A talented singer starts working at a Broadway restaurant with singing waiters.A talented singer starts working at a Broadway restaurant with singing waiters.A talented singer starts working at a Broadway restaurant with singing waiters.
Gino F. Anania
- Brad
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I always enjoy the Broadway performers who turn up in Hallmark Christmas movies, and this was no exception. Admittedly I like a musical, so this was right up my alley! Wonderful vocals in all the performances, and the acting was just great too. The cousin was a doofus, but the other characters and the storyline easily kept my interest. Loved Ginna in A Holiday Spectacular but wasn't familiar with Jordan before this. They were very good as leads and I thought had good chemistry. As everyone notes, the final song was fantastic. I'm sure I'll re-watch this movie in years to come, it's a good one!
A final singing number, which is quite catchy and fun, was not enough to save this Broadway dud from getting cancelled from my theater list. Our leads, Violette (Ginna Claire Mason) and Alex (Jordan Litz) work at as singing servers in New York. They have dreams of making it big on Broadway and we're supposed to be rooting for them.
The trouble is the Cyrano de Bergerac storyline where Alex feeds his cousin Brad (Gino Anania) all the info on Violette and somehow almost wins her over with his yule log (don't ask, it ain't sexy). As expected, it all comes crashing down.
Not to put too fine a point on this whole thing, but Brad is the worst. We could have had a helpless in love guy in this part, but he's made to be an absolute fool and a pure annoyance to everyone who knows him. Not loveable, but quite creepy. This character rips a star or two off this movie.
I enjoyed Mason in A Holiday Spectacular (2022, 6 stars) and the under appreciated A Heidelberg Holiday (2023, 7 stars). When she sings the final song, it's magic, but when she's made to sing public domain holiday songs, it's a waste.
Litz too, is better than the material he's given. Let the man sing! I see leading man for many years to come, if given the right material.
Cast Kudos: Hallmark veteran John B. Lowe in a cameo as the glitzy producer. Love that guy.
Alternate titles: Christmas comes to Broadway. Cast for Christmas. Singing for supper.
Originally aired on Hallmark Nov. 1, 2024. Watched Nov. 2, 2024.
The trouble is the Cyrano de Bergerac storyline where Alex feeds his cousin Brad (Gino Anania) all the info on Violette and somehow almost wins her over with his yule log (don't ask, it ain't sexy). As expected, it all comes crashing down.
Not to put too fine a point on this whole thing, but Brad is the worst. We could have had a helpless in love guy in this part, but he's made to be an absolute fool and a pure annoyance to everyone who knows him. Not loveable, but quite creepy. This character rips a star or two off this movie.
I enjoyed Mason in A Holiday Spectacular (2022, 6 stars) and the under appreciated A Heidelberg Holiday (2023, 7 stars). When she sings the final song, it's magic, but when she's made to sing public domain holiday songs, it's a waste.
Litz too, is better than the material he's given. Let the man sing! I see leading man for many years to come, if given the right material.
Cast Kudos: Hallmark veteran John B. Lowe in a cameo as the glitzy producer. Love that guy.
Alternate titles: Christmas comes to Broadway. Cast for Christmas. Singing for supper.
Originally aired on Hallmark Nov. 1, 2024. Watched Nov. 2, 2024.
I was fine with the movies storyline. Both leads can act and sing-would like to see them together with a better script. With a little more chemistry, they might become a very watchable duo. The owner of the restaurant did a great job-the cousin, not so much. He drug it down it by being so over-the-top. Perhaps that was the part he was supposed to play? But he needed a good bit more editing. And he needed to be believable. Movie needed a little more depth(why the lead was never, ever rightly irritated by his crass cousin, more of the bond between dad and daughter, and was Violette promised a part already in the show that never got off the ground). Anyway......it did have some very good moments. Enjoyed the final song too.
The story of aspiring singers hoping for Broadway roles isn't that inventive, but the male and female leads are attractive and nice in their roles. Separately, their singing is very fine, and it was nice to hear some real Christmas carols with religious overtones, since Christmas is ... as often seems to be forgotten in these films ... a religious holiday.
Unfortunately, in their duets, the leads can't seem to find just one key to agree on. Their duet on "The Christmas Song" was downright painful in places. Ginna Mason could never find the key Jordan Litz played and sang, and they both hit a couple of clangers along the way. Hard to believe they couldn't tell that and correct it in post, at least.
However, the BIG problem with this film is Gino Anania, the second male lead. His part was poorly written, making the character a annoyance with every appearance. And Gino overplayed the role to make it double or triple as annoying as it might otherwise have been, making me tempted to just bag this thing a few times. I'm not sure why, but we managed to stick it out, wasting two hours of our lives.
Unfortunately, in their duets, the leads can't seem to find just one key to agree on. Their duet on "The Christmas Song" was downright painful in places. Ginna Mason could never find the key Jordan Litz played and sang, and they both hit a couple of clangers along the way. Hard to believe they couldn't tell that and correct it in post, at least.
However, the BIG problem with this film is Gino Anania, the second male lead. His part was poorly written, making the character a annoyance with every appearance. And Gino overplayed the role to make it double or triple as annoying as it might otherwise have been, making me tempted to just bag this thing a few times. I'm not sure why, but we managed to stick it out, wasting two hours of our lives.
I confess I didn't see the whole movie - I found it while flipping channels. At first, I didn't think that the leads were all that appealing, but as I watched I felt a good chemistry between them. Ginna has a real girl next door vibe and, well, Jordan was kind of dorky in a Clark Kent way. They grew on me, though.
Then they started to sing. Wow. This is not a classical musical in the way that the characters spontaneously break into song, but where the singers are characters doing their jobs. Doesn't matter, they have great voices and I hope that Hallmark casts them into similar roles in the future.
I see some of the other reviews complaining about the 3rd corner of the triangle, and I can't disagree, but it makes more sense than the many Hallmark movies where a (usually female) character dumps a long term, perfectly nice partner for a guy she's just met. I thought that Gino's character was just annoying enough to deserve the dumping but appealing enough not to appear actively evil or mean.
Then they started to sing. Wow. This is not a classical musical in the way that the characters spontaneously break into song, but where the singers are characters doing their jobs. Doesn't matter, they have great voices and I hope that Hallmark casts them into similar roles in the future.
I see some of the other reviews complaining about the 3rd corner of the triangle, and I can't disagree, but it makes more sense than the many Hallmark movies where a (usually female) character dumps a long term, perfectly nice partner for a guy she's just met. I thought that Gino's character was just annoying enough to deserve the dumping but appealing enough not to appear actively evil or mean.
Did you know
- TriviaCharlotte d'Amboise (Hazel) is a Broadway veteran ("Chicago," "Carrie," "Contact," "Pippin"). She was twice nominated for The Tony Award: (1989) Best Actress in a Musical for "Jerome Robbins Broadway," and (2007) Best Performance by an Actress in a Supporting Role in a Musical for "A Chorus Line". Charlotte is also married to fellow Broadway star Terrence Mann ("Cats," "Les Miserables," "Beauty and the Beast," "Pippin"), and is the daughter of renowned dancer Jacques d'Amboise and sister of choreographer Christopher d'Amboise.
- ConnectionsReferences Cats (1998)
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- The Forks, Winnipeg, Canada(outdoor scenes)
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- Runtime1 hour 30 minutes
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