User reviews

Loved the performances in this movie. The setting was perfect. Macau is beautifully depicted, not just as a backdrop but as part of the story itself. Well acted and filmed, with Colin Farrell and Fala Chen bringing real depth to their characters. Some shots in the movie are really nice, capturing both the glamour and the loneliness of Doyle's world. I liked the story and message as well, about chance, redemption, and the people we meet along the way.

And, certainly not worth my time to write a review about these self-absorbed, narcissistic and overrated actors. But, here goes... To say it's over-directed is an understatement. This movie was all smoke, and no fire. Nothing to fill one's soul here. It's empty. Nothing to warm the heart. Just like the main character, this movie hits rock bottom.

When the divine (may you call it god, spirits, ghosts... whatever) hands you a second chance, you better make the best use of it!

I honestly do not understand the hate for this one. I fairly enjoyed Berger's excellent orchestration of his audiovisual cinematic tools; switching the rhythm between closeups of intimate details to grand establishing shots with no to very subtle movement. Excellent score also plays a major role in the rise and fall of our main protagonist.

Farrell gave quite a compelling performance and Tilda Swinton is just a pleasure to see every time. The underlaying subtext of Macau as a location dictate much of the plot for this movie.

Stick around for the credits for an extra treat!

Colin Farrel is one of my favorite actors and with this film he really got to show his acting chops. He practically carried the film by himself but then Tilda showed up!

With the back drop of Macau, the beautiful buildings and colors juxtaposed with people living in small boats out on a river it really makes the colors stand out even more.

Watch through the closing credits to see Colin and Tilda dancing.

The Ballad of a Small Player is a stunningly crafted cinematic noir that further proves Colin Farrell's knack for brooding, morally complex roles.

Set against the electric and chaotic landscape of Macau, the film's cinematography is nothing short of breathtaking. The visuals paint the city as both a playground and a prison: rich neon reflections shimmer off rain-soaked streets, casinos glow like sirens calling the desperate, and the humid haze clings to every frame. Even when the film ventures to a rained soaked ocean top village or shadowy back-alleys, the camera finds beauty in the grit-each shot meticulously composed to echo the protagonist's internal decay and eventual rebirth.

Director Edward Berger brilliantly transports the audience into the sensory overload of Macau. You feel the sweltering humidity pressing down, the stickiness of a desperate night spent chasing fortune, the cathartic chaos of monsoon downpour washing away sins long clung to. Berger doesn't merely show this world-he makes the viewer physically inhabit it. The sound of taught rope swaying an ocean barge and the potential for stress induced cardiac arrest become a pulse that drives the narrative forward.

At the heart of this film -- is Farrell's mesmerizing performance as a disgraced British lawyer turned compulsive gambler on the edge of oblivion. His portrayal is raw, vulnerable, and unpredictable-oscillating between self-loathing and flickers of hope. Tilda Swinton, enigmatic as ever, plays a force of both temptation and salvation, her presence commanding and quietly devastating. The supporting cast provides depth and humanity, ensuring the emotional stakes remain grounded even amid high-rolling spectacle.

The storytelling grips from the outset, charting an arc that feels both tragic and uplifting. It is a journey of ruin and redemption, executed with elegance and emotional intelligence. The Ballad of a Small Player is a haunting, visually arresting triumph-one that lingers long after the credits roll. Highly recommend!

A three-time loser in Macau attempts to find some way to get into one last game and reverse his fortunes.

I avoided watching this the first time Netflix stuck it in my face. I'm honestly tired of this setup. How many times do we have to watch a gambling addict in a casino before we get to say, "Yeah, I get it"? But this one stars Colin Farrell, and he's been in some really great movies over the past decade or two. Who can forget In Bruges?

Speaking of Bruges, this is set in Macau, another exotic location if, like me, you've never done much travel. It's an interesting place, and it's a bit surprising that Macau doesn't show up in gambling movies more often. One thing you may notice is the vibrant colors, both because North Americans often seem to prefer more muted colors and because the director enjoys being stylistic.

There's a moral to this story, and it's not particularly subtle. It's not particularly hard to guess what it is, either. However, Farrell makes his loser more of a lovable rogue than many actors would probably be able to pull off given the protagonist's issues. When he finally bares his soul, it feels genuine. So, while the story isn't exactly a completely original one, it's pulled off with what I felt was enough talent that I remained interested.

That said, I pulled out my smartphone near the end because it seemed to be going well past the obvious stopping point. If you're interested in Chinese culture, you should find the climax interesting, though. It goes in a direction I wasn't quite expecting, which is always a nice thing in a gambling movie.

This part goes a bit more surreal, which I liked, but I felt it wasn't as original as it could have been, It seemed to take influence from American and Japanese psychological thrillers of the 1990s, which is cool but a bit played out these days.

I enjoyed Colin Farrell's acting. I'd say it's worth a watch if you're a fan. His love interest was also cool, though I didn't feel I got to know her too well. This seems mostly Farrell's show. Besides that, it's a fun watch if you like stylistic movies with a touch of surrealism.

The worst kind of villain is one with a conscience! While there's definitely people who simply don't care, it's those that suffer consequence who retain their humanity. How do YOU feel after doing something wrong? For me it's deep regret and paranoia as I await my comeuppance! In Ballad of a Small Player, Colin Farrell practically embodies distress; a performance which also sees him personify the thrill of abandon, surrender to excess and the exhilaration of constant, perilous risk! The result is a film worth watching for his efforts alone, if not for the meaningful message it conveys.

By adapting British writer Lawrence Osborne, director Edward Berger is banking, once again, on a deeply thematic novel to deliver timeless teachings. In the film industry we have our little cliques, and Ballad finds Berger relying on his usual host of talented professionals. Similarities to Wes Anderson's work appear in color template and style of recording, but the parallels end there. Although these are movies of Maximalist art, cinematographer James Friend has his own watchful eye; one which also oozes appreciation.

Aspects of this motion picture present the excellence of American filmmaking: costumes are exquisite and performances are genuine. Just like in Berger's prior film, Conclave, sound designer Ben Baird delivers an absolutely exquisite acoustic experience; one which, I'd argue, should be the standard in filmmaking. In terms of color, use of shade & tone is appealing, neither detracting from clarity nor nausea inducing. Each facet of this film's presentation adds to its intimacy, drawing the audience further into the fantasy.

During my time in the industry, I've seen producers recite the timeless adage: "The writing doesn't matter! The writing doesn't matter!" as if chanting the lie would make it true. In their arrogance, writer's rooms take liberties with adaptation; an ancestral curse studios refuse to confront. As a result, this film is a meandering mess, making little sense and losing appeal thru decreasing credibility. Intimacy between characters feels unearned & their decision making feels off.

What Ballad gets right is support & forgiveness for addicts: we all deserve patience, love and a chance at redemption. People can grow beyond their fixations and some even learn to apply their talents, transforming demons into blessings. Colin Farrell's wonderful performance of abuse & excess in ignorance of consequence is deeply relatable. The feelings he provokes are a testament to how an actor can inspire! The film's conclusion is a metaphor for maturing and eventually overcoming compulsion.

(I give Ballad of a Small Player an 8 out of 10 for it's production quality. It loses two points for it's aimlessness, lack of clarity and unconvincing relationships.)

Edward Berger returns with another stunning film, this time based on the novel by Lawrence Osborne and with a screenplay by Rowan Joffe. A drama of redemption featuring an exceptional performance by Colin Farrell.

The cast also includes Fala Chen, Tilda Swinton, and Deannie Yip. Lord Doyle (Colin Farrell) takes refuge in Macau, where he squanders his days and nights gambling and drinking, risking what little money he has left. Drowning in mounting debt, he receives an unexpected offer from Dao Ming (Fala Chen), an enigmatic casino employee determined to play her own game. But Doyle is not alone in his escape. Private detective Cynthia Blithe (Tilda Swinton) is hot on his trail and doesn't hesitate to confront him with the very thing he's trying to flee. The more Doyle seeks salvation, the more the boundaries of reality blur.

Ballad of a Small Player reaffirms that the German director is one of the best at conveying tension, anguish, and complexity. He delivers another film with impeccable staging and outstanding performances. He makes the most of a script with moments more intense than others, resulting in one of the most interesting films Netflix has offered on its platform this year.

An intense drama that gains momentum as we explore the catharsis of its protagonist, masterfully portrayed by Colin Farrell, who is shaping up to be a strong contender this awards season thanks to one of the best performances of his career. A decadent and broken character who hits rock bottom as we witness the full extent of his despair. However, Farrell isn't the only one who shines, as both Fala Chen and Tilda Swinton stand out in their supporting roles.

It's true that, among Edward Berger's recent work, this film isn't the most outstanding in his filmography, but it has its charm. Perhaps its foray into neo-noir and certain script strengths make it quite enjoyable to watch. However, there are moments when it overreaches and completely derails, although it looks so good and has such a frenetic energy that its flaws are barely noticeable. That said, if you don't connect with it from the start, you'll likely lose interest.

In conclusion...

An interesting and enjoyable film that presents itself as an attractive option to watch and understand. Although it has some flaws in a script that drags on a bit at times, the skill of a talented director and a solid cast ensure that the film works as good entertainment, leaving you with pleasant feelings if you decide to give it a chance.

Been thinking about this interesting, visually impressive,like it or loathe it drama/thriller/dark comedy.

First, Colin Farrell excels in the lead as a loathsome, slimy worm of a man who reminded me of Lord Melbury from Fawlty Towers,Paul Whitehouse's character from The Fast Show- The 13th Duke of Wimbourne and....well....me! The slicked back black hair, spiv moustache and a liking to unusual clothing. It made me laugh!

His addiction to gambling is palpable and director Edward Berger isn't afraid to show how far he's fallen, with close ups,shaky camera,humour.

His character develops to a road to redemption way via a mysterious Chinese ghost story (the Hungry Ghost) that also reminded me of the excellent Twilight Zone episode The Misfortune Cookie with Elliot Gould.

This adds a feel of a horror film that will put most off (Laura) but will give the keen watcher a lot to digest (was he dead,was the old woman at the table the devil?).

I'd pair this with an underrated Phillip Seymour Hoffman gambling film from 2003 'Owning Mahowny' .

The cinematography expertly captures the empty look of hotels (Doyle's psyche?) to the razzle dazzle of China.

Only Tilda Swinton is a misstep in her silly glasses and wig that she looked like Lynne and Nan. She fails to convince as a private investigator.

I'll happily rewatch this strange, hypnotic film and already think it's one of the best films about addiction.

Ballad of a Small Player is a visually hypnotic tale of addiction, alienation, and redemption. Directed by Edward Berger and starring Colin Farrell, it follows a self-styled British gambler spiraling through Macau's neon-lit casinos. The film's fusion of noir, psychological drama, and spiritual allegory turns the city itself into a haunting character. Farrell gives a magnetic performance, both desperate and dignified, embodying a "hungry ghost" consumed by endless desire. I enjoyed the story's atmosphere and Farrell's depth, though the side characters, especially Dao Ming, could have been more developed to balance his journey. While the plot leaves redemption ambiguous, the film's mood, visuals, and themes of cultural dislocation and craving make it a beautifully crafted exploration of loss and longing-less about winning and more about what's left when the gamble ends.

It is a masterpiece for director Edward Berger, who made "Conclave." And a very big win for Colin Farrell. Farrell deserves a best actor nomination - but who knows whoever will "win." It reminds me of Joseph Conrad - a character in a self-constructed existential crisis with everything on the line. The theme is gambling, but the meaning is about selfhood and moral choices, contrary to "luck." Very exciting cinematography and wonderful music. Farrell is phenomenal and carries the movie on his shoulders, but assisted by Tilda Swinton and others. Do not miss this one!

Ballad Of A Small Player is a fine example of how cinema can be dazzling and disappointing at the same time. It is the portrait of a talented director trying to extract meaning from a fragile script, and an exceptional cast struggling with a story that doesn't know where it's going. There are flashes of genius, moments when Berger's talent shines through - but they appear isolated, as if they belonged to another film. The result is an elegant, well-constructed drama, but one without soul.

In short, Ballad Of A Small Player is one of the great disappointments of the year. Not because it is a disaster, but precisely because it has everything it takes to be great. It is a reminder that, no matter how flawless the execution, a film can only stand on its own when the script gives substance to the ideas. Here, what we see is the opposite: a talented team trying to fill the void of a narrative that never comes together. Edward Berger remains a strong and respected name, but this is a minor chapter in his filmography - a slip-up that shows that even the greats can lose the balance between intention and execution.

Stunning! Buried under asian traditions and symbolism lies a very universal story about grieve, shame and redemption. Definitly NOT for everybody according to imdb's 'film critic' who live in their mom's basement... The Ballad of a Small Player isn't just visually stunning; it's emotionally devastating, morally complex, and quietly radical in how it tells a story about redemption.

It doesn't spoon-feed meaning. It trusts the viewer to sit with ambiguity, to feel the weight of silence.

This film adaptation transforms a meditative, ambiguous novel into a more emotionally resonant story.

Brilliant. Collin Farell is as always perfect. He's most likely the best actor of his generation...

I will no longer go off imbd user reviews anymore, we live in a time if there's no capes, no old grey haired men flying in the sky, or webs shooting out a boys A** the movie is disliked and labeled as a bad movie, this is why the box office blockbusters are crashing this movie was outstanding from start to finish Colin Farrell's range just keeps expanding his performance alone makes this movie and amazing watch I'm not going to say anything about the movie go see it for yourself and don't go off these reviews, don't even go of this review just watch this for yourself and you be the judge.

I loved every second of the film. Edward Berger is one of my favorite directors, and I've admired his work from Patrick Melrose to Conclave. He always keeps the tension high with his pacing, color palette, and music. And he really knows how to get the best out of his actors.

Colin Farrell is amazing in this movie - I could feel all of his emotions: fear, ambiguity, sadness, relief, passion, regret... Tilda Swinton is, as always, marvelous.

And don't forget to wait for the dance scene at the end of the film - it's astonishingly cool.

I'd thought Lawrence Osborne's writing might be unfilmable, but this beautifully captures the slipperiness of reality in Osborne's work. Cast are all outstanding, and the Director somehow films Macau as if it were an empty dreamscape. I woke up next morning still half immersed in it, and I'm planning an early second view.

The key is the joke the British guy tells Lord Doyle. The other key is when Lord Doyle eats too much at the hotel. As long as you pay attention to those two moments, you understand everything that follows. But if you miss those 2 events because you are playing on your phone or are just clueless in general, than you won't understand anything or appreciate anything that happens.

Greetings again from the darkness. It's not Las Vegas. It's not Monte Carlo. Somehow even more gamblers head to Asia, specifically the gambling capital of Macau ... and that's where this film from director Edward Berger (Oscar nominated for CONCLAVE, 2024) is set. Rowan Joffe (son of Roland Joffe, who directed THE KILLING FIELDS, 1984) has adapted the 2014 novel by Lawrence Osborne. That may be the last part of this that makes any sense.

Colin Farrell stars as Lord Doyle, a gambling addict laying low in his swanky hotel suite as he dodges those from whom he's run up massive debts ($350k to the hotel). Lord Doyle presents himself as a high-roller aristocrat, but we quickly note he's little more than a fraudster both in identity and wealth. A casino floor manager named Dao Ming (a lovely Fala Chen) takes pity on him as a 'lost soul' for no apparent reason, but it significantly impacts his direction. Hot on his trail is a Private Investigator named Cynthia Blithe (Oscar winner Tilda Swinton), hired by a woman whom Lord Doyle (under his real Irish name) bilked out of a large sum of money.

"All I need is one big score". How many times have we heard a gambling addict state this? It's a cliché, yet there are a few elements here that seem interesting and unusual. For some reason, the film seems to hit and run to the next point without ever giving us what we need. In other words, the structure is as messy as the constant rain on the streets of Macau. On the other hand, cinematographer James Friend (Oscar winner for Berger's ALL QUIET ON THE WESTERN FRONT, 2022) turns Macau into a kaleidoscope of color and texture and beauty and danger. There are even a few times that the film tends to mirror the iconic visual style of director Wes Anderson.

For a guy that thrives on scamming folks, Lord Doyle's choice of baccarat never makes any sense. Why choose a game that's purely a game of chance/luck? As we struggle along with Doyle to keep up with the loose ends, a supernatural element appears, causing a shift in tone. It's like dinner and dancing really did lead to an arrangement - only we weren't present for it. The frantic pace is something Colin Farrell works very well. As I've stated in other reviews, he's turned into a terrific actor who elevates every project. And though she's underutilized here, Tilda Swinton continues to be an actor worth watching in any role. Watching the movie is entertaining enough, yet at its conclusion, we feel a bit cheated. Many that's fitting after following Lord Doyle for 101 minutes.

Begins streaming on Netflix on October 29, 2025.