Hindsight is always 20/20. Case in point: I was not that huge a fan of the 1981 ensemble comedy upon which this eight-episode 2025 dramedy series is based. Now however, the series made me appreciate Alan Alda's deft touch in maneuvering a beloved veteran cast through the machinations of the often prickly relationships among three middle-aged married couples across four vacations they share over the course of a year. The series follows the same basic storyline, even sharing the names and general personalities of the original characters (except one) and even replicating some of the same comedy gags. In regard to scripting, Tina Fey takes the reins with co-writers Lang Fisher and Tracey Wigfield, and her dry comedy instincts and clever observations are on display here but not always effectively. Not for a lack of effort by the cast, there's a nagging arm's length distance in the way the supposed closeness of the characters is conveyed. Also compromising the dynamics is the lack of equality in the way the couples are presented, for instance, playing the Alda-Carol Burnett couple, Fey as Kate appears far more alpha and nuanced than Will Forte's non-confrontational Jack. In a turn that downplays his comedy chops, Steve Carell soberly plays Nick whose middle-aged frustration triggers the primary storyline where he leaves his wet-blanket wife Anne and connects with a vibrant young dental hygienist, Ginny. The one casting twist is that the third pair has become Danny and Claude, a married gay couple in an open relationship. The opposites-attract dynamic between Colman Domingo's emotionally resistant Danny and Marco Calvani's overly unctuous Claude is similar to the fractious Jack Weston-Rita Moreno pairing but with obvious differences. The most dramatic change from the movie is the expansion of Anne as a plot catalyst. Whereas in the movie, Anne (played by the estimable Sandy Dennis) disappeared in the second vacation and was given a poignant send-off in the third, she is portrayed in the series by Kerri Kenney in a more persistent vein that evolves into an edgy ambivalence throughout the series. It becomes clear why this change occurred in the last episode when the story takes an unexpected turn that finally gives the characters a more relatable level of resonance that forces them out of their self-absorption. BTW Alda shows up in a welcome cameo as Anne's father in the second episode.
