A choral society's male members enlist in World War I, leaving the demanding Dr. Guthrie to recruit teenagers. Together, they experience the joy of singing while the young boys grapple with ... Read allA choral society's male members enlist in World War I, leaving the demanding Dr. Guthrie to recruit teenagers. Together, they experience the joy of singing while the young boys grapple with their impending conscription into the army.A choral society's male members enlist in World War I, leaving the demanding Dr. Guthrie to recruit teenagers. Together, they experience the joy of singing while the young boys grapple with their impending conscription into the army.
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A sober reminder
Just seen this film. I didn't expect it to be so moving and a very timely reminder of the futility of war. The singing was beautiful and the two main soloists were incredible. The storyline contrasts the horror of war against the beauty of music. I left the cinema feeling deeply moved and hopeful that the collective human spirit can transcend the depths of despair.
Thy judgment now is near.
Having finished "Regretting You" where I was (uncomfortably) the oldest person in the screening, I walked straight into "The Choral" where I was (comfortably) the youngest person in the room. I think I appreciated aspect of the film, more than actually loving it.
During the first World War, with many of the men away at the front, the Northern Mill town of Ramsden are looking to revamp their choral society. Led by the Alderman and mill owner Bernard Duxbury (Roger Allam), the committee pick Dr Henry Guthrie (Ralph Fiennes). Though talented and driven, Guthrie is a controversial choice as he's recently lived and worked in Germany, and his appreciation for the musical maestros of the country remains, despite the wartime opposition.
Within the scope of what I've written above there are dozens of smaller stories, some about class and respectability, some about love and fidelity in a time of shifting associations, some about loss, xenophobia, homophobia, the desire to get to the war and prove yourself, the hypocrisy of those who control it, the painful realities of who comes back and who never will. If anything, there is perhaps too much going on, too many little stories to service. Some are hinted at but never really explored, some filter out. It might have benefited more from being a Sunday evening BBC series, than a two-hour film.
The performances are never less than excellent though, as is the historical recreation - though finding a town like Saltaire to film in probably does most of that work.
I had no regrets whilst watching the film, though I doubt I'll plan to revisit it again any time soon.
During the first World War, with many of the men away at the front, the Northern Mill town of Ramsden are looking to revamp their choral society. Led by the Alderman and mill owner Bernard Duxbury (Roger Allam), the committee pick Dr Henry Guthrie (Ralph Fiennes). Though talented and driven, Guthrie is a controversial choice as he's recently lived and worked in Germany, and his appreciation for the musical maestros of the country remains, despite the wartime opposition.
Within the scope of what I've written above there are dozens of smaller stories, some about class and respectability, some about love and fidelity in a time of shifting associations, some about loss, xenophobia, homophobia, the desire to get to the war and prove yourself, the hypocrisy of those who control it, the painful realities of who comes back and who never will. If anything, there is perhaps too much going on, too many little stories to service. Some are hinted at but never really explored, some filter out. It might have benefited more from being a Sunday evening BBC series, than a two-hour film.
The performances are never less than excellent though, as is the historical recreation - though finding a town like Saltaire to film in probably does most of that work.
I had no regrets whilst watching the film, though I doubt I'll plan to revisit it again any time soon.
Meh
For such a stellar collection of talent this was pretty disappointing. It felt like a slightly weak episode of Downton Abbey.
If a gentle tale, well acted, in lovely scenery is what you're after on a Sunday evening at home, this is perfect.
But what potential spurned. A truly great cast that could have got its teeth into something very significant. The subject matter was there, it could have explored any number of angles. But it just pottered along. With no real tension or jeopardy. No rise and fall of emotion. Just...nice.
The possible tensions were everywhere. War, nationality, sexuality etc etc.
I get that it's fine to leave these as mere suggestions, but, boy, there was a great film to be made here. Shame that this wasn't it.
If a gentle tale, well acted, in lovely scenery is what you're after on a Sunday evening at home, this is perfect.
But what potential spurned. A truly great cast that could have got its teeth into something very significant. The subject matter was there, it could have explored any number of angles. But it just pottered along. With no real tension or jeopardy. No rise and fall of emotion. Just...nice.
The possible tensions were everywhere. War, nationality, sexuality etc etc.
I get that it's fine to leave these as mere suggestions, but, boy, there was a great film to be made here. Shame that this wasn't it.
A gentle reminder ...
Perhaps seeing this on Remembrance Sunday was a mistake but it heightened the poignancy and ramped up the emotional impact of Elgar's music. I was in bits at the end!
Has all of trademark Bennett one-liners and asides plus Hytner's imaginative take- not always to my taste but it worked well here.
Great understated performances and ensemble playing as well as more intimate scenes that highlight the tragedy of this 'list generation'. I loved it and sat through the final credits to hear out the glorious music.
Has all of trademark Bennett one-liners and asides plus Hytner's imaginative take- not always to my taste but it worked well here.
Great understated performances and ensemble playing as well as more intimate scenes that highlight the tragedy of this 'list generation'. I loved it and sat through the final credits to hear out the glorious music.
Solid, simple, formulaic
All star cast (all on form), nicely produced, good dialog, rich cast of finely drawn credible characters, musical theme well developed, narative pacing and density pretty good.
Why a 6.5 rating? There were some clumsy, ugly and unneccessary elements: The sex (not explicit but hightly suggestive). A short Elgar appearance that was unpleasant and jarring that had the potential to be so much richer and edifying than the brutal iconclasty that seems more populist than anything else.
We liked it, good workmanlike effort. But won't be watching again or adding it to the collection of keepers.
Why a 6.5 rating? There were some clumsy, ugly and unneccessary elements: The sex (not explicit but hightly suggestive). A short Elgar appearance that was unpleasant and jarring that had the potential to be so much richer and edifying than the brutal iconclasty that seems more populist than anything else.
We liked it, good workmanlike effort. But won't be watching again or adding it to the collection of keepers.
Did you know
- TriviaIn one scene, a 17-year-old boy is handed a white feather by a woman in order to shame him into volunteering, despite being under-age. The practice of women handing white feathers to men of fighting age spread rapidly in 1914 and continued throughout the war, despite the introduction of conscription for all men between 18 and 40 in January 1916. The White Feather movement was notoriously over-zealous, and frequently handed white feathers out to under-age boys, soldiers home on leave, and men who had been discharged from the armed forces - often with serious injuries. Seaman George Samson famously received a feather when he was on his way to a reception held in his honour to receive the Victoria Cross as a reward for his bravery at Gallipoli.
- GoofsThe film depicts Sir Edward Elgar receiving an honorary degree from the University of Manchester in 1916. In his life, Elgar received honorary degrees from the Universities of Durham, Cambridge, Oxford, London, Birmingham, Leeds, and Aberdeen, but never Manchester (which at the time was known as the Victoria University of Manchester).
- Quotes
Dr. Guthrie: Life is short. So sing.
- ConnectionsReferenced in CTV News at Six Toronto: Episode dated 5 September 2025 (2025)
2025 TIFF Festival Guide
2025 TIFF Festival Guide
See the current lineup for the 50th Toronto International Film Festival this September.
Details
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- Sinfonia de Guerra
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Box office
- Gross worldwide
- $4,422,320
- Runtime
- 1h 53m(113 min)
- Color
- Aspect ratio
- 2.00 : 1
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