Kajolrekha

The film and the tunes were hypnotizing, they grabbed my eye and I was completely fascinated by how well the film was made in this period yet the antiquated times was reproduced in the most effective way. The parrot was a cherry on the cake and gave a decent turn to the film.

Should look for all individuals of any age to encounter the way of life of Bangladesh and how the lords and their romantic tales happened in that time. By toward the end love and predetermination generally finds its direction and what is bound to be, will happen regardless of the number of fiendish powers or individuals that block the cycle.

The film and the tunes were hypnotizing, they grabbed my eye and I was completely captivated by how well the film was made in this period yet the antiquated times was reproduced in the most effective way. The parrot was a cherry on the cake and gave a decent turn to the film.

Should look for all individuals of any age if they have any desire to encounter the way of life of Bangladesh and how the lords and their romantic tales unfolded in that time. By toward the end love and fate generally finds its direction and what is bound to be, will happen regardless of the number of insidious powers or individuals that ruin the cycle. Karma will continuously track down its direction.

Kajolrekha, directed by Gias Uddin Selim, had the potential to be an extraordinary film, but it falls short in several aspects. The story is simple, yet its adaptation is commendable, maintaining a strong cultural essence. The depiction of Mymensingh's rich traditions and music is a highlight, though the film could have explored even deeper cultural narratives.

While the performances of the lead actors were solid, they weren't extraordinary. The movie's pacing is noticeably slow, making it difficult to stay engaged throughout. Unlike other films that build anticipation, Kajolrekha lacks moments of excitement or hype, which might leave some viewers wanting more. Additionally, the director's approach in presenting female characters in revealing attire seems like an attempt to draw in audiences, which feels unnecessary and out of place for a film of this nature.

Despite its shortcomings, Kajolrekha remains a visually stunning film with artistic merit. However, it could have been a stronger cinematic experience with better storytelling depth and pacing. It's a film worth watching, but it doesn't quite reach the heights it could have.

It's neither a thriller filled with a lot of mystery nor action-packed. There's no trace of Bollywood. You can almost feel the connection of old Bengali culture throughout the whole length of the story. The style of presentation and storytelling technique transports you back to the long forgotten past of Bengal from hundreds of years ago.

I'm talking about the film 'Kajolrekha', that is based on the old literary work 'Maimansingha Gitika'. It's a love story from 400 years back. A story that revolves around a girl named Kajolrekha. This film of director Giasuddin Selim unfolded with mesmerizing elements on every turn.

This musical-drama began indeed with a hymn with actor Abul Kalam Azad lip-synching to it. What's interesting is this actor has appeared in five different characters in this film.

Though he came on the screen for a small amount of time he took the limelight away in every character including the character of a partner in a game of Pasha, fisherman and priest. You can say that the director has succeeded in portraying the major as well as the minor roles.

The film, right from the beginning, moved forward in the same pace. There wasn't much load rather there was an image of neater times. It's huge hill tract region. There's a path right on the side with a pond beside. There's a hut in the middle.

The character 'Shadhu Dhanshwar' arranges his game of Pasha in that there. The bamboo-made hut, actors' look, dialect and body language in that scene transport us back to 400 years ago.

The shooting location was in Susang Durgapur of Netrakona. A shooting set had been constructed there for three months. You could realise that they had to spend a lot of time on the costumes of the cast, location and background score. For a minute-long scene, they constructed a market place from Rangoon from 400 years ago.

It doesn't take much time to enter into the story from seeing the representation of folk culture and Bengali tradition from that time. Because of the skilled cinematography, the film was intriguing the mind to travel back to a time 400 years ago.

The linear story became enjoyable indeed because of the smart presentation. It grabs viewer's attention till the very end. The scene of Shadhu playing a game of Pasha in the beginning was filled with excitement. Shadhu almost lost his mind by pawning everything in that game.

He went from a king to a beggar. His wife and daughter Kajolrekha were saved from gambling. He along with them started a new journey of survival. Right amidst that troubling time, a mysterious bird 'Shukhpakhi' came to them to overturn their fate.

Dhaneshwar took the bird to his wife and said, "Our luck will change just if we follow the instructions of this bird." His wife, played by actress Sahana Sumi doesn't pay much attention to him. She skeptically said, "One who doesn't listen to people, will listen to a bird!" But sadhu is now toughened by the strokes of life. He starts doing business again.

Actor Eresh Jaker in the character of Shadhu Dhaneshwar deserves special mention. He heaved the film forward for the most part of it. Apart from him there was Sadia Ayman in the character of younger Kajolrekha. When this actress who became popular from doing drama did this film, no one knew her that much.

Though this was her first film, there was no uneasiness in her acting. She was well-suited with that time period. The way of her dialogue delivery, expression and her innocence in the character of a 13-year-old girl amazed the viewers. Many including an acclaimed actress like Suborna Mustafa have praised her performance in the film.

Alongside the main characters, the performances from actors in the minor characters were also noticeable in the film. When the maids do lip-sync with the wedding song, their acting seemed so neat. You must also mention actor Shariful Razz, who played a king from 400 year ago. The king realises that his maid is not actually a maid, rather some princess. What's her real identity? He was natural in the scenes where the king shows his weakness towards the maid or where he frantically looks for her after banishing her into the forest in a moment of rage.

You must also mention actress Mithila in the character of Konkon Dashi who turned into the queen. In one of the scenes where a hole was being dug into the earth, this actress inquisitively goes to the king and asks him what was it for?

The king carelessly answered that the king from their neighboring estate is about to attack them and when he does they will hide in there. Hearing this, she rushed inside to get her valuables and gets down inside the pothole herself with those. She still hadn't realized that she will be buried inside that hole for pretending to be the queen. Mithila appeared in a whole different avatar in many such scenes.

Actress Mandira Chakraborty utilised the opportunity of playing Kajolrekha in the film to a great extant. Though her expressions were good, her look seemed somewhat contemporary. Besides, she could have been more careful about her dialogue delivery. The same goes for Razz in some of the scenes. Meanwhile, actor Khairul Bashar also performed really well. However, he seemed a little less-suited in the role of Razz's friend because of his age. The director seemed to move away from the original story a bit in the final scene of the film. He would have been just better off without doing so.

A tiny detail about the different spellings of Shariful Razz's name in the first an end credits also caught the eye. Overall the film would remain a historical document and open new horizons for the young generation.

I watched Kajolrekha in BONGO & truly enjoyed it. There are many folklore of our country which need to be told. I salute the director for bringing Kajalrekha in Silver Screen. Sets are simple but amazing. Too many songs but you will not be bored. Cinematography is excellent. Dialougse are appropriate. Mithila acted her part without any flaws.

Now the flaws. The main cast Mandira. She has zero expression & ruined the movie. Shariful raaz- in which sense he looks like a prince- I don't have any idea. Though he tried to cover it with his vocal and performance. His horse riding sequences are ridiculous. I hope next time the director will be careful about casting.

On the whole, I recommend Kajolrekha to everyone for it's unique storytelling & direction This type of folklore needs to told more.