Together

My girlfriend and I went to this movie as part of Landmarks mystery movie night. I found the movie really kept you guessing as to what direction it was going to go. I thought Franco and Brie were great for their respective roles. The movie took a turn halfway through that threw me off, but it brought me back in at the end.

Not a revolutionary horror movie by any means but I quite enjoyed it! Recommend for anyone that's interested in checking out an original and interesting horror movie with some depth. I have found myself thinking about the film over the past few days since I saw it. It has a good mix of themes and had a few good laughs.

A bit outlandish at times (maybe even most of the time) but nonetheless I found it entertaining. Check it out 🙂

Body horror is a genre that can be difficult to nail. At its best, it is anxiety-inducing, disturbing, and off-putting, often beyond the point of enjoyment. It is horror, not because of the scary monsters or hidden nightmares, but because of the natural human unease towards bodies being bent and broken in ways they shouldn't. As a horror genre fan, I have become desensitized to most of the tactics used to scare in movies, but body horror, done right, never fails.

Together is almost that movie. It builds anxiety both through body horror and simple awkwardness, but just as it rises to the point of being unbearable, it breaks the tension, either with humor or romance. It does this well, but I was left feeling too comfortable, too comfortable for a movie purporting to be a genre based on the opposite. If they had leaned into the body horror more, unwilling to break, this could've been exceptional, but as it stands, I was left wanting.

For someone who is easily scared or is new to body horror, this film could be great. The humor and romance make it more approachable, but it also detracts from the horror. Certainly not a waste of time, but it sucks to see a film come so close only to miss the mark.

I think we as horror fans sometimes fall into the trap of expecting every lower-budget, "indie-but-not-really" horror release from studios like A24 or NEON to be the "scariest film of the year," or some sort of genre classic. But sometimes, it just great to see a good concept executed well. Together makes no pretense of what it is: a small-scale, nasty little summer horror flick that uses the horror elements to explore a metaphor.

While Together isn't ground breaking by any means and you'd have to have absolutely no media literacy to understand what it's analogizing, I don't think that's necessarily a knock on it. In a lot of ways, Together kind of feels like "baby's first body horror," a stepping stone into a genre that's accessible for horror curious audiences. I appreciate that despite being body horror to its core, the movie doesn't try and disgust its audience at every turn.

Don't get me wrong - my favourite movie of 2024 was The Substance, I love my blood and gore as much as the next guy. But, I think it's nice that a film like this exists to gently bring people into this admittedly tough sub-genre to get into.

I also like the clarity of what it's trying to communicate quite refreshing as well; as much as I love a film like Stop Motion, I can see why audiences would mostly leave it frustrated. Together avoids that by pretty much beating you over the head with its metaphor, but not in a way that felt like it underestimated the audience.

I think the reason it works as well as it does is because Dave Franco and Alison Brie have electric chemistry, appearing as much a real couple on screen as they are in real life. There's a raw emotional honesty to their characters and relationship that's hard not to find compelling.

The film does spin its wheels a bit towards the middle and at times seems uninterested in the lore it sets up. Again, this was purposeful and meant to explore the characters more than the literal plot points. I can't criticize film makers for making the "better" choice, even if it did make the narrative a little less sensical than I would've liked.

By the time Together ended I was throughly happy with it. It's a good movie that goes in some very interesting directions and I'd recommend to anyone interested in upping their horror game. Now, would I rush back to rewatch it right away? Probably not.

As much as I've praised the film for being more "accessible" and "easy on the audience," it sort of caps the film at a "pretty good" level for me.

It doesn't happen that often that we get genuinely fresh, original ideas in horror - and when it does, it feels so bloody good. 'Together' (2025) is exactly that. A grotesque, clever, and oddly funny little gem that had me cringing, laughing, and totally hooked the entire time.

The concept is unhinged in the best way: a couple moves to the countryside... and starts getting TOO attached. What unfolds is what I can best describe as a rom-com body horror (yes, really) that somehow makes co-dependency literal... and it weirdly works. So well.

Body horror isn't for everyone, but this is so well done. The practical effects are gnarly in the best way - just the right amount of gross to make your stomach turn while keeping you glued to the screen. It leans into the absurdity, but underneath the chaos is a surprisingly honest look at toxic love, compromise, and identity.

Alison Brie and Dave Franco are absolutely fantastic. You totally buy into them as a couple who love each other but maybe shouldn't be together. Or maybe should? I don't even know. That's part of the fun.

And I have to say - any film shot in Melbourne gets an automatic bonus point from me. There's something so satisfying about seeing our suburbs twisted into something this surreal.

Cringey in all the right ways. Disgusting in the best possible sense. 'Together' is one of the most original horror films I've seen in ages - and it will absolutely satisfy genre lovers looking for something bold, grotesque and new.

"Humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves." Plato, The Symposium

Although the current horror film Together doesn't pretend to parse Plato's discourse on love, it relies heavily on the idea that true love is the comingling of minds and bodies that were once separated by Zeus out of envy. Tim (David Franco) and Millie (Alison Brie) spend time in a country house seeking to regain the passion they once had.

After a stroll that ends up in a cave (how very Platonic!), they devolve into maddened humans, literally getting under each other's skin. The visuals, even without excessive CGI, are body horror at its best, and allegorically land us in discussion about what love means and how it affects the struggling relationship the drama began with.

Thematically Together wishes to show how much the stressed couple loves each other, even willing to sacrifice their very flesh to reconcile their affections. No couple in the audience can ignore the commentary on the emotional demands of love, the millennial fear of commitment, and the strains that modern lonely life make on romance.

After all, Millie has sacrificed a higher teaching order to take a rural job while he is still at 35 years old trying to play in an indie-rock band. His intermittent impotency, while understandable given his lack of professional success, still seems like a major impediment to taking their love to the next level.

While treating the aud to some icky body horror, writer-director Michael Shanks comments on the challenges of modern living that needs the therapy of communal sharing, of overcoming horrors together to emerge from that cave together toward the future.