Boy and the World is best-enjoyed if seen for its visually-appealing and special imagery. The story line is simple and, in a way, universal: a young boy searching and longing for his father. Such a plot is juxtaposed with social commentary on automation, mass economy, advertising culture, and on dangers of a globalized market on the environment. It runs as neither a happy nor sad film, but in the interstitial spaces of change, loss, and ultimately, hope.
While pleasant to watch, the film came across as taking too long to make its main points: it felt it could have been more effective if shortened to 50 minutes or so. In addition, while interesting in its use of gibberish for language, the power of language seemed like wasted and lost. On that note, I am confident that words in this mostly silent but musical film would add for a powerful and memorable effect: would bring us closer to the heart and soul of characters, and their hopes.
Yet all in all, Boy and the World offers a pleasant weekend afternoon conveying both child and adult themes at once. It is best appreciated if watched by both an adult and a child, so the mixing between vivid visuals and critical message are discussed, and explored. The age group of 8-12 seems optimal for this film, with an accompanying teacher or adult to guide a discussion afterwards.
