Untamed

Untamed is a good watch-the stunning backdrop alone, will make it worth your while. Bana delivers an intense performance, embodying both vulnerability and strength, while Santiago adds emotional depth with her portrayal, creating a strong chemistry that will draw you into the story. It was also good to see Raoul Max Trujillo (Apocalypto). The cinematography is great, and captures the majestic landscapes, enhancing its menacing atmosphere. However, the pacing is a little off, it feels somewhat rushed, with key plot developments and character arcs lacking exploration, which will tend to leave you wanting more depth. Despite these issues, it's engaging with a blend of suspense and emotional resonance, making it captivating. Give it a shot.

"Untamed" opens with strong potential: Eric Bana delivers a solid, grounded turn as Kyle Turner, a National Parks Service agent called to investigate a grisly death in Yosemite. Co-starring the likes of Sam Neill and Rosemarie DeWitt, the series promises a dark, atmospheric mystery set against the stunning wilderness .

What works:

The setting is compelling-a rugged backdrop that lends an eerie tension.

The cast, especially Bana, brings credibility and emotional depth.

The premise-cracking a brutal murder within a sprawling national park-sets up a strong narrative.

What slows it down:

Early episodes slog through setup, and the pacing drags noticeably. It often feels like you're "waiting for something to happen," but the payoff isn't immediate.

While the mystery has promise, there are moments where plot threads linger without clear direction, stretching the runtime thin.

In summary: "Untamed" is not bad-solid acting, moody visuals, and an intriguing thriller concept. But it's hampered by a slow burn that sometimes feels overly prolonged. If you enjoy character-driven mysteries with a dash of wilderness ambiance and don't mind a deliberate pace, it's worth a watch. Otherwise, the drag might make you wonder when things will pick up.

A fine series that occasionally feels longer than necessary.

Good viewing overall, strange ending but I couldn't help but get Last of us vibes from this series.

Eric Banner would have made a quality adaptation to Joel, definitely needs to be considered.

The story line was good in this series, but there were also quite a few plot holes and signs of rushed production.

The scenes are intense and suspense at times, very easy bingeworthy series, definitely needs another series but less rushed.

There were a few lines of story left open, a lot of questions unanswered but overall I enjoyed it.

This is definitely something to watch on a sunday or if you're bored.

Overall this is a good short series. This is about grief more than anything, the thing everyone goes through at some point. It also gives a slight nod to what happens to people who fall through the cracks, and how easy it is to fall.

Good parts: The first two episodes are the best - it does go downhill a bit after that, but the other episodes are still pretty good. The landscape is gorgeous. The people look real - they are not fake looking, which is nice. The actors are great, all of them. Writing is good.

Bad parts: The murderer doesn't feel right. I get the point, the cracks have to be shown, and the decisions the murderer made were selfish and led to a crappy life led by the victim, who had no chance. But the whole investigation was a big "so what" at the end. Also, it's tiring, that whole renegade cop trope.

But it's very good. I cried. More than once. I recommend if you like character development and beautiful scenery. If you need some car chases, this isn't for you.

In 2016 I fulfilled one of my life's dreams and I stayed 2 nights in Yosemite park, at the Ahwahnee Lodge. From this point of view the series is a true reward. The plot is a different thing. At the end you can't help but ask yourself what was the core story to begin with: the Caleb story, the Lucy story, the drug subplot... The problem with convoluted plots is that they get too twisty for their own good, and as a screenwriter and novelist myself I know what I'm talking about. The main character, a federal agent in charge of crime investigations in national parks, never connects with the viewer, or with other characters for that matter; not once he allows himself to even grin, never. His detachment from everything, except from his obsession to solve Lucy's death, puts us off from his emotional core as a human being. We care more about Vasquez, a normal person, or even Jill, his ex wife. Main characters don't need to be too complex or traumatized to be interesting, especially if they have to solve complex crimes. What about just doing their job in a professional and efficient way without spending too much time brooding? Direction is functional, acting won't earn them any awards, writing wants to be clever sometimes, and there are even some magic realism touches. All in all is a quite pleasant series to watch, but 4 episodes might have done it just as well. 7/10.