knew about the french parody and I definitely remembered Bruce Springsteen's weird face while singing.

I was instantly fascinated by the whole thing, it's a great watch, a lot of fun facts I loved to hear about. It's the kind of story that's so absurd it shouldn't have worked out but in the end it did.

There are some heartwarming moments, the Belafonte bit was beautiful or whenever they would cheer after someone sang. Most of them seemed genuinely excited to be there and the doc makes you feel like a witness to it all.

However I do wish there were more speakers, they should have reached out to more singers, I would have loved to see footage of the singers talking about the project afterwards.

It also makes you question why those songs don't happen anymore, can you imagine Beyonce and Taylor Swift coming together to raise money to a cause?

And then I remembered that most artists nowadays won't set foot outside North America and Europe when they go on their "world tours" so I'm feeling bittersweet about it all but it's still a great watch.

This is everything I want from a documentary. It was both informative and entertaining, and it gave me a brief glimpse into something raw and real. It effectively captures the feeling of being in that recording studio on that specific night in the company of the biggest names in music at the time - the exhilaration but also the pressure and tension felt by everyone in the room (Michael Jackson, Lionel Richie, Quincy Jones, Bruce Springsteen, Cyndi Lauper, Stevie Wonder, Bob Dylan, Diana Ross, the list goes on and on). I felt like I got to know each of these artists a little bit better because of their raw emotions and vulnerability that were on display in the footage.

I wasn't alive when "We are the World" was released in 1985. However, I distinctly remember when the 25th anniversary rendition was released in 2010 and being instantly enthralled by the sheer power of so many iconic voices united for one important cause. I've watched that video over and over, and I get the same visceral feeling every time. This documentary adds depth and context to that feeling, and I now have even more appreciation for the original song.

I waited 97 minutes to find out why Dan Akroyd was in that recording studio. I still don't know. As much as I loved the Blues Brothers, that doesn't make him a singer.

The only two huge stars of the time missing were Prince and Madonna. We learned about Prince in all his solitary weirdness but Madonna was mentioned only for a split second.

For anyone who's been in a professional recording studio, Cyndi Lauper having to remove her jewelry was hilarious. The microphones pick up everything, even the proverbial dropped pin. To anyone questioning why she was there, take a quick look at the pop charts from say 1983 to 1986 - there's your answer.