Drop

It's OK to watch, however one needs to be under influence (of any kind) to get through this cinema jewel.

The plot is moronic and full of holes, acting kinda puzzling.

It is annoying when one waits for a movie promoted as good entertainment, and, when the wait is over... it's a stinker.

Some scenes are openly screaming "eat it, stupid, it's possible" - like the moment involving kid, radio controlled toy car and a gun. Was the gun in kid's toy box?

People get shot, they get up and do heroic things, get stabbed - no worries, thrown against walls... Last question after watching this: WHY? Why such elaborate plot involving home invasion, restaurant takeover, poison, guns, etc.? They could JUST KILL THE TARGET.

I have mixed feelings on this movie. 84% on Rotten Tomatoes. I can side with either cause I get the love and the hate.

This movie isn't completely original. I can compare elements to Cellular, Phone Booth and even the very recent Carry-On. It's not a new concept to not know who is singling you out.

However, this movie offers some really good elements as well. Although very predictable it does try to throw the audience for a loop a few times and somewhat succeeds.

The acting is all over the place with good and bad moments from everyone so I can't give praise to any of that. The story is kinda lame but it drives the movie from point a to b.

I feel the pacing was well done and helps drive the suspense and the payoff is fun until it takes it too far.

Not a spoiler but when a masked killer removes a mask on screen and the reveal is an unknown character even to our lead then what is the point of even having them unmask? It felt like giving the actor a chance to be seen by his family watching the film and made me laugh during a scene we shouldn't be laughing at.

Also AJ Styles and Undertaker having a cameo through a meme made me laugh and wonder if they can sue for having their picture shown.

Overall this is a good movie but I do think it's a bit over rated. The opening had me ready to give up on the whole movie til I realized it wasn't a jump ahead and was an actual flashback.

It's worth a watch and maybe a rewatch to notice stuff you may have missed but it's not an all time classic as I'll probably forget about this movie within a few weeks or months. 6.5/10 from me.

The trailer seemed to give too much away but the clever dialog made it refreshing to watch. Only complaint is that almost every man in the cast is brown haired with a beard so keeping track of many of the characters was confusing. Overall an enjoyable movie and very cleverly written. A great use of tying in what was being delivered via text messages with the images on the screen. So glad to be out of the dating scene now that I'm reminded of what first dates are like. You do feel for all the characters And the view from the restaurant is pretty fantastic. A great small space view with a lot going on.

Although admittedly fairly forgettable, 'Drop (2025)' is a really solid thriller that benefits from a lack of self-awareness and a stylistic execution. Set mostly in a single location, the narrative mixes the anxiety of a first date with the horror of a hostage situation (the former can often feel like the latter, am I right?). Having the lead character be a survivor of domestic abuse adds another layer of cruelty to the lack of control she has over her situation, while also allowing for catharsis if she's able to work through her trauma and emerge victorious. The theme is dealt with gently but directly, never feeling exploitative because it ultimately seems like an attempt at healing rather than a cheap way to increase the suspense of the central situation. Said situation is undeniably silly, but the film treats it with enough sincerity that you don't feel strange about doing the same. It has comedic moments, some of which are genuinely funny, but its humour never undercuts its narrative. It never feels embarrassed of itself, never feels the need to crack wise to let us know it knows it's actually rather absurd. It remains tense and engaging for its relatively brisk duration, even if it does feel like it spins its wheels a bit in its midsection. Christopher Landon directs the heck out of it, playing with focus and lighting to convey stress and hopelessness, using controlled but chaotic camerawork to compound violence, and splashing text across the screen to make its virtual elements feel as real as everything else that threatens to tear its protagonist's world apart. Add to that a delightfully classic yet pulpy score from Bear McCreary, and you get an atmospheric and absorbing little thriller that keeps you hooked for its duration. Its characters are well-rounded, portrayed by charismatic actors who all understand the assignment, and its plot escalates in a satisfying way. It's tightly written, with a couple of crowd-pleasing one-liners and an escalating sense of suspense, and confidently crafted, with crisp cinematography and convincing set design. It isn't the sort of thing that sticks with you for too long, but it does exactly what it needs to and keeps you on the edge of your seat for its majority. It's an enjoyable experience that does quite a lot with quite a little. It's pretty darn good.

The whole premise of the movie seemed a little convoluted and as the movie goes on it gets messier and more ridiculous.

I think there are too many holes in the plot and the movie is simply seems like a waste of time. It does not get better and only gets worse.

If the plot was better and more realistic than maybe it could be a good movie but the ridiculous and unbelievable plot is what really harms this movie.

On the positive the actors seem capable, the set design and cinematography was good but it's just hard to get over the ridiculous plot. There are too many gaps and I found I was waiting for the move to end. The ending is not worth the wait.