Ick

I'm going to be honest here.

This film is pretty dumb.

But, while it comes off as random, with a creature whose existence is never explicitly explained.

Kahn admittedly does a competent job providing explanations for the unexplained aspects of the film via subtext.

You just need to wade through the ick, in order to get there...and, well, get what the film is about.

Because we are the ick.

The ick- an invasive alien plant creature that becomes more malevolent, the more it's exposed to modern humanity- is a manifestation of the worst aspects of human nature...our most cringe qualities (think of it kind of like when AI when is exposed to the internet).

Hence why the only people immune to it are those who have been humbled by life.

Take the two main characters, for example.

Both of whom had it all in highschool, only to lose it all in their transition to adulthood, when life gave them a reality check.

The protagonist of the story, having been the highschool quarterback, whose life- after being slated for the NFL- gets upended when he suffers a career ending injury (brought on by the ick) in his final game before going off to college.

And our protaganess (the most divine beauty to ever grace the silver screen), when, despite being the most popular girl in school, isn't able to get into the university of her dreams.

Though, also her best friend (and the boy she likes), who are just kind-hearted nerds in the form of a tortured artist and the smartest girl in school.

The latter being characters that are contrasted by the guy who seems to be, at least, semi-autobiographically based on the director, himself.

Though, not necessarily in a realistic sense.

Rather, how he had fantasized his life could have gone (ie gets rich, and marries the hottest girl in school...even though that, inevitably, leads to his downfall).

On top of that, Kahn clearly incorporates many of his own coming of age influences into the film, as well.

Not only in the form of a large collection of 2000's era music.

But also via other cultural influences.

Like how the main character comes off as a dollar store (read: satirized) version of Bruce Campbell as Ash in Evil Dead (right down to his iconic blue shirt).

And the one young man who is clearly fashioned after Jason Mewes when he plays Jay in the Kevin Smith films.

All in all, the whole thing is akin to a faster paced, horrorified, version of a teenage high school comedy.

Kind of it like a high octane John Hughes film, with more of an Idiocracy vibe.

Hence why I say it's a "dumb" film, despite the interesting easter eggs that are strewn throughout it.

Many of which, apparently, harken back to his earlier films.

The highlight of it all, though, is clearly our young protagoness.

She is, quite literally, a Goddess so divine, she put's Aphrodite to shame (and goddamn did she ever look good at the TIFF Q&A...the epitome of perfection).

And a great actress to boot.

But, did I love the film...well, no.

Not exactly.

It was farrrrrr too reliant upon CGI effects for my personal taste.

But it had it's moments.

As an Evil Dead fanatic, I particularly appreciated the influence he took from that series.

And I've got to give him credit for casting the right actress for the main role.

But it isn't enough to save the film from how dumb it really is.

Though...perhaps that was what he was going for.

3 out of 10.

Saw this opening at Screamfest at The Mann Chinese Theatre. Super fun film with a great cast. You can tell watching it that everyone involved had a really great time making the film. It feels like a movie made by people who really love films especially those from the 90s and early 2000s. Parts reminded me of Eight Legged Freaks, the Faculty, and Lawnmower Man. It harkened back to a time when popular horror films were more about having a good time then being a deep intellectual pursuit. Not that I mind a brilliant brain bender, but it is refreshing to see a film not take itself so seriously.

The cast was brilliant. Brandon Routh was incredibly charming and funny as the lead, Mena Suvari was great as well. Malina Weissman really carried the film well with her grounded yet endearing performance. Harrison Cone was hilarious as the overly performative, virtue signaling douchebag. Two great breakout performances came from Taia Sophia and Zeke Donovan Jones. Their awkward goth romance added a ton a heart to the film. I suspect these two actors will be future fan favorites.

There is an eight-screen movie theater in my town, and since I'd had some work successes, I wanted to treat myself to a movie. My choices were; yet another Superman reboot, yet another Fantastic Four movie (unsure if reboot or not), yet another Jurassic sequel, Elio, a Smurfs reboot, something called "The Home," and the "How to Train your Dragon live action."

Then, there was this.

It starred Brandon Louth, which made me go hm. Since his turn as the Man of Steel, he has kept fairly busy on television, but I remember his appearance in "Zack and Miri make a porno," which was only a short while after Superman Returns. He seemed animated and relaxed in his role (a very brief but somewhat important one in that movie) and I remember thinking that if they allowed that side of him to come through in his Superman movie it might have been better received.

For the first part, he's in high school and it made me wonder if they used de-aging technology or if, with the makeup he could still look that young even in his mid-40s. I think it might be both. Happily, for the rest of the movie he got to show the side of him that was so appealing in "Zack and Miri."

The movie itself is somewhat of a rapid-fire assault on the senses and is made for a completely different demographic than me. As other reviewers have said, the "Ick" depicted in the movie might be a metaphor for culture rot so prevalent today.

And yes, it does get a little slapdash at the end, but overall it was fun to see a little creativity and fun in a movie for a change. I also got the sense that some of the easter eggs other reviewers have described might reveal themselves more in a repeat viewing.

The length and pacing hit the sweet spots for a movie such as this, and as another reviewer has said, it looks like everybody had a good time making it. I had a good time seeing it, and since Brandon was one of the producers, I want to say thank you to him for turning out something semi-original.

Context: I am 60+ now, degreed and experienced in cinema, with three Generation "Z" boys. So this movie is not for me, it's for them. I only give it 6-stars because it misfits my own entertainment needs. I expect teenagers and young adults who were tweens and teens in 2000-2010 will connect with this much better.

That being said, I would describe this as being a hyper-paced satire that pretends to be about horror but is really about our modern culture, especially that which Gen-Z must suffer through.

The Ick, being a familiar but mostly ignored and unexplained creature that suddenly becomes destructive, is a METAPHOR.

It represents cultural rot, something that grows everywhere and we complacently ignore it until it becomes antagonizing, and many of us continue to try ignoring it, or minimizing it, to our demise.

Once you watch this movie with those lenses it begins to make more sense. Listen carefully to the dialog and you'll hear the indoctrination of critical theory (identity politics and oppression narratives), postmodernism (nihilism), postcolonialism (anti-settler narratives), and capitalism vs socialism debates. All of it is not to preach any of these, but to make fun of it. The Ick not one of these things or the other, it's the ignorance, the complacency, the intolerance, and the polarization of these variant invasive philosophies.

You could even frame the Ick as poststructuralism - which is best imagined as a culture-bomb - wherein all of these other ostentatious disciplines are its components.

In effect, the movie is a lot smarter than it appears, but if you are older than Gen-Z and you are not aware of its goals, then it's look completely dumb and a waste of your time. As I say, if that describes you, it wasn't made for you. It was made for the kids who grew up in our mess.

I cannot say its humor made me laugh a lot, but it delivered some chuckles - it's wit is dry and fast so you have to keep up.

I do think that the editing is very choppy though, and doesn't do it service. Had this been smoothed out a little it would have been more palatable.

An icky vine-like alien growth is a nuisance that spreads throughout the world, but in time people merely shrug their shoulders and get used to it. In small-town America the "ick" is regarded suspiciously by some including Hank, a science teacher and former football player, and Grace, one of his students. Their distrust is soon validated as the ick springs violently into a new phase of its growth.

The premise of people grown accustomed, careless, and capricious to a demon in their presence, is tantalizing. A monster is seen and ignored. However, beyond this alluring theme, there is little depth to the story, dialogue, characters, acting, and scenes. It is good for some laughs but there is not a lot of thought or creativity on display at this world premiere screening at the Toronto International Film Festival.