Untamed

Untamed is a good watch-the stunning backdrop alone, will make it worth your while. Bana delivers an intense performance, embodying both vulnerability and strength, while Santiago adds emotional depth with her portrayal, creating a strong chemistry that will draw you into the story. It was also good to see Raoul Max Trujillo (Apocalypto). The cinematography is great, and captures the majestic landscapes, enhancing its menacing atmosphere. However, the pacing is a little off, it feels somewhat rushed, with key plot developments and character arcs lacking exploration, which will tend to leave you wanting more depth. Despite these issues, it's engaging with a blend of suspense and emotional resonance, making it captivating. Give it a shot.

Rating: (5.5/10)

Summary: Untamed promises a tense, atmospheric crime thriller set against the stunning backdrop of Yosemite National Park - but ultimately stumbles under the weight of weak writing, cartoonish characters, and squandered potential. Despite a few solid performances, especially from Eric Bana and Sam Neill, the series never earns the emotional or narrative stakes it aims for.

Full Review: I came into Untamed expecting something right in my wheelhouse: crime, mystery, drama, all set in the gorgeous expanse of Yosemite National Park. With Eric Bana back in a lead role, alongside Sam Neill and Rosemary DeWitt, I was hoping for something rich and layered. Unfortunately, the series just doesn't deliver. The first episode starts strong - two climbers stumble upon a body, setting off a chain of investigation - but from there, things unravel.

The characters often feel paper-thin or cartoonish. Bana's Carl Turner has almost no inner life, and his dynamic with Lily Santiago's sidekick character, Naya, is reduced to the same joke repeated endlessly. Rosemary DeWitt's ex-wife role feels shoehorned in, adding little beyond forced drama. Characters swing wildly in behavior from one scene to the next, and it's hard to get attached when motivations shift purely to create artificial tension.

As the investigation unfolds, major plot turns rely heavily on coincidence or characters just happening to talk to the right person by chance. A ridiculous example is a scene where someone falls down a mineshaft - instead of climbing back up (which visually, they clearly could), they panic and pretend to be stuck, generating fake suspense. And time after time, someone miraculously shows up to save the day. There's also the strange editing, which constantly bounces between face shots, wide shots, and quick cuts, undercutting emotional moments and making deep conversations feel weightless.

One of the most frustrating parts of Untamed is how the final episode handles the resolution - or rather, fumbles it. By episode five, the main mystery is essentially wrapped up, but instead of ending with a satisfying close, episode six feels like an unnecessary epilogue tacked on to stretch the runtime. Characters behave out of sync with how they've been written all series; there's a final twist that comes out of nowhere, feeling unearned because there were no earlier hints or layered performances to justify it. Even worse, a major character death happens with almost no consequence - no investigation, no fallout, just... silence. For a show supposedly rooted in grief, loss, and healing, this lands awkwardly flat. The final moments, meant to symbolize Carl moving on from his son Caleb's death, feel rushed and emotionally thin, because the series only ever sporadically engaged with that core trauma. Instead of a hard-hitting conclusion, we're left with a deflated, shrugging end to a story that had the potential to deliver much more.

The Yosemite setting, meanwhile, is a total missed opportunity. Instead of making the landscape feel like a character, as True Detective or The Revenant did so well, most of the show feels shot on obvious sets. Scenes meant to feel rugged or wild - like a camp of off-the-grid survivalists - come off staged and fake. Social commentary, like the treatment of Native American characters or addiction themes, is handled with the same clumsiness, bringing nothing fresh or thoughtful to the table.

In the end, Untamed isn't an outright disaster, but it's deeply frustrating. There's a version of this show that could have been thoughtful, moody, and emotionally sharp - but this isn't it. If you're just looking for background noise, it's passable. But if you were hoping for something with the atmosphere of Yellowstone or the layered grit of True Detective, you'll likely come away disappointed.

In 2016 I fulfilled one of my life's dreams and I stayed 2 nights in Yosemite park, at the Ahwahnee Lodge. From this point of view the series is a true reward. The plot is a different thing. At the end you can't help but ask yourself what was the core story to begin with: the Caleb story, the Lucy story, the drug subplot... The problem with convoluted plots is that they get too twisty for their own good, and as a screenwriter and novelist myself I know what I'm talking about. The main character, a federal agent in charge of crime investigations in national parks, never connects with the viewer, or with other characters for that matter; not once he allows himself to even grin, never. His detachment from everything, except from his obsession to solve Lucy's death, puts us off from his emotional core as a human being. We care more about Vasquez, a normal person, or even Jill, his ex wife. Main characters don't need to be too complex or traumatized to be interesting, especially if they have to solve complex crimes. What about just doing their job in a professional and efficient way without spending too much time brooding? Direction is functional, acting won't earn them any awards, writing wants to be clever sometimes, and there are even some magic realism touches. All in all is a quite pleasant series to watch, but 4 episodes might have done it just as well. 7/10.

A mediocre drama in the genre of Virgin River.

Supposedly set in Yosemite National park it revolves around a death of a young girl. The story meanders, involving drug dealers, squatters and various shady characters. First of all it is not filmed in Yosemite and old abandoned mines would not contain drug labs. Squatters could not possibly live in the park and drunk park employees would not be tolerated. Again a story of inept police and ranger investigators stumbling around the park finding errant bullets in tree trunks in thousands of acres of trees. Just take this for what it is, a lifetime like series.

"Untamed" opens with strong potential: Eric Bana delivers a solid, grounded turn as Kyle Turner, a National Parks Service agent called to investigate a grisly death in Yosemite. Co-starring the likes of Sam Neill and Rosemarie DeWitt, the series promises a dark, atmospheric mystery set against the stunning wilderness .

What works:

The setting is compelling-a rugged backdrop that lends an eerie tension.

The cast, especially Bana, brings credibility and emotional depth.

The premise-cracking a brutal murder within a sprawling national park-sets up a strong narrative.

What slows it down:

Early episodes slog through setup, and the pacing drags noticeably. It often feels like you're "waiting for something to happen," but the payoff isn't immediate.

While the mystery has promise, there are moments where plot threads linger without clear direction, stretching the runtime thin.

In summary: "Untamed" is not bad-solid acting, moody visuals, and an intriguing thriller concept. But it's hampered by a slow burn that sometimes feels overly prolonged. If you enjoy character-driven mysteries with a dash of wilderness ambiance and don't mind a deliberate pace, it's worth a watch. Otherwise, the drag might make you wonder when things will pick up.

A fine series that occasionally feels longer than necessary.