Operation Sabre

At the beginning, I was hooked. The cinematography is good, there is some good acting, I like how Dragan Micanovic delivers the role of Zoran Djindjic.

I have also watched an interview with the directors, where they have explained bringing in the characters which don't exist in real life. They have hyped the show nicely, so I decided to give it a shot.

My first negative remark - the wrong choice of actor for the role of Legija. There is a lack of any physical resemblance, which could even be okay - if the tone of voice, mannerisms and the attitude were even remotely similar to the real-life Legija. This is not the case.

Then, the creators are also trying to send a message about Serbia's democratically elected and one of the most progressive politicians being murdered by the mafia - but the show is government funded. And the government is run by - well... Guess who. The mafia remaining even after the 'Sabre'.

Some parts of history are ignored on purpose, since the creators didn't want to make a fuss or get a lawsuit, others maybe because the Serbian national tv wouldn't really want to show them.

The last straw was a sudden change of character with one of the main characters - Boris, the police inspector. Not to spoil but - he makes a complete, nonsensical 180 near the end of the show, without enough previous motivation.

I have expected a lot from the show, and I have not been dissapointed by the acting, by the scenery and production (clearly a lot of money was put into this). However - the writing and parts of the casting, as well as the obvious censorship has dissapointed me.

Watchable, but wouldn't watch it again.

Although there is clearly some 'artistic license' taken with certain historical facts around this assassination and the break-up of Yugoslavia, there was enough to make it worth watching. The acting is generally very good and the pace just right. Some characters were truly despicable and hard to digest, but unfortunately, there were, and are still, far too many of these goons still active. Seeing how secret militias and certain armed/criminal groups are able to control the ruling government and institutions is a warning that this is still going on and that similarities with certain current regimes are all too familiar. History does indeed repeat itself time and time again. A sad but true commentary on the state of politics and populations that accept this corrupt and despicable way of existing. Hard to watch at times but some important themes are presented. Solid series overall.

A series with a lot of potential but ultimately failed to meet expectations. It could have been an incredibly important show, but instead, it ended up being just an ordinary series, similar to other productions by Radio Television of Serbia.

After an intriguing start, the story completely shifts towards imaginary tales of fictional characters.

This was a missed opportunity to portray real events, which are far more interesting.

So, you're left entirely at the mercy of the creators of the show, watching their made-up stories and characters. In my opinion, the storyline they came up with is below average.

Personally, I don't enjoy other series of a similar style produced by Radio Television of Serbia either. If you like Juzni vetar or Klan, then this might be the series for you. I, however, was expecting something more serious.

The show faithfully weaves through the chaotic aftermath of assassination of prime minister Djindjic, following several viewpoints - the press, the police, the politicians and the criminals.

The production and camera work are both great and the actors are very convincing, nailing the speaking style of all protagonists and antagonists.

The main problem is the number of characters. There are so many, many names and characters it becomes hard to follow the various motivations and connections. I would say that Sablja requires significant previous knowledge of Serbian 90s and 2000's politics and the vast crime scene that held the country in it's grip to fully understand what's going on.

The show tries to tell it all and it's clearly aiming at the local audience, since they will have no problem identifying who's who. And more importantly, why.

The topic of Djindjic assassination has been explored in length in various documentaries and both the good guys and the bad guys are all household names in Serbia. And this may be what gets foreign viewers confused. Motivations for the assassination are very superficially covered and unless you're a history buff that followed the collapse of Yugoslavia, you'll be hard pressed to understand what is really going on here.

I think a shorter character list would've benefited the show and made it more accessible. But the Djindjic assassination is still a very touchy topic in Serbia and this being the first attempt at making a dramatized tv show about the events, it's understandable that the director didn't want to cut any corners.

As an average viewer I cannot talk about the scenario, or acting or directing or the way the story was led. I can only say that I liked it even though me and my family and friends we were all feeling awfull after every episode.

Actually I cried after each of the episode. Why? This is a tale about my country and our failure as citizens of Serbia to build better society after Milosevics regime.

The assassination of our prime minister and the events that followed it in this series are not described like how it actually happened. (Documentaries exist for those who want credibility).

Sablja is, in fact, used just as a frame to explain and describe what is happening nowdays. The autors are depicting actions that contributed to a condition of an imprisoned state where we all in Serbia live in.

The main characters are carefully selected as a policeman, a criminal in the making (by not so odd consequences) and an ambitious journalist. They are the key for understanding when and how everything went wrong. Now it is up to us to decide what should we do with this sense of injustice and wether we should overlook fake licenses and literally bloody cash.