This movie is a microbudget sci-fi drama directed by Perdell Richardson, and follows Hanokh, an immortal navigating six centuries of human history, pursued by a terminally ill scientist obsessed with his immortality. The film's strengths lie in its earnest storytelling and unified vision, with a raw, DIY aesthetic that lends authenticity to its low-key narrative. Xavier Avila delivers a compelling performance as Hanokh, complemented by Aniyah Williams' engaging portrayal of Alicia, whose chemistry drives the emotional core. The film's religious undertones and theatrical staging add depth, appealing to niche audiences like sci-fi enthusiasts and Christian viewers. Its modest resources are maximized through solid direction and vibrant cinematography, avoiding major visual flaws despite minimal CGI.
However, the film's limitations are evident. The script, co-written by Richardson, Ella Thomas, and Sayrie, occasionally feels convoluted, particularly in revealing Hanokh's origins. Character development, especially for the villain Victor, lacks depth, with his backstory underexplored, making him feel generic. Alicia's quick acceptance of Hanokh's secret and interchangeable henchmen are narrative weaknesses. The film's theatrical style may not resonate with mainstream audiences, and its microbudget constraints limit polish, making it feel like a TV pilot rather than a standalone feature.
