In the quiet hill town of Ranni, humble taxi driver Shanmughan treasures one thing above all - his aging Ambassador car. When fate puts him to the test, he must prove just how far he'll go f... Read allIn the quiet hill town of Ranni, humble taxi driver Shanmughan treasures one thing above all - his aging Ambassador car. When fate puts him to the test, he must prove just how far he'll go for what he holds dear.In the quiet hill town of Ranni, humble taxi driver Shanmughan treasures one thing above all - his aging Ambassador car. When fate puts him to the test, he must prove just how far he'll go for what he holds dear.
Shaijo Adimaly
- Cheeyachan
- (as Shaiju Adimaly)
Featured reviews
So Lalettan is a retired stunt master/fighter. A million scenes dedicated to reiterate this particular point...this is the first half. Then tragedy strikes and answers to the pre interval build ups...beating the baddies to pulp. This is being touted as vintage Mohan Lal and blah blah blah. Every scene written to squeeze out the past Lalettan looks forced and fake just like the photoshopped images on the walls. Shobhana is added to mishmash,again to evoke the late 80s vibe, nothing special. Jakes Bejoy here decided to run a riot on the viewers eardrums...songs are pleasing but bgm is loud and jarring. The new villain makes his presence felt. Overrated.
First of all, what an intense performance by Mohanlal, the performer. I'll hop aboard that train and exclaim how much of Thudarum reminds me of some of his other "thrillers" with oodles of sentiment thrown in. Yeah, this ain't no ordinary family drama, like they advertised. After the first act which does a decent job of trolling Lalettan's recent filmography, has a lot of meta references (that non-mallus will struggle to relate with), and sets up his background and family dynamic (his equation with Shobana is still a treat to watch, and Tharun Moorthy made the right casting call there). But boyyyy, do we already know there's more to Shanmughan (or "Benz", as he's lovingly called) than what initially meets the eye.
There's more than enough in the screenplay to make every fan of Mohanlal (the actor, i.e.) leave the cinema halls with a high. And when Benz is matched up against an antagonist like CI George Mathan (played by a freshly cast Prakash Varma), there's no way we wouldn't see Lalettan in BEAST mode, subtly and otherwise. Binu Pappu also rises to the occasion in one of his meanest efforts so far, as SI Benny. The aura around the first 30-40 minutes is one of familial bonding, friendships, and mostly what Benz does for a living. But by the time the credits roll, you'd have forgotten how jolly-good those moments were, and how much has changed in Benz's life since then.
The fight scenes (yes, this has a few) are in the not-bad-not-great category. They have a specific purpose to serve, and not just a means to showcase Mohanlal's massy side. Jakes Bejoy keeps it sweet and toned down in the first half, but goes crazy in the second (..for good reason!). DoP Shaji Kumar effectively uses the landscape of the terrain to convey the core elements of the story, while also giving the Mark-I Ambassador car a distinct persona. The visual effects work is pretty solid, especially the portions depicting a landslide.
On the flip side, I feel there's still work to be done on Tharun Moorthy's end when it comes to dialogue-writing. I'm willing to let that slide this time, given he carried the responsibility of presenting both sides of Lalettan that we all love (switching between 'cute' and 'massy'). As a filmmaker, third time's the charm for Tharun, indeed!
P. S. Good work on the title cards.
There's more than enough in the screenplay to make every fan of Mohanlal (the actor, i.e.) leave the cinema halls with a high. And when Benz is matched up against an antagonist like CI George Mathan (played by a freshly cast Prakash Varma), there's no way we wouldn't see Lalettan in BEAST mode, subtly and otherwise. Binu Pappu also rises to the occasion in one of his meanest efforts so far, as SI Benny. The aura around the first 30-40 minutes is one of familial bonding, friendships, and mostly what Benz does for a living. But by the time the credits roll, you'd have forgotten how jolly-good those moments were, and how much has changed in Benz's life since then.
The fight scenes (yes, this has a few) are in the not-bad-not-great category. They have a specific purpose to serve, and not just a means to showcase Mohanlal's massy side. Jakes Bejoy keeps it sweet and toned down in the first half, but goes crazy in the second (..for good reason!). DoP Shaji Kumar effectively uses the landscape of the terrain to convey the core elements of the story, while also giving the Mark-I Ambassador car a distinct persona. The visual effects work is pretty solid, especially the portions depicting a landslide.
On the flip side, I feel there's still work to be done on Tharun Moorthy's end when it comes to dialogue-writing. I'm willing to let that slide this time, given he carried the responsibility of presenting both sides of Lalettan that we all love (switching between 'cute' and 'massy'). As a filmmaker, third time's the charm for Tharun, indeed!
P. S. Good work on the title cards.
This one came to the OTT platform quite fast. The making of Thudarum was unnecessarily lengthy, with fillers that served no purpose than to extend the run-time. The film crawled at a slow pace until the intermission, after which the trajectory becomes too predictable as it turns into nothing more than a classic revenge story. All the build-up? Meh. I barely felt connected to any of the characters, or cared for them at all.
However, the direction, the cinematography and the soundtrack are commendable. Mohanlal as Benz, Prakash Varma as CI George, and Binu Pappu as SI Benny are some of the best performances in recent Mollywood. This one is worth a watch for sure-but I reckon just once.
However, the direction, the cinematography and the soundtrack are commendable. Mohanlal as Benz, Prakash Varma as CI George, and Binu Pappu as SI Benny are some of the best performances in recent Mollywood. This one is worth a watch for sure-but I reckon just once.
I donno how to describe my feelings after watching this movie.
Movie started with laying some emotional attachments and funny family scenes that are entirely different from the actual plot of the movie. First half was nicely done to give an attachment with the characters. It even had many references and comedy scenes inspired from social media.
After the first half script is taking an unexpected turn that no one is gonna predict. Even minute expressions from mohanlal is conveying a lot. Some scenes from police station kinda reminded me of Drishyam. One actor who should be appreciated as much as mohanlal is the antagonist Prakash Varma. He was brilliant and deserves a punch in the face. His mannerisms were top notch and makes every viewer angry without any heavy gimmick.
Director Tharun moorthy is definitely one of the best filmmaker in mollywood right now. His best is yet to come.
Movie started with laying some emotional attachments and funny family scenes that are entirely different from the actual plot of the movie. First half was nicely done to give an attachment with the characters. It even had many references and comedy scenes inspired from social media.
After the first half script is taking an unexpected turn that no one is gonna predict. Even minute expressions from mohanlal is conveying a lot. Some scenes from police station kinda reminded me of Drishyam. One actor who should be appreciated as much as mohanlal is the antagonist Prakash Varma. He was brilliant and deserves a punch in the face. His mannerisms were top notch and makes every viewer angry without any heavy gimmick.
Director Tharun moorthy is definitely one of the best filmmaker in mollywood right now. His best is yet to come.
THUDARUM IS THE ULTIMATE BAAAP OF EMPURAAN - and I mean that with full respect! Seriously! I know comparing this flick to Empuraan is like comparing pizza to pazham pori - totally different leagues, but that pure OG Lalettan kick you get walking out? Had. To. Say. It! This movie? It's a whole vibe, so much to unpack, so many moments that made me wanna whistle and hoot in the theatre. Gotta hand it to MOHANLAL a.k.a. Benzz! He's just there, straight-up owning the director's vision like a total thug (gunda). And when George gets a taste of that? Pure satisfaction for us all!
That ending though - "MOHANLAL THUDARUM" just blazed across the screen, and it leaves you stepping out thinking, damn, Benzz could've gone full beast mode on that fool George! I know "Empuraan" sometimes felt like Lalettan's sheer aura swallowed the story a bit, but here? Total opposite! It ain't about some chest-thumping end, but you'll connect with Mohanlal's journey, feel that satisfaction deep down. And even that message about honor killings? They slipped it in there smooth, you know. Massy impact.
"Thudarum" is the perfect fanboy feast - balancing that classy touch with some hardcore mass moments, throwing in hilarious Lalettan references without being cheesy, just hitting that sweet spot. For example, we can say Pulimurugan, Bhramaram, and Drishyam, and this film's got the best of all three: a great family drama with some cool massy thriller moments. Can you believe it? This is Lalettan's 3rd release in just 4 months! After the visual spectacle of Barroz 3D and the epic slow-burn Empuraan, he drops Thudarum - and HOLY MOLY, THIS IS BOSS LEVEL! Director Tharun Moorthy gave Lalettan the ULTIMATE terrain - mass swag, acting chops, everything.
The story is simple, just like we saw in the trailer. Shanmugham (Lalettan, who else would it be?), a middle-class taxi anna who loves his ride. He lives with his wife Lalitha (Shobana, still ruling!), whom he met during his action hero days in Madras. Life's cruising along - UNTIL THE LAW ENFORCEMENT SNATCHES HIS RIDE! Now, Shanmugham's on a MISSION: GET HIS BABY BACK, and the chaos that follows? Sounds simple, right? But trust me, it's gonna be fire.
The first half is pure nostalgia with Lalettan references and light-hearted fun that's all warm and fuzzy right up to the intermission. But that one sequence? Seriously next level. The temple festival, the forest visuals playing against everything else - pure cinematic class with a mass connect. The hunt for his car in the second half turns into a full-on police showdown, power games with a sweet payback - all backed by an incredible BGM by THE Jakes Bejoy, who is on fire. Plus, there are these two awesome action scenes, just Mohanlal being totally badass - pure, unadulterated Mohanlal-esque dynamism. Nothing beats the sheer panache of our protagonist in a well-draped mundu. Honestly, those 'Empuraan' suits? I'll take Lalettan in a mundu any day.
FINAL VERDICT? Even if the initial pacing feels leisurely or some emotional beats don't quite land for you, stay with it. I promise you the second half, the moment Lalettan shifts gears and that incredible score driving the action, any minor flaws become insignificant. THUDARUM IS A RIDE YOU ABSOLUTELY CANNOT MISS!
That ending though - "MOHANLAL THUDARUM" just blazed across the screen, and it leaves you stepping out thinking, damn, Benzz could've gone full beast mode on that fool George! I know "Empuraan" sometimes felt like Lalettan's sheer aura swallowed the story a bit, but here? Total opposite! It ain't about some chest-thumping end, but you'll connect with Mohanlal's journey, feel that satisfaction deep down. And even that message about honor killings? They slipped it in there smooth, you know. Massy impact.
"Thudarum" is the perfect fanboy feast - balancing that classy touch with some hardcore mass moments, throwing in hilarious Lalettan references without being cheesy, just hitting that sweet spot. For example, we can say Pulimurugan, Bhramaram, and Drishyam, and this film's got the best of all three: a great family drama with some cool massy thriller moments. Can you believe it? This is Lalettan's 3rd release in just 4 months! After the visual spectacle of Barroz 3D and the epic slow-burn Empuraan, he drops Thudarum - and HOLY MOLY, THIS IS BOSS LEVEL! Director Tharun Moorthy gave Lalettan the ULTIMATE terrain - mass swag, acting chops, everything.
The story is simple, just like we saw in the trailer. Shanmugham (Lalettan, who else would it be?), a middle-class taxi anna who loves his ride. He lives with his wife Lalitha (Shobana, still ruling!), whom he met during his action hero days in Madras. Life's cruising along - UNTIL THE LAW ENFORCEMENT SNATCHES HIS RIDE! Now, Shanmugham's on a MISSION: GET HIS BABY BACK, and the chaos that follows? Sounds simple, right? But trust me, it's gonna be fire.
The first half is pure nostalgia with Lalettan references and light-hearted fun that's all warm and fuzzy right up to the intermission. But that one sequence? Seriously next level. The temple festival, the forest visuals playing against everything else - pure cinematic class with a mass connect. The hunt for his car in the second half turns into a full-on police showdown, power games with a sweet payback - all backed by an incredible BGM by THE Jakes Bejoy, who is on fire. Plus, there are these two awesome action scenes, just Mohanlal being totally badass - pure, unadulterated Mohanlal-esque dynamism. Nothing beats the sheer panache of our protagonist in a well-draped mundu. Honestly, those 'Empuraan' suits? I'll take Lalettan in a mundu any day.
FINAL VERDICT? Even if the initial pacing feels leisurely or some emotional beats don't quite land for you, stay with it. I promise you the second half, the moment Lalettan shifts gears and that incredible score driving the action, any minor flaws become insignificant. THUDARUM IS A RIDE YOU ABSOLUTELY CANNOT MISS!
Did you know
- TriviaJyothika was in talks to play the role of Lalitha, which was eventually done by Shobana. Before Shobana, the team also considered dancer Methil Devika and a Telugu actress.
- GoofsThe opening credits song shows Shanmughan's car with the number TMA 3165. But towards the end of this song and throughout the movie, Shanmughan's car is numbered KL 03 L 4455.
- Crazy creditsThe opening credits show the names of Mohanlal and Shobana before the movie's name. The end credits show only Mohanlal's name before the movie's name.
- ConnectionsReferences Manjil Virinja Pookkal (1980)
Details
Box office
- Gross worldwide
- $6,226,200
- Runtime2 hours 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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