A man returns to dismantle his family's house, where they were murdered in war, to rebuild it elsewhere. When the killer, a Red Army commander, tracks him down, a brutal cross-country pursui... Read allA man returns to dismantle his family's house, where they were murdered in war, to rebuild it elsewhere. When the killer, a Red Army commander, tracks him down, a brutal cross-country pursuit begins.A man returns to dismantle his family's house, where they were murdered in war, to rebuild it elsewhere. When the killer, a Red Army commander, tracks him down, a brutal cross-country pursuit begins.
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Featured reviews
Loved every minute of it
Having loved the first film I went to watch this in the cinema worried it wouldn't anywhere as good. How wrong was I?
It's every bit as good as the first one and two of the Sisu moments were so ridiculous they were simply EPIC.
Won't say much more about the actual plot and film as it's not needed just go into this with the love you had for the first one.
Roll on part 3 please.
It's every bit as good as the first one and two of the Sisu moments were so ridiculous they were simply EPIC.
Won't say much more about the actual plot and film as it's not needed just go into this with the love you had for the first one.
Roll on part 3 please.
The old man is pissed...
Lots of over the top action? Yup. Blood? Yup. Vengeance is on the menu? Yup. Story? Well, kinda. 😂. But you don't go to see a dialogue heavy storyline. You aren't getting a a deep narrative. Guns, bombs, beheadings, and bombast. And I loved it! It's better than the first film and I really loved that film. I just wished it was about 20 minutes longer. All in all, go see it. It's a visceral film.
Did not like this as much as the first one, but still worth a watch
So, Aatami is at it again. This time, he is going back to his old farm and fetching the house left behind the border after the peace treaty. However, the Soviet officials find out about this and send the man responsible for the death of Aatami's family after him.
So, at first I was a bit worried that we were going to be stuck in this beat up truck with Aatami through the whole movie. After all, if his motivation is to save his house from the Soviets, the whole thing is for nothing if he just ditches it. However, they do manage to work around that, which was a definite positive.
At times they kind of forget what the movie is about and they embrace the humor a bit too much. I was not a fan of that.
Of course, Jorma Tommila is pretty old at this point, so he has limitations on what he can do, but they work around that as well. Still, that does hinder the movie a bit.
On the positive side, they do make the limited (although massive by Finnish standards) budget work. You are not going to get bored. And they do step up from the first movie as well.
I even cried at the end, when the only lline of Finnish in the film is spoken. I don't know if anyone outside of Finland is going to quite get it, but it was just so indicative of Finnish sentimentality that it kind of broke me.
So, at first I was a bit worried that we were going to be stuck in this beat up truck with Aatami through the whole movie. After all, if his motivation is to save his house from the Soviets, the whole thing is for nothing if he just ditches it. However, they do manage to work around that, which was a definite positive.
At times they kind of forget what the movie is about and they embrace the humor a bit too much. I was not a fan of that.
Of course, Jorma Tommila is pretty old at this point, so he has limitations on what he can do, but they work around that as well. Still, that does hinder the movie a bit.
On the positive side, they do make the limited (although massive by Finnish standards) budget work. You are not going to get bored. And they do step up from the first movie as well.
I even cried at the end, when the only lline of Finnish in the film is spoken. I don't know if anyone outside of Finland is going to quite get it, but it was just so indicative of Finnish sentimentality that it kind of broke me.
Looney Tunes style bloody action
Sisu: Road to Revenge is basically a live action rendition of Looney Tunes with plenty of over the top laughs and slapstick worthy kills throughout. It's a bigger, more personal and absurd sequel that knows exactly what it is and executes it efficiently from the moment it starts. Dialogue is generally kept to a minimum, allowing the story to be mostly communicated visually which continues to be extremely satisfying.
Jorma Tommila is once again a man of few words who brings an unwavering determination and steely resilience as he really gets put through hell and back. There's enough context given at the start to understand why he's doing this which keeps it emotionally investing enough. Stephen Lang is perfectly cast as a ruthless villain with no morals so his inevitable comeuppance can land the way it should.
Jalmari Helander's direction delivers another slick yet simultaneously dirty looking film that isn't afraid to get pretty brutal when it comes to its main character's suffering and his writing has an effectively simple structure. The score by Juri Seppä & Tuomas Wäinölä is suitably rousing and Mika Orasmaa's cleanly shot cinematography ensures nothing is missed in most of the action sequences.
Jorma Tommila is once again a man of few words who brings an unwavering determination and steely resilience as he really gets put through hell and back. There's enough context given at the start to understand why he's doing this which keeps it emotionally investing enough. Stephen Lang is perfectly cast as a ruthless villain with no morals so his inevitable comeuppance can land the way it should.
Jalmari Helander's direction delivers another slick yet simultaneously dirty looking film that isn't afraid to get pretty brutal when it comes to its main character's suffering and his writing has an effectively simple structure. The score by Juri Seppä & Tuomas Wäinölä is suitably rousing and Mika Orasmaa's cleanly shot cinematography ensures nothing is missed in most of the action sequences.
The Sequel Nobody Knew Was Coming, Including the Laws of Physics
The first Sisu was a huge surprise for me. I enjoy action films, but I don't usually connect with this rougher, hyper-stylised subgenre that lives off pure excess and endless brawling. Still, the original won me over with its balance between cartoonish violence, tight pacing and that lone-wolf Western attitude that made it stand out. And the funny thing is that, until recently, I didn't even know a sequel was being made. I went in blind, just hoping for the same madness as before.
The truth is that Sisu: Road to Revenge pushes that madness even further. So far, in fact, that it sometimes slips into almost cartoon-level absurdity. There are at least three scenes that cross that line: one involving a warplane, another with a tank and one where the character literally rides a missile. All moments that made me think "sometimes, less really is more". It doesn't ruin the experience, but it does take away that sense of brutal plausibility that the first film still managed to hold onto.
For anyone who likes unfiltered action, the film gives you everything it promises and then some. It's fists, bullets, chases and explosions from start to finish, without a single pause to breathe. The narrative is as simple as expected: we follow the protagonist played again by Jorma Tommila, now hunted by Soviet soldiers, one of whom carries a particularly cruel connection to his past. And honestly, that's all the story needed. Unlike franchises like John Wick, which kept expanding their mythology to the point of unnecessary complication, Sisu stays direct and focused. That straightforwardness is probably the main reason I've become a fan of this saga.
In the end, Road to Revenge is fun, visceral and fully aware of the kind of spectacle it wants to deliver, even when it goes beyond the limits of what makes sense. It's slightly weaker than the original because it loses some of the surprise factor and the restraint that made the first one so special, but as a cinema experience it's still a glorious little festival of chaos. I left satisfied, feeling it achieved exactly what it promised: pure entertainment.
The truth is that Sisu: Road to Revenge pushes that madness even further. So far, in fact, that it sometimes slips into almost cartoon-level absurdity. There are at least three scenes that cross that line: one involving a warplane, another with a tank and one where the character literally rides a missile. All moments that made me think "sometimes, less really is more". It doesn't ruin the experience, but it does take away that sense of brutal plausibility that the first film still managed to hold onto.
For anyone who likes unfiltered action, the film gives you everything it promises and then some. It's fists, bullets, chases and explosions from start to finish, without a single pause to breathe. The narrative is as simple as expected: we follow the protagonist played again by Jorma Tommila, now hunted by Soviet soldiers, one of whom carries a particularly cruel connection to his past. And honestly, that's all the story needed. Unlike franchises like John Wick, which kept expanding their mythology to the point of unnecessary complication, Sisu stays direct and focused. That straightforwardness is probably the main reason I've become a fan of this saga.
In the end, Road to Revenge is fun, visceral and fully aware of the kind of spectacle it wants to deliver, even when it goes beyond the limits of what makes sense. It's slightly weaker than the original because it loses some of the surprise factor and the restraint that made the first one so special, but as a cinema experience it's still a glorious little festival of chaos. I left satisfied, feeling it achieved exactly what it promised: pure entertainment.
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Did you know
- TriviaInitially, Helander planned to cast the film's antagonist Igor Draganov as a younger man, but when he was recommended to hire Stephen Lang, Helander became excited by the idea of having a villain of roughly the same age as the hero.
- GoofsThe film's villains include KGB officers, but the KGB had not yet been founded in 1946; it was not established until 1954.
- Quotes
Igor Draganov: [from trailer] You are going to buried in the frozen ground... like the rest of your family.
- ConnectionsFollows Sisu (2022)
Details
Box office
- Budget
- €11,000,000 (estimated)
- Gross US & Canada
- $3,600,179
- Opening weekend US & Canada
- $2,408,490
- Nov 23, 2025
- Gross worldwide
- $6,748,682
- Runtime
- 1h 29m(89 min)
- Color
- Aspect ratio
- 2.39:1
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