The Wonderful Story of Henry Sugar and Three More

These four short stories are brilliant. With Wes' style it's like a match made in heaven. The stories almost feel like bed time stories. And the cast choice was superb. The only member i didnt like was Richard Ayoade, just because his lifeless acting and voice annoys me 😂. First time watching all these in the big combined film

Story 1 - ' The Wonderful Story of Henry Sugar', was great seeing Benedict in a Wes production. And the arc it took was supering interesting.

Story 2 - 'The Swan', was effortlessly told by Rupert Friend. Never seen him before, very talented.

Story 3 - 'The Rat Catcher', Ralph finnes at his best. Diving into this character, creepy, the voice, costume and mannerisms

Story 4 - 'Poison', was brilliant as Dave Patel & Bendicts chemistry was great. Would love to see these two together for future wes productions. Was quite comical which I loved.

This anthology film consists of four short stories, with the main story being about Henry Sugar, a rich and unmarried man who never worked a day in his life. One day, he discovers a journal, which tells how Imdad Khan was able to see without his eyes. Sure, he had eyes, but through years of practice he could 'see' perfectly well even if blindfolded - or with his eyelids glued together.

Henry Sugar decided to follow Imdad's procedure, and when he finally mastered the art, he used it to read cards at casinos, winning a fortune in the process. Instead of keeping all the money, he decided to put it to good use. This segment features a very good production design and excellent lighting.

The second story is 'The Swan'. It is the story of Peter Watson, who was captured by troublemakers Ernie and Raymond, who wanted him dead. The story is narrated by an adult Peter Watson, now part of the events of him as a teenager.

The third story, 'The Rat Catcher', is about a boastful man who tries to rid a petrol station of a rat infestation, but the rats seem to put his expertise to the test.

The fourth story is 'Poison', and revolves around Harry, who wakes up to find a venomous snake lying on his stomach. Harry's friend Timber summons Doctor Ganderbai, who takes every precaution to save Harry.

All these stories are told in Wes Anderson's trademark style, which I absolutely love. It is funny and engaging, and a pleasure to watch.

A series of four adaptations by Wes Anderson of Roald Dahl stories. Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.

However, while none of the episodes are terrible, they are a bit of a mixed bag.

The Wonderful Story of Henry Sugar - 7/10

An interesting plot, some highly engaging characters, some spot-on performances from an all-star cast (Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade, all in multiple roles) and Anderson's use of seemingly basic effects, props and settings create a whimsical, child-like atmosphere.

On the negative side the matter-of-fact tone makes you feel like you're consuming bullet points of a plot rather than being engrossed in the movie. It's the downside to the whimsicalness, I guess. In addition, I was expecting a punchier ending which never came.

The Swan - 8/10

The best of the lot, with Dahl's emotional story of innocence-meets-thuggery set to Anderson's clever backdrops and special effects and imbued with the usual Anderson whimsicalness and child-like atmosphere. Rupert Friend is great as the narrator.

Not perfect though. The film seemed set up for a powerful ending but this never came, just fizzling out. The Wonderful Story of Henry Sugar was similar - great journey, lacklustre destination. Hopefully this isn't a characteristic of all these films.

The Rat Catcher - 6/10

From the previous two, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).

A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.

Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.

Still, it's interesting and watchable enough.

Poison - 6/10

Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.

The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.

Interesting enough, just don't expect too much of the conclusion.

Although I have hundreds of idols in the domain of cinema, there are only three heroes that I worship/idolize in literature. They are Jules Verne, Agatha Christie, and Roald Dahl. The latter, I have been fascinated with for as long as I can remember. I remember reading "The Twits" and shortly after "The Witches" at young age, and immediately got hooked on Dahl's unique, oddly ominous, and mildly disturbing writing style. Roald Dahl does not treat his youthful readers like feeble children and describes things as explicit and sadistic as they are, which is something I greatly appreciated even as a small child.

There have been several wondrous film adaptations of Dahl's books, some of which I also really adore, but none of them really captures the true genius of Roald Dahl's style and persona. Maybe "The Fantastic Mr. Fox" (2009) does, but I haven't seen that yet. I'm willing to believe the praiseful ratings and reviews of that one, tough, since it also comes from writer/director Wes Anderson. "The Wonderful Story of Henry Sugar and Three Others" is also from Anderson, and ...it...is... GREAT!

Wes Anderson and Roald Dahl are a perfect match. They are both eccentric, extraordinary imaginative, and dreamy. Moreover, Anderson's approach is stupendous with live on-screen narration (even with Ralph Fiennes as a striking Roald Dahl himself), stop motion techniques and partially animated set pieces... As if we are looking straight into Dahl's head. The film is an omnibus with one main feature and three short stories. "The Wonderful Story of Henry Sugar" is Dahl at his purest and utmost genius! Say what you want, but nobody else but Roald Dahl could have invented such a bizarrely far-fetched but compelling and spirited tale with gifted traveling circus artists and selfish aristocrats turning into noble Samaritans. The script is a spitfire of spoken monologues (which goes for all the stories, by the way) but there is never a dull moment, and the performances - notably from Benedict Cumberbatch and Ben Kingsley - are sublime.

The three other stories also deserve detailed praise, in fact, but I will make this review too long. Just know that they feature typical Road Dahl themes (like extreme bullying, reptiles and rodents, ...) and brilliant performances as well. "The Wonderful etc..." is a must-see for fans of the legendary writer. And if you're not a fan yet, it's time to become one.

This is a Wes Anderson film if ever there was one. The style screams his name more than any of his previous films.

Some may find it grating and too much to bear. To be sure, it never lets up. But if you love the charm evoked by the director's trademark style, you will thoroughly enjoy this fun little anthology.

It is such a wonderful homage to the great writer Roald Dahl and his charming littler stories, and it does something quite creative indeed with the task of adapting words into images. The payoff is delightful, for those who are keen to this sort of style.